The mother of three children seems to become romantically involved with the man playing Don Juan in the same local countryside theatre where she is acting. The children decide to try to poison the man who is threatening their family life. The real life and the stage roles get intertwined...

Aline Issermann's "Shades of Doubt" ("L'Ombre du Doute"), a French film about a wrenching family crisis, is set forth with remarkable restraint. The subject is incest, but the story's potential for tawdriness is never exploited. Instead, Ms. Issermann presents a discreet, methodical account of how 12-year-old Alexandrine comes to bring and then recant charges against her father, Jean.

在都灵，一名牧师被蜡烛爆炸炸死，Santamaria专员必须解决这个问题。

Julien and his mum care for each other very much. But Julien has committed a deadly sin: he is growing into a teenager! Worse, he has found himself a girlfriend of his age. "Mummy" is not going to tolerate such an ignominy. Julien is HER baby and will remain HERS for ever, encouraged in her "crusade" by her bovine husband and barely thwarted by the more courageous interventions of Suzanne, Julien's sympathetic big sister.

2012年北京国际青年戏剧节演出剧目
萨瓦纳湾是回忆和忘记，是现实和过去，是所有一切交错在一起，是一位年长的女人和一位少女见证了一份致死爱情的故事。唯一可以确定的，萨瓦纳因为爱情而死去。她在一个夏天认识了她的爱人，她那时16岁。一年后，当她的孩子出生以后，她选择了死亡。在这个剧目里，所有一切的名字都是萨瓦纳，无论城市还是人名。这是一部充满诗意和音乐的作品，宜人的人类爱情和同情中夹杂的伤害与痛苦。萨瓦纳湾所创造的是一种因为含糊而产生的紧张感。人们很少能确定，创作者想通过一些事情表达的真正意思；演员们所说的话语里总包含一些无法说明的含义；而作品，表达了最后的绝对意思：爱情和死亡。

The play tells the story of the revenge of a woman betrayed by her husband. All of the action of the play is at Corinth, where Jason has brought Medea after the adventures of the Golden Fleece. He has now left her in order to marry Glauce, the daughter of King Creon. (Glauce is also known in Latin works as Creusa — see Seneca the Younger's Medea and Propertius 2.16.30. This King Creon is not to be confused with King Creon of Thebes.) The play opens with Medea grieving over her loss and with her elderly nurse fearing what she might do to herself or her children.
Creon, also fearing what Medea might do, arrives determined to send Medea into exile. Medea pleads for one day's delay, and Creon begrudgingly acquiesces. In the next scene Jason arrives to confront her and explain himself. He believes he could not pass up the opportunity to marry a royal princess, as Medea is only a barbarian woman, but hopes to someday join the two families and keep Medea as his mistress. Medea, and the chorus of Corinthian women, do not believe him. She reminds him that she left her own people for him ("I am the mother of your children. Whither can I fly, since all Greece hates the barbarian?"), and that she saved him and slew the dragon. Jason promises to support her after his new marriage, but Medea spurns him: "Marry the maid if thou wilt; perchance full soon thou mayst rue thy nuptials."
Next Medea is visited by Aegeus, King of Athens; he is aggrieved by his lack of children, and does not understand the oracle that was supposed to give him guidance. Medea begs him to protect her, in return for her helping his wife conceive a child. Aegeus does not know what Medea is going to do in Corinth, but promises to give her refuge in any case, provided she can escape to Athens.
Medea then returns to her plotting how she may kill Creon and Glauce. She decides to poison some golden robes (a family heirloom and gift from the sun god), in hopes that the bride will not be able to resist wearing them, and consequently be poisoned. Medea resolves to kill her own children as well, not because the children have done anything wrong, but because she feels it is the best way to hurt Jason. She calls for Jason once more, falsely apologizes to him, and sends the poisoned robes with her children as the gift-bearers.
Forgive what I said in anger! I will yield to the decree, and only beg one favor, that my children may stay. They shall take to the princess a costly robe and a golden crown, and pray for her protection.
The request is granted and the gifts are accepted. Offstage, while Medea ponders her actions, Glauce is killed by the poisoned dress, and Creon is also killed by the poison while attempting to save her. These events are related by a messenger.

