Indigenous Taiwan

The tribal village gets misty in September, letting out an atmosphere as intriguing as Hayung's family in this autumn-winter season. After Hayung's homeland was occupied, one 80-year-old man devoted his whole life to worshipping GAGA. The traditions were forgotten by his descendants after his passing... The Hayung's family represented indigenous families in Taiwan. Each tribe represents a withering big family. The eldest son Pasang joins in the election campaign, neglecting the opposition from his family. The second son, who is a farmer, is thus affected. After the election campaign, the entire family is on the verge of falling apart, and the village witnesses the snow for the first time in a very long time... With snow melting, new lives emerge. The broken family has started mending and repairing...

2011 film directed by Wei Te-Sheng

For her debut feature Finding Sayun (不一樣的月光), Atayal director Chen Chieh-yao (陳潔瑤) returns to her home village to unearth the legend of Sayun (sometimes spelled Sayion), an Atayal girl who fell to her death in a turbulent stream while carrying a Japanese teacher’s belongings at the end of World War II. The movie begins when the tale of Sayun draws a television crew to the Atayal hamlet of Tyohemg (金岳) in Nanao Township (南澳), Yilan County. Yukan (Tsao Shih-hui, 曹世輝), a high-school boy and a young hunter, does not understand the crew members’ interest in the story. But his grandfather’s (Chang Chin-chen, 張金振) memories of Sayun, whom he went to school with, revives his interest in the old tribal village, which the villagers had been forced to desert 50 years prior.

Panay worked in the city as a journalist. One day, she found her tribe had been overdeveloped and changed by tourism. They were losing their land and their culture, so she decided to return home to bring back the abandon terrace. In this process, she found it's not only about the land, but also about who she really is.