Best Japanese Films Kinema Junpo (1926-2025)

Thirteen years afterward, I wonder if those who bombed Hiroshima are looking at me and saying: 'We did it! We were able to kill another person!' They should be," murmurs Minami (played by Kumiko Aso), one of the two leading female characters in Yunagi no Machi, Sakura no Kuni, as she lies dying in 1958, her life brought to a premature end by sickness resulting from her exposure to atomic bomb radiation. This is a story about those who at least initially survived the first U.S. atomic bombing of 1945 and their descendants in contemporary times. The film, based on a comic by Fumiyo Kono, jumps between the two time frames and quietly depicts the sorrow and mortification experienced through the everyday lives of laid-back and soft-spoken Hiroshima people. Only a few scenes of the bombing and the ensuing devastation are featured.

Traumatic incidents, conflicts, and bloody quarrels awaiting the Wago family members who return home to bury their parents.

A widower who’s daughter has been murdered at high school meets the mother of the murderer by coincidence after moving to a small town in Hokkaido.

A detective investigates a series of murders. A possible serial killer might be on a rampage, since they all are in the same vicinity and by the same method, but as the evidence points toward the detective as the prime suspect, a ghost in red follows him, and he begins to question his identity. His realization of what seems to have really happened results in something much more sinister and larger in scope, and it leaves his psyche scarred.

Would-be writer Ryunosuke Chagawa is still living across the street from Norifumi Suzuki and his auto repair shop, though now he shares his home with Junnosuke, an orphan he's taken under his wing at the urging of pretty Hiroi, who continues to manage a nearby tavern. Chagawa dreams of publishing a successful novel and settling down with Hiroi and Junnosuke, but his day job running the candy store keeps him busy, and Hiroi mistakes his tight schedule for a lack of interest in her. Hiroi has also embarked on a secret career as a burlesque dancer, which isn't doing much to improve her opinion of men. At the Suzuki household, seven-year-old Ippei isn't happy to be sharing the house with a guest, his distant cousin Mika who is the same age but far more demanding. Mutsuko, the apprentice female auto mechanic, is still staying with the Suzukis, and she's becomes the object of the affections of Takeo, a downbeat young man who is studying cooking.

2007 film by Yūichi Satō

2007 film by Naomi Kawase

An overworked career woman leaves her life in the city for an island vacation only to encounter eccentric local inhabitants.

A thug offers to pay a law student's gambling debt if the student will accompany him on a trip across Tokyo.

Uehara Jiro, in the sixth year at elementary school, is from a family of five; his parents who are both ex-extremists, his elder sister and a younger sister. Children look coldly at their father, Ichiro (Toyokawa Etsushi), who does not work but is quick at lashing out for anything illogical. One day, Jiro snaps at a junior high school student in the neighborhood who ridiculed his parents and causes a violent incident. Being tired of all the fuss made by the school and the response from the child welfare, the Uehara family moves to the island of Iriomotejima, father's hometown. However, the island is in the midst of a row over a development plan to build resort facilities, and the family is sucked into the mayhem. Ichiro and his wife Sakura are arrested, but they break loose. They are forced to live a life as fugitives, and are unable to live with their children. The children, however, understand that their parents do not want to succumb to the establishment and support them.

2007 film by Joji Matsuoka

Because of his younger brother’s poor health, Takumi and his family move to a different Japanese town. There, Takumi, an incredibly gifted baseball pitcher, gradually alienates his relatives and friends by putting sports above all else in life.

Famous movie actress Nami is being interviewed by a magazine reporter about her new film in which the plot resembles her real life. Her actor husband Yosuke has an affair with a young actress Junko whereas in the movie, Nami acts as an actress whose husband has an extramarital relationship with a young girl, with Yosuke as the husband and Junko as the new girl friend. In the course of the interview, Nami falls into deep thoughts and flashbacks about her lascivious encounters with strangers in a night train, in the movie as in the reality. Despite whether her intention is to revenge her husband or to satisfy her own desires, Nami demonstrates bewitching charm in a series of intercourse with different men, positions and locations. Director Takashi Ishii attempts to explore female sexual psychology through perfect blends of aesthetic nudity and violence.

In 1974, during the height of the recession, a Japanese Korean family relocates to Tokyo to raise money and seek better treatment for their ill son.

2007 film by Yukihiko Tsutsumi

After his parent's divorce, Kazuo Saito moves with his mother from Onomichi and must leave his girlfriend behind. At his new school, Kazuo is surprised to reunite with his childhood friend Kazumi.

A university student finds himself wrapped up in the bizarre world of his next door neighbor, learning about his history and relationship with a girl who changed his life.

Kiyoha rises from the lowly courtesan ranks to the high class position of Oiran in the steamy red-light district of Yoshiwara. She is determined to stand on her own two feet and live life as she pleased.

A nameless gunfighter arrives in a town ripped apart by rival gangs and, though courted by both to join, chooses his own path.

Young women in a small Japanese town look to revive their home's declining fortunes by building a Hawaiian village tourist attraction.