It’s Christmas season. Ten years have passed since Lina traveled to Chile to work as a domestic worker away from her son who lives with her grandmother in Peru. Manuel, a former employer, ask her to supervise the construction of a swimming pool for his daughter Clara in his new house. In this half-inhabited space, Lina spends the day taking care of Clara, while at night, she has furtive sexual encounters with strangers that confront her with her deep solitude.

Julia, wife of a wealthy lord living near the Iguazu Falls, has nightmares for several days. The lord builds a fence to ward off the indigenous people, the Guarani tribe, but Julia is still anxious about her son Manuel’s safety. One day Manuel suddenly disappears, and when searching for him, Julia runs into her maid, Kerana, who was believed to have died one year before, under the falls.

She Wolf is a serial killer who traps her men in the subway in Buenos Aires. She seduces, has sex with them and kills them. But one of those men is a police officer who is investigating her crimes. Running away from him she meets a dealer with whom she stars a relationship. This romance unravels a war between her three personalities: the monster woman, the sensual woman and the human woman who can still love.

Estela and her mother Clota must travel from Junín, where they live, to the town of Costa Bonita, in Necochea, to see some apartments that Estela's father has inherited from her.

An enormous effort of narrative complexity made up of six independent, successive stories, connected by the same four actresses living very different experiences in very different universes…

Mariano, 16, inexplicably and without warning, shoots himself twice and improbably survives. Then, life goes on. His brother pursues a romance with a girl working at a fast-food joint, his mother takes off on a trip with a stranger, and Mariano recruits a woman to join his medieval wind ensemble.

迪布和女朋友丽莎住进了刚买的新房里，不久便开始接到找前房东，一个叫玛利亚的女人的电话。丽莎开始对这个谜一般的女人着迷，同时迪布为邻居家扰人的大狗和孩子而争吵并烦恼。该片是关于这对同居情侣新生活的故事，同时夹杂着欢笑、泪水与音乐。

Sometimes the sinister is next to your ordinary life.

Jorge Villafañez is a rotund, veteran private detective living alone in a high-rise apartment in Buenos Aires. Discreet and meticulous, he has a knack of making people open up in conversations. But when a new assignment puts him on the trail of Elvira, an experimental choreographer, the distance between the observer and the observed begins to collapse as Jorge descends into the rising waters of the Delta del Río de la Plata.
Adapted from Juan Sáenz Valiente’s eponymous comic book, Daniel Casabé and Edgardo Dieleke’s La Sudestada sets out like a riff on Vertigo (1958), but snakes like the Plata River to find its own path. Employing unusual edits, archival footage, surreal interludes, delightful genre shifts and passages of gestural abstraction, the film is a shape-shifting work that constantly reinvents itself and opens up into new directions.
Powered by a stellar lead performance by Juan Carrasco, La Sudestada endears us to Jorge even as it lets us glimpse his nastier side and horrific professional history. An unassuming reflection on age and urban loneliness, the film gradually accrues a spiritual dimension in the way it enables grace to manifest in a body fundamentally unprepared for it. The result is a thriller that tracks the movements of the soul.
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一名中年男同志马丁夜夜笙歌放纵人生，喝酒、嗑药、群交样样都来，但他要的其实只是有人陪伴，在一个又一个High到荼靡的夜晚里，他越渴望爱，就越感到寂寞。阿根廷演员艾德加·多卡斯特罗演而优则导，首部作品《夜爱夜寂寞》自编自导自演首度展现精湛编导才华，以深刻震撼的超现实美学，流畅而迷人地带领观众进入主角的生活和内心，随着大胆露骨的性爱和主角麻醉自己的过程，凸显他内心的无尽孤寂。

Four characters are looking for a man called Castro, but we don't know why. For some mysterious reason, Castro is running. He has left his life behind, and survives by hiding in a room in a small city. He is basically alone, but someone has appeared in his life, Celia. She is young, beautiful, and sometimes cruel.