The frustrations felt by certain middle-class youth in Argentina during the early sixties.

1964 film by Fernando Ayala

A young man is on the verge of death due to a traffic accident. Only a doctor keep hope in his recovery: family, friends, and the health institution itself have abandoned him. The relationships established between these two men and with the other characters are obscured by the rarefied atmosphere of those years. An essential factor to consider is the historical moment where the action takes place: the final years of the last civic-military dictatorship in Argentina. This fact is central to better understand the characters and their reactions.

木匠爷爷一直以来都过着形单影只的孤独生活，深感寂寞的他用一块木头雕成了一个小男孩，取名匹诺曹，就这样，匹诺曹和爷爷开始了相依为命的生活。在蓝仙女的照拂之下，匹诺曹拥有了灵活的四肢和独立的思想，他再也不像一个动也不能动的木头人了！
然而，随着时间的推移，匹诺曹渐渐感到了不满足。他知道，自己从本质上来说，并不是一个真正的小男孩，在他的胸膛里躺着的，依旧是一颗不会跳动的木头一样的心脏。为了成为真正的男孩，匹诺曹踏上了旅途，他要学习的还有很多，比如诚实、比如勇敢，比如如何交到一个真正的朋友。

The story of a delinquent eleven-year-old orphan in fascist Argentina.

After running into something with her car, Vero experiences a particular psychological state. She realizes she might have killed someone.