When a large Irish woman falsely accuses Buster of breaking a window he is hauled before a Polish judge who speaks no English and assumes they are there to be married. She takes her new husband home to meet her four gorilla-like brothers.

A young golfer is mugged by an escaped convict and finds himself in a prison where he foils a jailbreak.

A young man (Buster Keaton) proposes a young woman (Renee Adoree), but her father questions how he might support his daughter after the marriage. The youth informs that he will move to New York, find a job and marry the girl. If he fails, he would commit suicide. Once in the big city, he works in many professions and writes to his girlfriend; and his imaginative girl reads each letter and thinks in her beloved being successful on each trial.

Color: Black and White
Sound Mix: Silent

The Haunted House is a 1921 short comedy film starring comedian Buster Keaton. It was written and directed by Keaton and Edward F. Cline. The runtime is 21 minutes. One of the more memorable sequences of the film involves bank teller Buster spilling glue all over his counter, reminiscent of a scene in his first film The Butcher Boy.

The film opens near a subway terminal from which Buster Keaton emerges. He finds people gambling in a house with lots of money. He tries to scare them with the cutout of a poster with a man holding gun. He puts the cutout at the window and says, "Raise your hands in air". But soon they find out when a drunk man falls over the cutout and Buster has to run.
Next, he mistakenly enters a house thinking that its his own house. Inside the house, he sees a man and a woman kissing. He takes her for his wife, gets red hot angry and shoots them both, later to realize his mistake.
He goes to his own house this time to find his irritating wife. Some object hits his yelling wife and she faints. A passing police officer knocks at the door after hearing her scream. Buster saves himself by playing music on gramophone and pretending to dance with his fainted wife. As soon as the officer leaves, he lets the fainted wife fall down and looks out of the window. He discovers a pretty but married neighbor (Bonnie Hill), quickly wears good clothes and takes flowers to her where she imagines he looks like Erich von Stroheim. The husband of this pretty neighbor comes back and Buster has to run. The rest of the movie is filled with funny situations of him chasing after that pretty neighbor. In the end, he wakes up in the front row of a film theater to realize that it was all a dream.

Buster's handmade boat, The Damfino, is finished and is, of course, too large to get through the basement door. When he drives off with it in tow, the side of his house, then the whole thing, collapses. At the harbor he rides the boat out only to have it sink beneath him. The rest is a series of adventures he and his family have with the restored boat.

Buster Keaton and Virginia Fox play young lovers who live in tenements, the rear of which face each other, with backyards separated by a wooden fence. Their families feud over the lovers' relationship, resulting in much mayhem and slapstick.
The Romeo and Juliet story played out in a tenement neighborhood with Buster and Virginia's families hating each other over the fence separating their buildings.

A down on his luck young man makes several attempts at committing suicide but fails them too. He then finds himself becoming more confident through a series of petty adventures, to such an extent that this becomes his undoing.

Buster is thrown off a train near an amusement park. There he gets a job in a shooting gallery run by the Blinking Buzzards mob. Ordered to kill a businessman, he winds up protecting the man and his daughter by outfitting their home with trick devices.

After waking from the dream of a theater peopled entirely by numerous Buster Keatons, a lowly stage hand causes havoc everywhere he works.

A butterfly collector unwittingly wanders into an Indian encampment while chasing a butterfly, but the tribe has resolved to kill the first white man who enters their encampment because white oil tycoons are trying to force them from their land.

This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops.
At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it.
One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.

Buster and Phyllis endure a number of outdoor adventures trying to prove to each other their survival skills. The balloon, which lands Buster in the wilderness, later proves useful as their canoe is about go over a waterfall.

Botany major Buster mistakenly graduates in electrical engineering and is hired to wire a new home.

Two farmhands compete for the love of the farmer's daughter.

Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.