A woman struggles with her son's illness and her husband's infidelity, but, after a chance encounter with an Irish sailor and his son, her life is turned upside down in a love story that defies explanation and breaks all the rules.

All Wally Mellish, an ex-convict in 1960s Australia, wants to do is live a quiet life with his girlfriend Beryl. Unfortunately when two police officers come around to disturb this, a misunderstanding quickly becomes out of control, resulting Wally, Beryl and her child being trapped in their house, surrounded by armed police under the impression that Wally is holding everyone hostage. Events quickly spiral into a media circus as, through the siege, Wally - inadvertently - manages to become a symbol for the anti-war movement.

Hoodwink is based on the true story of an Australian con artist who briefly won the hearts of the media (if not the authorities). John Hargreaves stars as a criminal serving time in a New South Wales prison. He's not partial to the physical labor required of the convicts, so he hits upon a labor-saving plan. Hargreaves pretends to be totally blind, thus lightening his work load....and carries off the hoax for years.

Mike and Johnny are two mates who are mining sapphires in Emerald. Another bloke is trying to move in on their claim and things get ugly

In season two, both Alex and Rachel find themselves treading different political paths. After being dumped by her own party, Rachel relies on strategist Nick Pearce (Alex Dimitriades) to guide her political ambitions, while Alex finds herself surrounded by a new team, led by her brother Charlie (Rob Collins). But politics can be a nasty business. Will Alex’s determination and the tenacity of her grass-roots driven team be enough? Can she survive a system determined to shake everything she values? And can these political adversaries become political allies?

A local Indigenous politician (Deborah Mailman) is recruited to the senate by the Australian Prime Minister (Rachel Griffiths) after a contentious video goes viral, in Rachel Perkins' drama about systemic injustice and the complexities of political change.
After video of a violent attack in Queensland goes viral, local Indigenous politician Alex Irving (Deborah Mailman, The Sapphires, TIFF '12) is unexpectedly thrust into the national spotlight. It's not long before Australian Prime Minister Rachel Anderson (Rachel Griffiths, Six Feet Under) — embattled within her own party and searching for votes ahead of the next election — takes notice and offers Alex a senate seat. Skeptical of the political PR machine, and wary of being considered the party's "pet Aborigine," as her left-leaning brother puts it, Alex nonetheless sees the Prime Minister's proposal as a rare opportunity to bring about meaningful, lasting change for her community.
Mailman gives a simmering, raw performance as someone who is all too familiar with being underestimated and dismissed, and who nurses a healthy undercurrent of world-weary anger just below the surface. Director Rachel Perkins (Bran Nue Dae, TIFF '09) and screenwriter Pip Karmel (Me Myself I) expertly handle the cast of characters who orbit around the new senator and Prime Minister, each with their own political agenda and perspective. Alex and Rachel are strong-willed, resolute women working in a system that continually undermines their agency and questions their competence. Rachel's seasoned cynicism collides with Alex's refusal to accept the politically indifferent status quo, and the two find themselves in an uneasy alliance that could implode at any minute, bringing the house down with them.

Malcolm is a chronically shy mechanical genius who has just been fired for building his own tram. He gets Frank, who has just been released from jail, moves in to help pay the bills. Malcolm, with Franks help, turns to a life of crime.

television series

Mabo tells the story of one of Australia's national heroes - Eddie Koiki Mabo, the Torres Strait Islander who left school at age 15, yet spearheaded the High Court challenge that overthrew the fiction of terra nullius.

一般法庭审案电影多将剧情重点放在控辩双方于庭上的唇枪舌剑，本片则别出心裁将主题拉到原告与被告双方律师的身上，因为他们的身份是父女。吉恩．哈克曼饰演从六十年代走过来的理想主义分子，专门替弱势族群打官方，希望在并不健全的资本主义社会制度下为这些被压逼者争取权利。玛丽．伊丽莎白．马斯特兰托尼奥则是典型的九十年代实用主义者，在旧金山的顶尖律师事务所服务，正争取成为公司的合伙人。父女俩道不同不相为谋，平常不相往来，如今却因为一宗控告汽车公司故意出产危害乘客安全的车种而互相对簿公堂，于是在公私方面都构成了强烈的矛盾。导演迈克尔．艾普泰德表现称职。

1969年2月的某一夜一架噴射機在澳洲鄉野小鎮外圍的平原上盤旋不去，12歲的約翰?安德生，綽號野狗，因為他自任自己的叫聲像野狗一樣，和一群鄉土小民一起蜂湧而至，彷若來的是飛碟一樣。在這裡，野狗聽見一隻爵士樂團正在演奏，美妙得叫他一輩子也難以忘懷，第二天他醒來，樂團和噴射機皆化為塵土彷若一場科幻的夢一樣。轉眼20年過去了。他結了婚有了小孩了，他想這輩子就要完蛋了，他不甘心，於是他緊追自己最後一絲夢幻，他買了機票到達巴黎。他開始漫無目標的在各大城市找尋比利?克羅思和他的樂團。但60年代早已飛逝了，他也有多年未曾公眾演奏了，整個世界早已進入另一個新的星球裡。野狗再也難以辨認他了，但有一天他進入吧裡，聽見了小喇叭的聲音，是的，聲音又開始召換他了。這時他的幻夢不再只是童稚的癡人囈語。於是他動身……《澳洲爵士春秋》終於圓了導演多年的夢，因為飾演比利的正是爵士大王邁爾斯·戴維斯（Miles Davis），這是他接近死亡之前的天鵝之歌。

Ellie Linton, a teen from an Australian coastal town, leads her friends on an excursion to a camp deep in the woods, dubbed "Hell." Upon their return, the youths find that their town has been overrun by an enemy army, and their friends and family have been imprisoned. When the hostile invaders become alerted to their presence, Ellie and her friends band together to escape -- and strike back against -- this mysterious enemy.

As America struggled through the Great Depression in the 1930s, a little girl with big dimples and indescribable charm danced her way into the hearts of moviegoers around the world.

Dr. Peyton Westlake is on the verge of realizing a major breakthrough in synthetic skin when his laboratory is destroyed by gangsters. Having been burned beyond recognition and forever altered by an experimental medical procedure, Westlake becomes known as Darkman, assuming alternate identities in his quest for revenge and a new life with a former love.

An erotic mystery about power and sex, the entanglement of victim and perpetrator, and a man's struggle to regain his lost self.