135 1970S MOVIES SEEN IN 2023

Mysterious and unearthly deaths start to occur while Professor Saxton is transporting the frozen remains of a primitive humanoid creature he found in Manchuria back to Europe.

A strikingly beautiful young woman is trained from birth to be a deadly instrument of revenge against the swindlers who destroyed her family.

1974 film by Toshiya Fujita

A woman is trapped during a storm in a house with no electricity or phone. A killer has murdered her sister, stuffed the body in the basement, and is now after her.

A marquis' mistress becomes pregnant with fraternal twins. He keeps the boy, but sends his bodyguard to dispose of the mother and the girl. Years later…

1973 film by Yasuharu Hasebe

Summary: After being stabbed with an ancient, germ-infested knife, a doctor's assistant finds himself with an insatiable desire for blood.

While dabbling in Satanism, Count Karstein resurrects Mircalla Karnstein who initiates him into vampirism. As a rash of deaths afflicts the village, Gustav the head of Puritan group leads his men to seek out and destroy the pestilence. One of his twin nieces has become inflicted with the witchcraft but Gustav's zeal and venom has trapped the innocent Maria, threatening her with a tortuous execution, whilst Frieda remains free to continue her orgy of evil.

In 13th century Berzano, a legion of knights known as the Templar were executed for conducting black magic rituals and committing human sacrifices in a quest for eternal life. 700 years later, they rise from the dead and attack a group of vacationing college students who visit the remains of their abandoned monastery.

One night on a deserted street, Pierre (Olivier Martin of Rollin's LA VIOL DU VAMPIRE) runs into a scantily clad mute young woman (Caroline Cartier) who is being pursued by men in tuxedos and bizarre animal masks who kidnap her and take her back to a townhouse that belongs to Pierre's father, industrialist Georges Radamante (Maurice Lemaître) who warns Pierre to mind his own business. Pierre sneaks into the townhouse for one of his father's parties and witnesses a woman playing Russian Roulette shoot herself and the mute young woman drinks her blood. Pierre delves deeper into the mystery and has to fight off his own father's thugs while Georges and his associates squirrel the young woman off to an isolated country house. Pierre then meets the Grandmaster (Michel Delahaye) of a large group of bizarre looking and acting hippies - of whom the young woman is one of their number - who lay siege to the country house with his help to rescue the girl who it turns out has an unusual connection to Pierre. Rollin's exploitation films could be seen as the link between the "traditional" French New Wave and the works of the more experimental Alain Robbe-Grillet (whose LA BELLE CAPTIVE quotes images from the later half of this film) with its surrealist-on-the-cheap touches and decadent Russian Roulette-playing upper class versus communal vampire hippies plot. Not as explicitly erotic as Rollin's later films - like LA VIOL DU VAMPIRE, LA VAMPIRE NUE still uses nudity as a teasing element - this is still quintessential Jean Rollin in its triumph of imagination over budgetary limitations.

1977 film by Dario Argento

A woman claims to have witnessed a murder, but, having no evidence to provide, is not believed.

A young police commissioner investigates the murder of a young woman, which occurred the previous night in a tram car. To solve the case, the commissioner is willing to do anything, even risk his girlfriend's life.

A woman with psychic powers has a vision of a murder that took place in a house owned by her husband.

Ichijo Sayuri, once the legendary queen of Osaka strippers, has retired to run a sushi shop. She is awaiting her day in court after having been arrested for indecency at her farewell performance. While she was active, she was both the rival and the model for many young strippers. Harumi was one of them. Ichijo Sayuri was the real-life queen of Osaka strippers who was arrested on her final performance.

“From the Notebook of … was shot in Florence and takes as its point of departure Leonardo da Vinci’s notebooks and Paul Valéry’s essay on da Vinci’s process. These two elements suggest an implicit comparison between the treatment of space in Renaissance art and the moving image. The film marks a critical development in the artist’s work in that he repeatedly employs a series of rapid pans and upward tilts along the city’s buildings or facades, often integrating glimpses of his own face. As Beavers notes in his writing on the film, the camera movements are tied to the filmmakers’ presence and suggests his investigative gaze”.

Beavers traces John Ruskin’s legacy from London to the Alps and especially Venice, where the camera lingers on stone and water in dialogue with Ruskin’s writings. Turning pages and images of Unto This Last evoke the critic’s enduring perceptions and political vision, preserved through acts of reading.

Young sociologist Stanislas Previne is writing a thesis on criminal women, so he visits Camille Bliss in prison for an interview. Accused of murdering her husband and her lover, Camille recounts her life and love affairs.

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A nurse is framed for her involvement in the hospital murder of a politician who was threatening to expose corrupt practices. She escapes from jail but is captured and sent back, resulting in the rest of the inmates being punished, added to which of a new, tougher, head of security arrives to take up her new job....