After a terrorist attack on Guatemala in the 1980's, a small child is left deaf and motherless. Now her father has to step up and take care of her by himself while the fear of inner armed conflict looms over the country.

At a pivotal moment in her singing career, Rocío discovers that her mother is ill and that her final wish is to meet with her again before she dies. After evading the past for 10 years, Rocío returns to her hometown from where she was once expelled. When confronting her family, she comes to understand that forgiveness is the key that will allow her to realize her full potential.

Authentic and committed, moving and stormy drama of street kids from Mexico City. Wonderful adaptation of successful play about street kids who have more trouble with corrupt cops, than with dirty and heavy work.

Narra la historia de Javier, un taxista al que el destino lleva a trabajar cerca del hotel Regis el 19 de septiembre de 1985. Frente a sus ojos la ciudad de México se derrumba en el tremendo terremoto de ese día, llevándolo a vivir el rescate y la desesperación de un padre en busca de su hijo. A través de esta gran historia de unión, veremos la formación de las brigadas de rescate, la compasión humana y el compañerismo que se vive en el pueblo mexicano. El día de la unión es un homenaje a las víctimas, sobrevivientes y héroes de los sismos en México del 85 y del 2017.

To redeem himself from a great sin, a man dedicates himself to building a church.

Tells the story behind an assassination attempt perpetrated in 1897, by a dipsomaniac man, against the President of the Mexican Republic, General Porfirio Diaz.

An ex-cop in self-imposed witness protection in Mexico becomes a target when a fight video of his apprentice goes viral.

A woman's refusal to join her sister's twisted scheme sparks betrayal and revenge as she tries to reunite with her long-lost daughter in prison.

A young girl recounts her girlhood and eventual marriage to a general of the Mexican revolution. by one of the most outstanding writers of the new feminist Mexican literature, it is at once a haunting novel of one woman's life and a powerful account of post-revolutionary Mexico from a female perspective.

A Great and Complex Romance About Love, Ignorance, Corruption and Intolerance. In 1928, in a revolutionary Mexico, in the small village of Progreso nearby the harbor in the district of Yucatan, Eliseo (Daniel Acuna) is the son of a violent stevedore, who is one of the founders of the local Union. The boy has a sister, mother and two friends, and is not a good student. He frequently lies, specially to avoid the physical aggressions of his father. His teacher Felipa (Blanca Guerra) decides to help him to assume responsibilities and asks him to clean her house daily before going to school. Felipa is in love with a sailor. One day, Eliseo arrives wounded due to the beating of his father and stays at her house in the night. The solitude approaches them and the boy has an intercourse with her, becoming the favorite student of Felipa. Their affair ends when her beloved sailor is found drowned and Felipa moves from Progreso. The main story continues in 1937, when Eliseo is a married young man, and Felipa returns to Progreso. This film is excellent, having a screenplay with many characters, all of them very well defined for the viewer, and many plots and sub-plots. This romance is about love, ignorance, corruption and intolerance. The direction is superb and the actors and actresses have a magnificent performance in this very credible story.
Carlos Carrera directed this Mexican drama that begins in 1928 when 13-year-old longshoreman's son Eliseo (Daniel Acuna) dreams of leaving the southeastern port of Progreso like his sister Magda (who escapes with charismatic circus acrobat Roy). Eliseo loses his virginity to his schoolteacher Felipa (Blanca Guerra), but she becomes the target of accusations and is driven out of town. Eliseo then becomes a twosome with Lupita, daughter of his father's boss. The story flashes forward to 1937, when the adult Eliseo (Mario Zaragoza) has married Lupita. After Felipa returns to the town to build a school, she and Eliseo once again become intimate, and problems erupt. Full symphonic score by Cuban composer José Maria Vitier. Shown at the 1998 Toronto film Festival and in competition at the 1998 San Sebastian Film Festival.