Women's Penitentiary III (1971)

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Women's Penitentiary III

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Psychosexual dramas 2

笼中女 / Women in Cages / Frauen hinter Zuchthausmauern / Femmes en cage / 籠中女 / Femmes en cages / 女体拷問鬼看守パム
director: Gerardo de Leon
playwright: David Osterhout / James H. Watkins
actor: Pam Grier / Jennifer Gan / Roberta Collins / Judith M. Brown
genre: Drama / Action / Crime
region: United States / Philippines
language: English
length: 1h 18m
release date: 1971-10-21
IMDb: tt0067995

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Women in Cages

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Carol Jeffries (known as 'Jeff') is a naive American woman staying in the Phillipines. She is given ten years in prison after being set up by her drug-dealer boyfriend, Rudy. She endures the harsh conditions, sadistic head matron and attempts on her life, then convinces her cell-mates to try to escape with her through the jungle, in spite of the knowledge that ruthless trackers will be sent out after them. ”
“ Legend has it that Sam Arkoff, head of American International Pictures saw a statuesque Grier at his company switchboard and cast her on the spot for her breakthrough hit Coffy. That, as they say, is bull shee-it. The former beauty queen made her film debut in 1970 as an extra in Russ Meyer's big breast bonanza Beyond The Valley Of The Dolls, and appeared in a number of B-pics shot in the Philippines the following year for AiP's rival company, Roger Corman's New World Pictures. Alongside her role as the tough-as-nails prostitute in Big Doll House were supports in the horror flick The Twilight People and as a topless hooker (again!) in Cool Breeze, then back behind bars for Women In Cages.
In Women In Cages, Grier plays the sadistic warden for once, a pot-smoking lesbian with a fully-equipped torture chamber (including a guillotine!). The 'New Fish' (a recent inmate, for you prison film novices), a ditzy blonde ex-stripper called Alabama, has taken the heroin possession rap for her pimp boyfriend. She knows too much, so the pimp blackmails her cellmates to execute her. A competent and well-shot entry in the tropical prison genre from Filipino director Gerry De Leon, it places the embittered ex-addict and prostitute Grier in the position of slave owner, watching her white charges toiling away in the plantation with obvious ironic glee.

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