"My Own Breathing" is the final documentary of the trilogy, The Murmuring about comfort women during the World War II directed by BYUN Young-joo. This is the completion of her seven years work. BYUN's first and second documentaries spoke of grandmothers' everyday life through the origin of their torment, while My Own Breathing goes back to their past from their everyday life. Deleting any device of narration or music, the camera lets grandmothers talk about themselves. Finally, the film revives their deep voices trampled by harsh history.

This file contains habitual life of elderly women who were comfort women. Living together in 'House of sharing', they plant vegetables, raise chickens and paint. Not different to other grand mothers. But these grandmothers have memories or historical traces that can't be forgotten and shouldn't be forgotten. The painful days of comfort women when they were taken by force and trampled. Even though they came back home after the war, their wounded days come out abruptly. When they look at others' children and grandchildren, they feel heart sore. And misconduct of Japanese government to cover the comfort women problem with private funds makes them furious. And as time goes by they are fear and impatient about disgraced world. Their sadness becomes daily and habitual thing instead it withdrew intensity. Habitual sadness part 1 put great care in imagination of their pains and historical meaning while part 2 shows their daily life and the sadness which is soaked in their habitual life.

Cha Su-yeol, a police officer who has long despised his mother, the notorious 'Mantis' serial killer, must reluctantly turn to her for help when a copycat killer emerges.

Cha Su-yeol, a police officer who has long despised his mother, the notorious 'Mantis' serial killer, must reluctantly turn to her for help when a copycat killer emerges.

Two 19 year old girls were brutally murdered. The bodies were abandoned and could not be found anywhere inside the warehouse scattered with blood. The only suspect, was their friend. He was drunk on the night of the incident. He doesn’t recall a single memory. No memories of committing a murder. No memories of not committing a murder either. The boy had become a young adult by the time he was released from prison in 11 years. He wished to pursue a quiet life… But another murder flips the village. A white bone carcass has been discovered. The real devil is hiding somewhere within the seemingly peaceful village. Who’s the real devil?

边永柱1993年加入独立纪录片制作组织“蓝色影像”活动，执导反映济州岛和泰国的“妓生观光”现实的《亚洲女性是可以出售的东西》一片，揭示卖淫业同现代人的性意识之间的联系；该片的创作过程中，边永妵遇到了一位为了筹集二战中作为日军随军慰安妇的母亲的手术费而从事卖淫活动的女性，这刺激了她关于慰安妇问题对于当今女性社会意义方面思考的深入。

1995年日本山形(Yamagata)国际纪录片电影节当中，边永妵获得了相当于新人导演奖的小川绅介(Ogawa Shinsuke) 奖，《微弱的声音》也作为韩国第一部正式在影院上映的纪录片电影而备受关注。此后在慰安妇们的邀请下，边永妵拍摄的《微弱的声音2》参展多个国际电影节并获好评；1999年的《微弱的声音3 呼吸》则是对这一系列的完成之作；比起在电影节上获得得多个奖项，影片更加闪光的地方在于面对一段人人都想忘记的历史伤痛时的勇敢、独立的态度以及通过边永妵的电影得以证明的“真实的力量”，制作影片的费用也是通过支持她工作的人一点一滴凑齐的。尽管制作方式是革新性的，但影片恰好是将镜头对准游离于主流社会之外甚至是遭到抛弃的群体，将对现代史的桎梏以及对于当今社会的意义进行反思的问题再一次摆在现代人的面前。

《白雪公主必须死》改编自内尔•诺伊豪斯所著的同名德国小说，电视剧将对原著中的事件和角色进行符合韩国国情的改编，并融入隐藏在韩国社会各处人类的两面性。剧情讲述在封闭的盆地村子里发生的一系列事件和隐藏在其中的人类内心丑恶的本性，以及揭露这些丑恶的刑警搭档的活跃表现。

姜民载（尹启相 饰）是一个平凡的十九岁高中男生，身为飞行员的父亲希望儿子能够继承他的事业，可姜民载的成绩实在是太差了，根本无法通过考试，这让姜民载感到压力十分巨大。姜民载喜欢着班上名为黄甫秀珍（金敏贞 饰）的女孩，然而害羞内向的姜民载只是选择将这份感情深深的埋藏在心底。
一次偶然中，姜民载和好友们来到了小区文化馆，加入了在那里举行的芭蕾舞培训班，就此打开了通向一个新世界的大门。那边厢，黄甫秀珍虽然成绩优异前途无量，但过于男孩子气的她竟然吸引了女生的爱慕，这让她感到十分郁闷。为了改变现状，黄甫秀珍亦加入了芭蕾舞培训班。

美京（金允珍 饰）作为一名家庭主妇，每天都尽力伺候丈夫的日常生活，生活平淡。某天当她得知了自己的丈夫有别的女人后，简直是晴天霹雳，她感觉生活完全没有了意义。为了伤痛的感觉让她不得不搬离与丈夫的家。可是她仍然被背叛的伤痛折磨，每天都沉浸在无止境的悲伤当中。
美京在一所村庄里遇到了医生仁圭（李宗元 饰）。仁圭对美京深深吸引，虽然他本身就有妻子，而且身边常常美女如云。仁圭对美京穷追猛打，寂寞的美京还是无法抵受仁圭的爱慕，与之发生了关系。美京当然不知道自己身边的男人是有妇之夫并处处留情，还天真的以为自己终于找到了真命天子。美京的梦，是在圣诞除夕那晚被打碎的，一名自称是仁圭妻子的人找上门来……

A woman suddenly disappears. Her fiance then sets out to find her and, in the process, uncovers layers of dark hidden secrets.