Li Bo — Actor (44)
Refinement of Faith (2021) [TV] Douban
part of TV Series: Refinement of Faith
director:
毛卫宁
actor:
王雷
/
夏德俊
…
Love in the Red Flag Canal (2023) [Movie] Douban
Love in the Red Flag Canal (2023) [Movie]
Blood and Blades in the Snow (2025) [Movie] TMDB
雪中血刀行
other title:
雪中血刀行
In the 23rd year of the Wanli era during the Ming Dynasty, border general Zhan Congwen is framed for colluding with Japanese pirates by treacherous court officials, leading to the execution of his entire family. His son, Zhan Hong, escapes and flees to Qinchuan Town, where he meets and falls in love with Xiahou Ying. However, he soon discovers that her father, Xiahou Batian, was involved in his father’s case. As the truth slowly unravels, Zhan Hong ultimately succeeds in his vengeance and is appointed as the Commander of the Imperial Guards (Jinyiwei), continuing to purge corruption from the court.
The Vendetta of An (2025) [TV] Douban TMDB
part of TV Series: The Vendetta of An长安十二时辰 [Performance] Douban
genre:
theater
playwright:
马伯庸(原著)
/
李垚(改编)
公元744年,唐,天宝三载。在史书上并不是一个大书特书的年份,这一年是唐明皇李隆基登基的第三十三年,这一年年初贺知章致仕,年底杨贵妃受封,这一年安禄山刚刚升任范阳节度使,这一年是王忠嗣征灭突厥可汗的前一年。这一年长安百姓好吃好喝好生活,平凡地过着属于自己的安稳日子,满怀期待地等着即将到来的一年一度解除宵禁之时一上元节。相传,这一年的上元灯会将出现一个闻所未闻过的旷世奇观,可万家灯火的背后却在酝酿着一场毁灭长安的惊天阴谋,辉煌灯火亮起之时,等待他们的,将是场吞噬一切的灾难。爆炸、阴谋、挟持、杀戮,血腥混乱的背后是否有人能力挽狂澜?曾经守卫长安的英雄,血仍未冷。只身化解危局,能否成功……
《小院故事-蓝朋友》 [Performance] Douban
genre:
theater
playwright:
邓华 李论
other title:
北京大华城市表演艺术中心《小院故事》
troupe:
北京大华城市艺术剧院
theater:
大华城市表演艺术中心
director:
易立明
actor:
李博
/
韩金
/
彭雯妮
/
左志军
/
陈耀怡
…
故事发生在北京东城某胡同公私混合院,这个看似简单的“三合院”,却被居民们塞得满满当当,不仅私搭乱建,还囤积垃圾。小院与世隔绝地保持着自己杂乱的秩序,是消防的重点管理区域。而故事的主角孙老太太一家正忙于老太太的寿宴,在院儿里明目张胆起明火,进行一系列不重视消防隐患的行为,院里的“坏分子”“东城猴”还打起了非法改造旧电池的主意,想要靠这种投机取巧的危险方式大赚一笔。东城区消防救援支队防火监督员张天齐勇扛重任,希望能让大家明白事情的严重性,但是依旧没有唤醒院里的人。
一场暴雨突如其来,小院树倒墙塌,京诚集团房管员刘嘉慧带领她的同事,冒着暴雨到达现场进行修理工作,消防员们更是反应快速地对淹水的胡同进行了疏通。可孙老太太一院的人在房子被修好后并没有真正受到教训,直到偶然听到了平时不苟言笑的张天齐跟嘉慧倾诉了自己的身世——他的父母就是在火灾中丧生的。他们终于被眼前坚强又善良的消防员所打动,每个人痛改前非,决心加入防火宣传的工作中去,开始了新生活。
剧中融入了作为公房管理企业主体——京诚集团的日常管理工作,展示了“皇城根”下北京人富于趣味的日常生活。表达了支撑平凡生活的背后,是血与肉如钢铁般坚硬的消防员为百姓搭建的堡垒这一主题。
通过院内人物风趣的日常生活:喜剧性地、生动形象地展现城市管理过程中的一个片段,突出表现了消防安全宣传工作对于保障城市居民生命财产安全不可或缺的重要性。与此同时,更让百姓明白自觉提升消防安全意识,履行消防安全主体责任是更好地为自己、为他人、为我们城市建设的美好明天负责。
一场暴雨突如其来,小院树倒墙塌,京诚集团房管员刘嘉慧带领她的同事,冒着暴雨到达现场进行修理工作,消防员们更是反应快速地对淹水的胡同进行了疏通。可孙老太太一院的人在房子被修好后并没有真正受到教训,直到偶然听到了平时不苟言笑的张天齐跟嘉慧倾诉了自己的身世——他的父母就是在火灾中丧生的。他们终于被眼前坚强又善良的消防员所打动,每个人痛改前非,决心加入防火宣传的工作中去,开始了新生活。
剧中融入了作为公房管理企业主体——京诚集团的日常管理工作,展示了“皇城根”下北京人富于趣味的日常生活。表达了支撑平凡生活的背后,是血与肉如钢铁般坚硬的消防员为百姓搭建的堡垒这一主题。
通过院内人物风趣的日常生活:喜剧性地、生动形象地展现城市管理过程中的一个片段,突出表现了消防安全宣传工作对于保障城市居民生命财产安全不可或缺的重要性。与此同时,更让百姓明白自觉提升消防安全意识,履行消防安全主体责任是更好地为自己、为他人、为我们城市建设的美好明天负责。
追梦组合 (2002) [TV] Douban
director:
杨新洲
actor:
李博
/
章艳敏
…
一部以高考为题材的电视连续剧《追梦组合》真实地反映了应试教育制度下广大中学生的焦虑、苦闷和困惑,又勾勒出花季少年的明媚、浪漫和纯真,同时反映出老师在教育学生过程中的呕心沥血。全剧充满了阳光的气息,故事跌宕起伏,语言诙谐机智,人物鲜明生动。与以往播出的众多校园青春剧相比,《追梦组合》的独树一帜在于它的辛辣与思辨。它不仅真实地反映了在高考重压下一群莘莘学子的焦灼与彷徨,塑造了一群性格各异的鲜活人物,而且提出了一系列尖锐的问题,诸如:高考是不是成才的惟一通道?现行的应试教育制度是培养人才还是培养全才?某些单科特别优秀的考生应不应该拒之大学门外?为什么越来越多的家长和孩子揣着外汇远涉重洋去给别人送钱?这些问题剧中虽未一一作答,却能引发对高考的感悟和思索。
《我是哪一个》 2023上海静安现代戏剧谷版 [Performance] Douban
