1938 film by Victor Tourjansky

Before he became cult director Douglas Sirk, Detlef Sierck cut his teeth on such lavish European star vehicles as Das Hofkonzert (The Court Concert). Marta Eggerth is cast as Christine, a young singer who aspires to find out who her father was. Her odyssey brings her to the court of a mythical kingdom, where she is romanced by handsome lieutenant Walter (Johannes Heesters). He is warned not to lose his heart to a "commoner," but all turns out all right when King Serenissimus (Otto Tressler) turns out to be Christine's long-lost daddy. Hofkonzert was designed as a comeback for Marta Eggerth, whose star had eclipsed by the mid-1930s.

Bruno Stiegler, a boxing promoter with a disreputable past, returns from America to Berlin to make some big things again with his friends. Fatally, he is always preceded by some gentlemen from better circles who are developing amazing criminal activity in their old days. They are led by Oberlandesgerichtsrat a. D. Herbert Zänker, whom it still hisses, that he could bring in his term Bruno never behind bars.

1937 film by Georg Jacoby

1934 film by Robert A. Stemmle

Juliane Thomas is an ambitious but unemployed young writer. After breaking up with her lover she works at a dentist friend to make ends meet. One day she instantly falls in love with one of the patients (Jean Berner) and promptly writes a movie script about the encounter in which she projects her own fantasies about how things will turn out eventually. By coincidence this movie script is picked up by a film director who happens to be Berner's closest friend and from then on things become very complicated...