A Tehran mullah-in-training struggles to take care of his ailing wife and their children in this profoundly moving melodrama. A film of near-universal appeal, it puts a human face on Iran's Muslim clergy with its unusual tale of a man forced by hardship to become a better husband and father. Seyed Reza has just moved with his family to Tehran so he can study the Koran, and he relies on his lovely wife Zahra to look after their two young children and weave the intricate rugs that earn them a living. But one evening Zahra collapses and is taken to the hospital, where she's diagnosed with multiple sclerosis. Scarcely able to process the tragedy, Seyed is left to cook, change diapers, walk his daughter to school and take his toddler son with him to his classes, where peers and elders treat him with scorn. But Seyed eventually learns to cope, his prayers and devotional studies taking on deeper meaning as he attends to the hard nightly work of rug weaving, getting through with a heavy ...

It is the story of a family on the first of September 1941, which undergoes changes during the occupation of Iran by the Allies.

Are you a slave or a worker?!

Taraneh is a model 15-year-old Iranian girl, studious and filial, who supports her ailing grandmother with a job at a photo shop and visits her father (who has been imprisoned for reasons never made clear in the film) bearing gifts of cigarettes and magazines. But when Amir, a young man from a well-off family, sets his sights on Taraneh and courts her with an intensity that borders on stalking, her well-ordered life spirals into chaos.

一个家庭。三个女人，其中一个是智障。他们生活在一个看似封闭又极具代表性的透明的社会关系里。一把手枪的走火，是智障对生命走向结束的意识？还是仅仅是不小心？邻居等人物在他们之间穿梭，但却仍然在他们的世界之外，这个无常的生活给了他们什么？

Maryam (Negar Javaherian) and Reza (Shahab Hosseini) are different from other people, it's not just a simple difference, but a very big difference. They must try to prove to others they have solved the big difference with the miracle of love ...

Nahal is around thirty and in her fourth month of pregnancy. During a routine check-up she learns that her baby has died and she now faces a curettage abortion in two days’ time. When she tries to address the subject, neither her mother nor her husband give her a chance to speak. Nahal knows that her family will force her to go back to taking the antidepressant medication she began prior to her pregnancy. At first the young woman appears to resume her daily life as before, but her silence soon turns into rebellion.
Hamid Rajabi portrays a woman who revolts against the veneer of her middle-class existence, a woman who wants more from life than a coffee machine, a fridge with an ice dispenser and a second car. Nahal breaks free from the constraints of her standardised existence; her protest is unexpectedly anarchic as she deliberately provokes the people around her and draws them out of their shells. Paridan az Ertefa Kam describes a struggle which ultimately cannot be won, but nonetheless has to be fought. The film also explores an Iranian middle-class which, with its love of status symbols, seems to have locked itself away in a mental prison. berlinale 2015

HERE WITHOUT ME (Iran) by Bahram Tavakoli, is an adaptation of Tennessee Williams' Glass Menagerie. In this contemporary Iranian adaptation of the play, a single mother works hard to find a match for her painfully shy and lame-legged daughter, while her son dreams mostly of the cinema and escaping the trap of family obligations.

Amir and Sara are a young couple on their way to Melbourne to continue their studies. However, just a few hours before the departure of their flight, they are unintentionally involved in a tragic event.

Story of a man who remembers nothing in a full day.

A young homeless girl supports herself as a surrogate mother for money. A human rights attorney tries to help her change her life, but ithe challenges seem insurmountable. This is a rarely seen side of Iranian society.