part of Performance: 《我是哪一个》
troupe:
北京大华城市艺术剧院
director:
易立明
一个儿子从小到大都以为自己是家里的独生子,偶然间发现自己不过是好几个克隆版本其中之一。面对儿子的质问,父亲支支吾吾地承认说亲生儿子早年夭折,于是决定让医生克隆一个一模一样的儿子,但医生违背医学伦理,偷偷克隆了好几个。父亲决定要起诉医院。
然而父亲的说法不尽不实:亲生儿子不但没有过世,而且也才得知父亲竟然抛弃了他而克隆出另外的儿子。父子对峙的过程牵出一系列谜团:父亲当年为何要克隆儿子?母亲哪去了?克隆版本的存在对亲生儿子的成长和自我认同产生了怎样的冲击?而克隆人的身份和尊严又如何定义?
The play begins with a father, Salter, and his son Bernard (B2) discussing the fact that the son has found out that he has been cloned. The father claims not to have known this and claims that a hospital must have stolen his cells at some point and made illegal copies of him. He talks about suing the hospital for money. The son then mentions that there were others and the father admits that the son is a clone. He says that the original son and his mother died in a car crash and that he wanted his son back so he had him cloned. Then the original son confronts Salter and has a discussion about the clones, Salter again denies knowledge about the others. It turns out Salter lied about the mother dying in a car crash; she killed herself by throwing herself under a train; and that the original son did not die, but was instead 'sent away' by Salter, unable or unwilling to care for him due to his grief. The first clone then finds out the original is still alive. Bernard (B1) meets with Bernard (B2) and murders him, and then proceeds to commit suicide. Salter then meets with Michael Black, another clone. Michael Black lives a very normal life, has a wife and three children, and is happy. Salter ends up miserable and seemingly alone even though he knows that there are 19 more clones.
然而父亲的说法不尽不实:亲生儿子不但没有过世,而且也才得知父亲竟然抛弃了他而克隆出另外的儿子。父子对峙的过程牵出一系列谜团:父亲当年为何要克隆儿子?母亲哪去了?克隆版本的存在对亲生儿子的成长和自我认同产生了怎样的冲击?而克隆人的身份和尊严又如何定义?
The play begins with a father, Salter, and his son Bernard (B2) discussing the fact that the son has found out that he has been cloned. The father claims not to have known this and claims that a hospital must have stolen his cells at some point and made illegal copies of him. He talks about suing the hospital for money. The son then mentions that there were others and the father admits that the son is a clone. He says that the original son and his mother died in a car crash and that he wanted his son back so he had him cloned. Then the original son confronts Salter and has a discussion about the clones, Salter again denies knowledge about the others. It turns out Salter lied about the mother dying in a car crash; she killed herself by throwing herself under a train; and that the original son did not die, but was instead 'sent away' by Salter, unable or unwilling to care for him due to his grief. The first clone then finds out the original is still alive. Bernard (B1) meets with Bernard (B2) and murders him, and then proceeds to commit suicide. Salter then meets with Michael Black, another clone. Michael Black lives a very normal life, has a wife and three children, and is happy. Salter ends up miserable and seemingly alone even though he knows that there are 19 more clones.
