1950s

Otsuta is running the geisha house Tsuta in Tokyo. Her business is heavily in debt. Her daughter Katsuyo doesn't see any future in her mother's trade in the late days of Geisha. But Otsuta will not give up. This film portraits the day time life of geisha when not entertaining customers.

Fumiko and Ryōtarō Namiki's marriage has gone stale, with both constantly arguing over what to do on a day off, or about her cutting out recipes from the newspaper before he finishes reading it. Their animosities are witnessed by Fumiko's niece Ayako, who visits to complain about her own husband's inattentiveness, and their new neighbours, the Imasatos.

Retired rodeo champion Jeff McCloud agrees to mentor novice rodeo contestant Wes Merritt against the wishes of Merritt's wife who fears the dangers of this rough sport.

1955 film by Max Ophüls

On a scorching summer day in Rio de Janeiro, five impoverished black boys venture out of their favela to peddle peanuts throughout the bustling city. As they navigate the various districts of Rio, they bear witness to a series of unfortunate events and encounters, unfolding a vivid tapestry of urban life in Rio de Janeiro during that period. These true misadventures shed light on the gritty reality of the city, unveiling its vibrant urban tapestry.

A young salaryman and his wife struggle within the confines of their passionless relationship while he embarks on an extramarital affair.

In Burma during the closing days of WWII, a Japanese soldier separated from his unit disguises himself as a Buddhist monk to escape imprisonment as a POW.

Ginko, the daughter of a poor shoemaker Ginzo, a child was sold to a geisha. From a student she became a real geisha and made her debut under the name of “Peony”. Great anguish caused Ginko molestation host teahouse. In Ginko have a favorite person – doctor Kurisu, but she is forced to leave him and return home in Tokyo. But here, she had all the same poverty. Parents again sell Ginkgo, this time to the north. There she first landlord was going to marry her, but interferes with his mother, who has decided not to allow this marriage, shameful for the honor of the house. He eventually marries another girl. Caught in a quandary, Ginko returns to Tokyo and the third time it becomes a geisha. Hard work, constant bullying Ginko adjusted to the disease. Mistress of her first promises to break a contract in which she serves as Ginko, but when Ginko finally recovers, the owner easily abandons his promises and demands that Ginko continued to work on it.

Fleeing a distressing family situation, Eiko, a very young girl, becomes an apprentice to Miyoharu, a veteran geisha. Both, determined to preserve their professional integrity, must face the selfishness and ambition of several petty people.

1953 film by Luis Buñuel

1954 film by Luchino Visconti

After murdering her illegitimate baby, Isabella pins the blame on her innocent cousin Consuelo. Despite the strenuous efforts of her attorney-lover DeSylva, Consuelo is found guilty and shipped to a penal colony along with several other female prisoners.

A young woman, who must support her father as a middle-aged man's mistress, finds herself falling in love with a student closer to her age.

In this musical set in an all-Black army camp, civilian parachute maker and "hot bundle" Carmen Jones is desired by many of the men. Naturally, she wants Joe, who's engaged to sweet Cindy Lou and about to go into pilot training for the Korean War.

The moment he's released from prison, the honorable gangster Miyamoto recovers the stolen diamonds he had stashed before getting pinched. When he returns to his haunt to make good by friend who took a bullet for him, he is diverted by the greedy boss Oyane and his insatiable taste for Miyamoto's precious stones.

Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.

A kabuki actress is murdered. Her pet cat laps its mistress's blood and becomes a demon possessed by the vengeful murder victim.

1952 film directed by Roberto Rossellini

Clelia, a self-made woman coming from humble means, travels back to Turin, her hometown, to scout locations for the successful Roman atelier she works for. At the hotel, she encounters some upper middle-class women and she finds herself drawn into their friendships.

On the way back to his childhood home, a septuagenarian man recalls his childhood and adolescence, in particular his love for a young woman.