The hero of Mikhail Galustyan, known in our world as KarlOson, lives in a magical and colorful world of metrics - chubby flying big-ear humanoids one meter tall, whose mission - to help kids. Metrics can show themselves to children, but are forced to carefully hide the fact of their existence from boring adults.

Through both comedy and tragedy, "Seagull" explores lives that are precariously balanced between love and indifference, success and failure, hope and despair. The first of what are considered to be Chekhov's four great plays, it sets the scene for the playwright's unmistakable mix of melancholia and laughter combined with a unique understanding of the daily torment of an unfulfilled.　

风尘路上，一群牛仔策马追赶着一辆马车。电影放映员费斯特携带着一部手摇放映机给美国西部一个偏远小镇送去了电影。电影院的潜移默化能够在这混混沌沌的野蛮与愚昧的洪荒小镇带来文明吗？电影的悲欢里险象迭现，妙趣横生。

One day, the Wolf stole the newborn Calf and brought him home to eat, but regretted it and decided not to eat it, but wait until he grows up. The Wolf becomes attached to the Calf, takes care of him, feeds milk, sings lullabies, reads books. For the sake of the Calf, the Wolf keeps cleanliness - "children - they can not grow in the mud." And the Wild Boar, which smokes a cigarette, the Wolf literally drives a rag. Gradually, the Wolf and the Calf are so used to each other that they began to live like a father and son.

A woman is paid a surprise visit by her long-forgotten classmate, who needs her advice: should he choose a wife or a lover? An outrageously burlesque mise-en-scène is repeated many times but each time in a different place and performed by new actors. Why?

新年的钟声即将敲响，女教师娜斯佳的家中迎来了三位老人，他们都是按照娜斯佳刊登的寻亲启示来这里找失散多年的女儿的。于是，在这个飘着雪花的温馨夜晚，发生了一个动人的故事……

叶列娜出身豪门贵族，是个正直、热情而富有自我牺牲精神的俄国姑娘，对待朋友别尔申涅夫和舒宾非常真诚。对英沙洛夫的爱情十分慎重而又十分坚决。他爱英沙洛夫，只是因为他的性格诚实，行为正直，特别因为他怀着决心解放自己祖国的崇高理想，叶为了对英的爱情，不惜远离自己的祖国。英沙洛夫去世后，她含辛茹苦，继承自己丈夫未完成的事业，在民族解放战争中当看护，忠于信仰，依然前行。

A heroic fantasy about an artist’s destiny at the tumultuous time of social transformations. One of director Alexander Mitta’s best films. The south of Russia, 1920. In a town square, a mono-performance is on, based on Shakespeare’s “Julius Caesar”. The film’s hero who took the pseudonym “Revarm”, which stands for “Revolutionary Art for the Masses”, is seriously interested in theatre. The real life and the stage one are intertwined in his destiny. In a provincial town where the power continuously changes hands, going from the Reds to the Whites, from the Whites to a band of the Greens, this youthful stage reformer, endowed with the gift of persuasion, attracts people to his cause, leaving no one indifferent.

История о том, как председатель колхоза взял к себе в дом Сашу Комелева, сына умершего секретаря райкома. Парень начал работать в колхозе и поступил на заочное отделение института. Особо тоскливые вечера он проводил с черноокой Катей. А она очень скоро полюбила нового секретаря райкома, который в отличие от Саши был смелым и решительным...

影片《猎人笔记》根据俄国著名作家屠格涅夫的同名小说改编而成。它从小说中选取了一个故事——《护林员》拍摄成电影。
影片忠实于原著的风格，以优美的画面，生动的人物形象，再现了广袤俄罗斯大地上秀丽的自然风光、勤劳俭朴的劳动人民。影片以一个护林员的悲惨遭遇，真实地展现了俄国农奴背景下的劳动人民挣扎于水深火热之中的凄苦生活。林中的景色美不胜收，尽忠职守的护林员看护着森林，即便是一根树枝，别人也休想从这儿偷走。虽然他尽心尽力地干活，可贫苦、饥饿却困扰着他。他的妻子因病去世，留下一个12岁的女儿和一个尚在襁褓中的孩子。他们的生活极为艰难，常常是食不果腹。尽管这样，护林员对工作仍旧是兢兢业业。然而苦难尚未结束，一位先生到林中打猎，误打中了护林员，结束了他苦难深重的生命。而他那两个可怜的孩子，从此更加孤苦无依。

”Kira Muratova, the grande dame of Eastern European cinema returns with her richest, most imposing vision of societal decay and personal efflorescence since The Aesthenic Syndrome encapsulated a very different moment in the former Soviet Union's history in 1989. Set largely in the vast central railway station of Kiev, a casino, a shopping arcade and the snow-blanketed streets between, Melody is a majestically realised pageant of the burgeoning new economy of inequality. Like Dickensian orphans or children in a fairytale, a motherless brother and sister arrive in the city and traipse through festive Christmas streets looking for their respective fathers…
The heedless adults who rush around them are endowed with varying blends of self-preoccupation, larceny, skepticism, boredom, gluttony, panic, but even at their most appalling these caricatures of urban insanity are disturbingly, sometimes even hilariously familiar. Muratova's vision of 21st-century decadence is thrilling in its ripe theatricality and self-conscious dramatic heft, yet its thunderous damnation could awaken the most jaded soul. This deeply unfashionable film is some kind of masterpiece.” – BG at tvnz.co.nz/new-zealand-international-film-festival/

根据陀思妥耶夫斯基同名短篇小说改编。

影片讲述的是二战时期一个德国军官库库卡在难民营内收养了一个13、4岁叫艾米丽的少女。库库卡很爱她，把艾米丽当做女儿。他教她打枪，弹钢琴等很多东西。后来德国战败了，库库卡化装成盟国平民逃跑。在一个难民集中的操场上，被一个小偷偷了随身的箱包，在箱包内发现了一张库库卡身穿纳粹军服的照片暴露了真实身份，最终库库卡被复仇的犹太人和当地人用砖块砸死。
他的养女艾米丽回到妈妈的身边。这部影片“辩证”地反映了一个纳粹军官的残暴和“善良之心”

On the eve of his fortieth birthday, a man realizes nothing he has achieved in his life has amounted to very much.

On a summer day in late 19th century Russia, a group of bourgeois friends and acquaintances gather at a dilapidated country estate.

St. Petersburg, mid 19th century: the indolent, middle-aged Oblomov lives in a flat with his older servant, Zakhar. He sleeps much of the day, dreaming of his childhood on his parents' estate. His boyhood companion, Stoltz, now an energetic and successful businessman, adds Oblomov to his circle whenever he's in the city, and Oblomov's life changes when Stoltz introduces him to Olga, lovely and cultured. When Stoltz leaves for several months, Oblomov takes a country house near Olga's, and she determines to change him: to turn him into a man of society, action, and culture. Soon, Olga and Oblomov are in love; but where, in the triangle, does that leave Stoltz?

1979 film by Vladimir Menshov