OST

There’s no singular demographic within FORMULA 1 fandom. The sport has exploded in recent years, with TV coverage and social media making it accessible and obsessed over by folks of every background, every age. (And that’s before you even consider that the championship travels to more than 20 countries each season.) <i>F1® The Album</i>—the soundtrack to Apple Original Film <i>F1® The Movie</i>—follows suit, featuring original songs from artists spanning both geographic and musical spectrums.

The soundtrack’s diversity isn’t just there for the sake of it—it sets the tone for the film’s exhilarating, emotional ride. Leave the on-track action (and sounds) to the cars and their colossal engines. It’s the in-between moments where this music comes in: the drama, the tension, the romance, the overcoming.

Roddy Ricch’s “Underdog” is all bravado and swagger, a shout-out to the underdogs from atop the rapper’s perch. It feels like the musical embodiment of young gun Joshua Pearce (Damson Idris), the talented rookie with a bright future—and plenty of hurdles—ahead. Meanwhile, the country rock of Chris Stapleton’s “Bad as I Used To Be” perhaps best depicts the rebellious cool of Brad Pitt’s Sonny Hayes, the rule-breaking racer who returns to F1® some 30 years after a near-fatal crash.

Elsewhere, Ed Sheeran goes full hard rock on “Drive,” belting it out over chunky guitars and big, brash drums (courtesy of John Mayer and Dave Grohl, no less). K-pop star ROSÉ delivers a passionate, lovelorn ballad with “Messy,” RAYE provides hearty soul via “Grandma Calls the Boy Bad,” and Puerto Rican rapper Myke Towers goes old-school with “Baja California,” rapping in Spanish over a 1991 Black Sheep sample.

Dance music reigns throughout the rest of the soundtrack, making it every bit as fitting for a heaving dance floor or a speedy highway joyride. Darkoo’s “Give Me Love” has a sweetly tropical bounce, Burna Boy’s “Don’t Let Me Drown” is smooth and tender, and Obongjayar’s “Gasoline” is ultra-funky and flirtatious. EDM meets rap on “OMG!” by Dutch legend Tiësto (who makes a cameo in the film) and Sexyy Red, while the vibe goes dark and sweaty with the thumping house of PAWSA’s “DOUBLE C” and Peggy Gou’s “D.A.N.C.E.” As with FORMULA 1 itself, there’s something for everyone on <i>F1® The Album</i>. And that’s what makes it such a thrill.

冷漠的都市，灰白的背景，鳞次栉比的高楼。义肢制造，记忆拷贝，网络泛滥，A.I.人工智能侵入个体神经。巨大的飞行器滑过，悄无声息的车辆驶过，镜头拉回，街道两边剩下一片目光失去准心的人们，身影投射在晶亮的商店橱窗上……阳光底下的反光，世界处于真实与虚幻之间。
押井守监制的九五剧场版动画《攻壳机动队》是一则近未来成人谜语。枪声火爆而色调低沉，动作激烈而节奏迟缓，有所去而无有所往。
——那般刻骨难忘的银幕效果，很大一部分要归功于川井宪次所做的配乐。
日本和风太鼓、泰国东北部地区的锣、印度尼西亚的angklung（又称竹筒琴或木竹琴）等世界各地搜罗来的奇怪民族乐器，掺以大片大片的纯电子音效，再加上用欧式和声混合古日本宗教唱腔的女声合唱——这种新派祭乐风格所带出来的效果确实不能不说是惊人。

鋭敏な感性で混沌とした世界を描く。TVアニメEDテーマやライブ初披露曲も。

为TV动画「胆大党」第二季片头曲所创作的歌曲。作词与作曲由AiNA THE END和Shin Sakiura共同负责，编曲同样由Shin Sakiura担纲。包括电影「诡异之家」主题曲〈Frail〉、日本电视台周六日剧「为什么是我来神说教」主题曲〈Aria〉等，她与曾携手打造多首热门神曲的Shin Sakiura再次组成最强搭档。在充满疾走感的音乐之中展现出神秘的旋律对话，带有不可思议、激烈且偶尔带点哀伤的氛围，精巧地诠释出作品中「灵异×青春」的独特世界观。歌词中「感伤的恋爱」这个关键词闪耀着光芒，配合让人忍不住哼唱、充满趣味的合声呼应，打造出一首充满AiNA THE END独特且流行的词汇魅力的歌曲。