Alas! The bride had died in horrible agony; for no sooner had she put on Medea's gifts than a devouring poison consumed her limbs as with fire, and in his endeavor to save his daughter the old father died too.
Medea is pleased with her revenge thus far, but resolves to carry it further: to utterly destroy Jason's plans for a new family, she will kill her own sons. She rushes offstage with a knife to kill her children. As the chorus laments her decision, the children are heard screaming. Jason rushes to the scene to punish her for the murder of Glauce and learns that his children too have been killed. Medea then appears above the stage in the chariot of the sun god Helios; this was probably accomplished using the mechane device usually reserved for the appearance of a god or goddess. She confronts Jason, reveling in his pain at being unable to ever hold his children again:
"I do not leave my children's bodies with thee; I take them with me that I may bury them in Hera's precinct. And for thee, who didst me all that evil, I prophesy an evil doom."
She escapes to Athens with the bodies. The chorus is left contemplating the will of Zeus in Medea's actions:
Manifold are thy shapings, Providence!
Many a hopeless matter gods arrange.
What we expected never came to pass,
What we did not expect the gods brought to bear;
So have things gone, this whole experience through!

母亲节的那一天，57岁的Juliette多年来第一次能够把5个孩子都召集回家。本来应该温馨的周末却演变为一场家庭悲剧……

玛格丽特是一个60多岁的单身妇女，租住在一间公寓里。一天房东找上门来，要见玛格丽特的丈夫阿尔封斯，因为房子是以阿尔封斯的名义租的。并且警告玛格丽特，见不到她丈夫就收回房子。
玛格丽特的丈夫阿尔封斯已经去世了，无奈的玛格丽特来到教堂祈祷，祈祷上帝能让丈夫活过来，哪怕只有两三天的时间。在教堂中，玛格丽特遇到了一位木匠莱昂，莱昂给她出主意，让她从外边找个人顶替阿尔封斯瞒过房东即可。
玛格丽特于是就请求莱昂帮忙，莱昂不忍心玛格丽特被房东欺负就答应了她。两人在街旁遇到一位玩滑板受伤的小男孩，就把他送到医院。孩子的母亲维娜非常感谢他们，并且非常羡慕他们的恩爱。莱昂来到玛格丽特家里，帮忙将家里收拾了一下，并且制造出一种家里有男主人的痕迹。房东来后，被莱昂教训了一顿，赶出了家门。不料玛格丽特却嫌莱昂过分，莱昂气呼呼的走了。
房东将房租提高了一倍，玛格丽特的退休金特别少，不得已要出去打工。在公园中遇到了上次的孩子和他母亲，孩子的母亲维娜正在和丈夫闹离婚，也没有时间照顾孩子。于是就委托玛格丽特照顾孩子们，但有一个条件就是必须和来昂一起，孩子的母亲维娜觉得莱昂特别风趣。
玛格丽特不得已又去找莱昂帮忙，细心的莱昂未玛格丽特准备了结婚戒指以防被人看破。维娜的丈夫保罗是一位失意的中年男子，家中有三个孩子需要照顾。莱昂和玛格丽特与孩子们很快就建立了非常深厚的感情，孩子们也非常依恋两位老人。
大儿子吉雷米在莱昂的帮助下为父亲保罗制作了一个柜子，保罗对此不感兴趣让吉雷米很伤心。一天莱昂去学校接孩子们回家，正好遇上政府要砍广场的树，就带着孩子去广场保护树木。保罗对此非常不满，解雇了玛格丽特和莱昂。玛格丽特对莱昂的做法也非常生气，离开了莱昂。
玛格丽特家中的锁被房东换了，被逼无奈的玛格丽特来到了养老院。莱昂四处找玛格丽特却找不到，非常懊悔。玛格丽特在养老院中非常不适应，被及时找到这里的莱昂接回自己的家里。两位老人终于明白彼此是互相牵挂和需要的，两人终于迈入了婚姻的殿堂。

During WWII, Mario di Donati served with distinction in the French army, until the day he lost his head and deserted. For the past 15 years he has lived under an assumed name with his partner Germaine. When the latter learns about Mario's secret past, she cannot forgive him and he has no choice but to give himself up to the authorities. In the middle of his trial, Mario runs away again and hides in the apartment of his former mistress, Lilla...