《我是哪一个》 2023北京大华版 [Performance] Douban
part of Performance: 《我是哪一个》
troupe:
北京大华城市艺术剧院
theater:
大华城市表演艺术中心·环形剧场
director:
易立明
一个儿子从小到大都以为自己是家里的独生子,偶然间发现自己不过是好几个克隆版本其中之一。面对儿子的质问,父亲支支吾吾地承认说亲生儿子早年夭折,于是决定让医生克隆一个一模一样的儿子,但医生违背医学伦理,偷偷克隆了好几个。父亲决定要起诉医院。
然而父亲的说法不尽不实:亲生儿子不但没有过世,而且也才得知父亲竟然抛弃了他而克隆出另外的儿子。父子对峙的过程牵出一系列谜团:父亲当年为何要克隆儿子?母亲哪去了?克隆版本的存在对亲生儿子的成长和自我认同产生了怎样的冲击?而克隆人的身份和尊严又如何定义?
The play begins with a father, Salter, and his son Bernard (B2) discussing the fact that the son has found out that he has been cloned. The father claims not to have known this and claims that a hospital must have stolen his cells at some point and made illegal copies of him. He talks about suing the hospital for money. The son then mentions that there were others and the father admits that the son is a clone. He says that the original son and his mother died in a car crash and that he wanted his son back so he had him cloned. Then the original son confronts Salter and has a discussion about the clones, Salter again denies knowledge about the others. It turns out Salter lied about the mother dying in a car crash; she killed herself by throwing herself under a train; and that the original son did not die, but was instead 'sent away' by Salter, unable or unwilling to care for him due to his grief. The first clone then finds out the original is still alive. Bernard (B1) meets with Bernard (B2) and murders him, and then proceeds to commit suicide. Salter then meets with Michael Black, another clone. Michael Black lives a very normal life, has a wife and three children, and is happy. Salter ends up miserable and seemingly alone even though he knows that there are 19 more clones.
然而父亲的说法不尽不实:亲生儿子不但没有过世,而且也才得知父亲竟然抛弃了他而克隆出另外的儿子。父子对峙的过程牵出一系列谜团:父亲当年为何要克隆儿子?母亲哪去了?克隆版本的存在对亲生儿子的成长和自我认同产生了怎样的冲击?而克隆人的身份和尊严又如何定义?
The play begins with a father, Salter, and his son Bernard (B2) discussing the fact that the son has found out that he has been cloned. The father claims not to have known this and claims that a hospital must have stolen his cells at some point and made illegal copies of him. He talks about suing the hospital for money. The son then mentions that there were others and the father admits that the son is a clone. He says that the original son and his mother died in a car crash and that he wanted his son back so he had him cloned. Then the original son confronts Salter and has a discussion about the clones, Salter again denies knowledge about the others. It turns out Salter lied about the mother dying in a car crash; she killed herself by throwing herself under a train; and that the original son did not die, but was instead 'sent away' by Salter, unable or unwilling to care for him due to his grief. The first clone then finds out the original is still alive. Bernard (B1) meets with Bernard (B2) and murders him, and then proceeds to commit suicide. Salter then meets with Michael Black, another clone. Michael Black lives a very normal life, has a wife and three children, and is happy. Salter ends up miserable and seemingly alone even though he knows that there are 19 more clones.
《我是哪一个》 2022北京大华版 [Performance] Douban
part of Performance: 《我是哪一个》
language:
普通话
troupe:
北京大华城市艺术剧院
theater:
大华城市表演艺术中心
director:
易立明
一个儿子从小到大都以为自己是家里的独生子,偶然间发现自己不过是好几个克隆版本其中之一。面对儿子的质问,父亲支支吾吾地承认说亲生儿子早年夭折,于是决定让医生克隆一个一模一样的儿子,但医生违背医学伦理,偷偷克隆了好几个。父亲决定要起诉医院。
然而父亲的说法不尽不实:亲生儿子不但没有过世,而且也才得知父亲竟然抛弃了他而克隆出另外的儿子。父子对峙的过程牵出一系列谜团:父亲当年为何要克隆儿子?母亲哪去了?克隆版本的存在对亲生儿子的成长和自我认同产生了怎样的冲击?而克隆人的身份和尊严又如何定义?
