Minne is a very imaginative young lady. She pretends to have had lovers and can't think of anything better to do other than... to tell Antoine, her husband, the day she marries him. Bad beginning for the couple... As the marriage is not consummated for years, Minne feels frustrated and tries to find elsewhere the carnal knowledge she does not find at home. But Antoine is a kind-hearted man and on the occasion of a trip, a sexual balance is at last found between the two partners.

During the First World War, the Empyrée Montmartre, a Paris music-hall, is dedicated to patriotic revues whose star is the charming Mitsou. The young artist is not without talent but she is mainly well-connected. She is indeed the cherished mistress of Pierre Duroy-Lelong, a rich industrialist. One night, thanks to Petite-Chose, an ebullient singer-dancer and her co-star, she gets to know a handsome army, Lieutenant Bleu. Mitsou falls madly in love with him and Lieutenant Bleu is physically attracted to her. The trouble is that Bleu comes from a distinguished family and cannot put up with her lack of culture and artistic bad taste...

A young Parisian woman attends a school for coquettes in order to rise in society.

Burgundy 1728. Old count Antoine d'Eon is overjoyed. His daughter-in-law has finally given birth to a boy and he will at long last be able to transmit his inheritance to his son Pascal. At least this is what he thinks, for Pascal has concealed from his father the fact that his son was ... a daughter, his eighth daughter! Well, enough is enough and Geneviève has no other choice but become a boy first, then a soldier and even the special envoy of Louis XV, King of France, to Catherine II, the Czarina of Russia.

1954 film by Jacqueline Audry

At the end of the 15th century, a man and a woman, posing as traveling minstrels, are sent by the Devil to a castle to seduce its inhabitants.

A shimmering glass hotel at the top of a remote Provençal mountain provides the setting for a tragicomic tapestry about an obsessive love pentangle, whose principals range from an artist to a hotel manager to a dam worker.

大概是法国第一部描写女同志的故事片吧。
Olivia (also known as Pit of Loneliness) is a 1951 French film directed by Jacqueline Audry. It is based on the 1950 semi-autobiographical novel by Dorothy Bussy. It has been called a "landmark of lesbian representation". Olivia arrives at a finishing school and falls in love with headmistress Mlle. Julie. Mlle. Julie feels the same, but tries to suppress her desire. For her part as Mlle. Julie, Edwige Feuillère was nominated for a BAFTA award for Best Foreign Actress in 1952.
French director Audry made 18 feature films from 1944 to 1972. Her earliest films are prime examples of the French 'tradition of quality.' She favored plots adapted from French literature. Audry is most distinguished from her peers in that her films were primarily focused upon female leads, whereas traditional French cinema is centered around the lives of men. Her most notorious film was 1951's Olivia, which dealt with lesbian relationships.