2001 film by Jean-Pierre Améris

Le destin d'Ariane : Engagé comme régisseur sur le tournage du film "L'affaire Dominici", Pierre-Jean de San Bartolomé monte à Paris. C'est là qu'il rencontre Isabelle Adjani pour laquelle il écrit un scénario.
Alors à la recherche de moyen d'expression audiovisuel peu onéreux, il choisit l'utilisation du film Super 8. Il tourne ainsi sur ce support les images, sur triple écran, d'un spectacle de ballet pour la Compagnie Anne Béranger qui sera projeté à l'Espace Cardin en mai 1973.
En 1974, San Bartolomé entreprend le tournage d'"Ariane", considéré film d'art et essai, avec une poignée de comédiens et amis dont Isabelle Adjani. Le montage à peine terminé, la projection simultanée sur triple écran doit être abandonnée faute d’appareils adéquats qui ne verront jamais le jour. Le film remonté pour écran unique, trop long malgré de nombreuses coupures, perd une partie de son intérêt. Il crée néanmoins l’événement au Premier Festival International du Super 8 à l’Espace Pierre Cardin en décembre 1974.
"Ariane" sera ensuite présenté dans une nouvelle version de 120mn "gonflée" en 16mm au Festival de Cannes de 1977 dans la sélection "perspectives du cinéma français" avant d'être remonté et recoupé, à l'initiative de la coproductrice du film, avec surimpressions grotesques de cristaux et sous le titre aberrant de "Espace Zéro", sans l’accord du réalisateur.
Avec l’appui d’Isabelle Adjani, de Jean Pierre Stora, compositeur de la musique du film et de Maitre Pierre Hébey, San Bartolomé fait interdire la diffusion et l’exploitation d’une œuvre totalement dénaturée.
Ce quatrième film d'Isabelle Adjani reste inédit à ce jour.

Thérèse is living in a provincial town, unhappily married to Bernard, a dull, pompous man whose only interest is preserving his family name and property. They live in an isolated country mansion surrounded by servants. Early in her marriage her only comforts are her fondness for Bernard's pine-tree forest, which was her primary reason for marrying him, and her love for her sister-in-law and Bernard's half-sister, Anne. The movie recounts in flashback the circumstances that led to her being charged with poisoning her husband.

"Liberté, la nuit, a title with a comma in the middle for a film divided in two parts. A film in black and white with a dark side and a jovial side. The first part of the title evokes politics, as the story recalls the days of the Algerian War of Independence; the second part represents the mood that hovers over the eminently painful images. There isn't even a hint of daylight in the freedom of the title. It only lives metaphorically in the darkness and languor of the night." -- description by Violeta Kovacsics in the book "Philippe Garrel: Filmmaking Revealed"

《纽约时报》杂志版（The New York Time Magazine）每到年末便会奉上压轴巨献－－明星表演短片，今年请来的是本年度表演最具突破的13位好莱坞女演员，她们中大多数人将是来年奥斯卡影后、女配的热门人选。短片的表演主题是“清醒时分（Wide-Awake）”，同时送出的还有一组主题为“致敬好莱坞年度女英雄（Hollywood’s Year of Heroine Worship）”的唯美写真。
（转载于时光网乌有博客Trailer Time）

It is 1979 and Albertine, 10, and all her family members have gathered in Brittany to celebrate the birthday of her grandmother. Everyone thinks that the Skylab space station from NASA will fall on their heads this summer. The meeting turns into a crazy weekend full of revelations, love and song.

Running away from the police, Aden goes to the desert where he meets an uncivilized man who has a special link with Mother-Earth. He ends up by convincing the hermit to come along with him into another desert... the big town!