The play begins with a father, Salter, and his son Bernard (B2) discussing the fact that the son has found out that he has been cloned. The father claims not to have known this and claims that a hospital must have stolen his cells at some point and made illegal copies of him. He talks about suing the hospital for money. The son then mentions that there were others and the father admits that the son is a clone. He says that the original son and his mother died in a car crash and that he wanted his son back so he had him cloned. Then the original son confronts Salter and has a discussion about the clones, Salter again denies knowledge about the others. It turns out Salter lied about the mother dying in a car crash; she killed herself by throwing herself under a train; and that the original son did not die, but was instead 'sent away' by Salter, unable or unwilling to care for him due to his grief. The first clone then finds out the original is still alive. Bernard (B1) meets with Bernard (B2) and murders him, and then proceeds to commit suicide. Salter then meets with Michael Black, another clone. Michael Black lives a very normal life, has a wife and three children, and is happy. Salter ends up miserable and seemingly alone even though he knows that there are 19 more clones.
然而父亲的说法不尽不实:亲生儿子不但没有过世,而且也才得知父亲竟然抛弃了他而克隆出另外的儿子。父子对峙的过程牵出一系列谜团:父亲当年为何要克隆儿子?母亲哪去了?克隆版本的存在对亲生儿子的成长和自我认同产生了怎样的冲击?而克隆人的身份和尊严又如何定义?
The play begins with a father, Salter, and his son Bernard (B2) discussing the fact that the son has found out that he has been cloned. The father claims not to have known this and claims that a hospital must have stolen his cells at some point and made illegal copies of him. He talks about suing the hospital for money. The son then mentions that there were others and the father admits that the son is a clone. He says that the original son and his mother died in a car crash and that he wanted his son back so he had him cloned. Then the original son confronts Salter and has a discussion about the clones, Salter again denies knowledge about the others. It turns out Salter lied about the mother dying in a car crash; she killed herself by throwing herself under a train; and that the original son did not die, but was instead 'sent away' by Salter, unable or unwilling to care for him due to his grief. The first clone then finds out the original is still alive. Bernard (B1) meets with Bernard (B2) and murders him, and then proceeds to commit suicide. Salter then meets with Michael Black, another clone. Michael Black lives a very normal life, has a wife and three children, and is happy. Salter ends up miserable and seemingly alone even though he knows that there are 19 more clones.
Waiting for Godot 2021北京大华版 [Performance] Douban
part of Performance: Waiting for Godot
troupe:
北京大华城市艺术剧院
theater:
大华城市表演艺术中心&上海大宁剧院
director:
易立明
弗拉基米尔和艾斯特拉冈是谁?他们为何要在“那个地方”等待“那个叫戈多的人”?他们真的很无聊吗?作为荒诞派戏剧重要代表人物,贝克特用他的这部有史以来最伟大的戏剧作品《等待戈多》回答了我们大家的疑问。
中世纪之后的文艺复兴时期,哈姆雷特曾发出过激荡人心的疑问:To be or not to be。从此,人类理性得以张扬,知识飞速发展,财富高速积累。但在这种极度繁荣的社会背景下,在同一个上帝的光照下却发生了几乎毁灭人类文明的两次世界大战。战后,各种思潮层出不穷,越来越多的社会矛盾不能得到解决,人类思想进入了自我否定的死循环。面对这种残酷现实贝克特对人类所有过往的思想发出了:Nothing to be done 的叹息。在这种绝望中,我们成了无可依靠的孤儿,我们所能做的,就是面对虚空,勇敢的等待。正如他在第二幕中借弗拉基米尔口所说:“有一点是确定无疑的,时间是漫长的。在这样的情况下,它会迫使我们,通过不断地作出选择,来填补这个虚空,怎么说呢,乍一看是非常理智的选择,而我们也有这样做的习惯。你会跟我说,这是为了防止我们的理性沉沦。但是,我们有没有在这像无尽深渊一样的黑夜里迷路太久了呢?” (导演 易立明)
中世纪之后的文艺复兴时期,哈姆雷特曾发出过激荡人心的疑问:To be or not to be。从此,人类理性得以张扬,知识飞速发展,财富高速积累。但在这种极度繁荣的社会背景下,在同一个上帝的光照下却发生了几乎毁灭人类文明的两次世界大战。战后,各种思潮层出不穷,越来越多的社会矛盾不能得到解决,人类思想进入了自我否定的死循环。面对这种残酷现实贝克特对人类所有过往的思想发出了:Nothing to be done 的叹息。在这种绝望中,我们成了无可依靠的孤儿,我们所能做的,就是面对虚空,勇敢的等待。正如他在第二幕中借弗拉基米尔口所说:“有一点是确定无疑的,时间是漫长的。在这样的情况下,它会迫使我们,通过不断地作出选择,来填补这个虚空,怎么说呢,乍一看是非常理智的选择,而我们也有这样做的习惯。你会跟我说,这是为了防止我们的理性沉沦。但是,我们有没有在这像无尽深渊一样的黑夜里迷路太久了呢?” (导演 易立明)