A story about a friendship between talented famous musician and eleven years old girl.

Petersburg at the end of the 19th century was embraced by a massive enthusiasm for the occult sciences and esotericism. British medium Olivia Reed arrives in the capital of the Russian Empire on tour and gathers crowds of people at her public spiritualistic sessions. At this time, a series of ritual mysterious murders takes place in the city. Girls are abducted on the streets, their mutilated bodies are found in various parts of the city. The investigation is carried out by a young police officer Rostov and his assistant Ganin. With each new victim, things are becoming more confused. Suspicion leads Rostov to Olivia, and he decides to turn to her in the hope that her genuine or imaginary ability to summon the spirits of the dead can help to get on the trail of the killer.

At the end of the 19th century, a series of mysterious murders occur in the provincial city of N. Metropolitan investigator Goremykin arrives at the crime scene. The search for the perpetrators leads to an unexpected conclusion – a revolutionary circle within the city, which consists of two young men recently returned from Switzerland.

A story of love and betrayal which is going through Perestroika and modern times.

The history of the tragic events of the October Revolution. The period from 1905 to 1924 was a difficult epoch that influenced the fate of people not only in Russia, but also the whole world in the XX century.

Khabarovsk Territory. Taiga. Pavel Likhovtsev, a senior huntsman and bear hunter, keeps an apiary in the taiga and brings up his eldest son Eugene as a real man. However, with the advent of the nineties, the apiary goes bankrupt. Pavel and his family are forced to go to Khabarovsk in search of a better life. At this time, Khabarovsk is undergoing a redistribution of spheres of influence — all power and all resources are transferred to the organized criminal group "Obshchak" — a gang that will soon become the largest criminal group in the world.

The film is inspired by the record-breaking solo trip around the globe in a hot-air balloon made by the world-famous Russian explorer Fedor Konyukhov in July of 2016. Throughout his remarkable life, Konyukhov has proven time and time again that willpower, perseverance and faith can help overcome fear and doubt, and lead a person to triumph.

The year is 1993. 14-year-old Alex Ryabinin lives a normal teenage life - looking for adventure, trying to protect himself from hooligans, does not want learn music, does not know how to meet girls and which adults to follow as an example. On the one hand - an honest but poor family with a saleswoman mother and a father who is a docent, on the other - the dangerous world of an Afghan veteran Uncle Alik. And there's also the girl Zhenya, whose encounter triggers a series of irreversible events that will forever change the life of Alex. Running away from hooligans, Alex steals a car of local criminal authority, and in an instant everything changes. Will he be able to cope with all the problems, being in the heart of events? Will he be able to save his family and finally understand who he is? Only one thing is clear - life will never be the same again. Not for Alex himself, nor for the whole of Russia.

90年代初的乌克兰，在两个敌对帮派之间的暴力冲突中，一切都取决于代号“异客”的女孩安吉拉。她的弟弟是黑帮成员，想要指证自己的团伙。为了给他施加压力，黑帮头目派手下道捷克将安吉拉带来乌克兰作为人质。很快，操纵、诱惑和背叛将改变这次人质劫持⋯⋯

A fantasy drama infused with music and horror fables based on the real story of the 'King and Jester', a cult Russian punk-rock band, enormously popular in the 1990-2000s. The show goes along the band's rocky road to success and tells the story of its polarizing-natured frontman Michael Gorshenev and his tragic death in 2013. Tricksters, evil spirits, noblemen, and other characters of the 'King and Jester' song verse make their way into the lives of Gorshenev and his bandmates.

television series

Two young friends psychiatrists perceive life differently. One desires to act by the rules. The other one prefers experimenting. One is a hard worker while the second one likes to break the silence. One loves with hate, the other one hates with love. It's a pity they both have one passion - Katherina Sergeevna. To one she is a loving mother, father's wife. To the other - a lover.

Like Fritz Lang, David Fincher or Bong Joon Ho before him, talented debut filmmaker Lado Kvataniya uses the concept of police detective vs serial killer for an excitingly stylised, macabre and haunting narrative, that ultimately revolves around the identity of an era: in this case, the late 1980s Soviet Union. With Glasnost and the end of communist rule, the West also learned of the (unsurprising) fact that there were serial killers in Russia too – the most notorious case probably that of Andrei Chikatilo, nicknamed the Rostov Ripper, or the Russian Hannibal Lecter.
Based on these and many other sources, Kvataniya and screenwriter Olga Gorodetskaya constructed an immersive psychological puzzle, jumping back and forth in time, to reveal ever new-possible motives for the actions of all the protagonists. It all starts in 1990, when Detective Issa Davydov is celebrating his promotion and receives a call, reporting a crime that looks precisely like the ones of the serial killer that he famously captured some years before ...

Two young men from opposite sides of the socioeconomic spectrum embark on a dangerous course of self-destructive behavior in this striking and brave Russian drama. Eric is a classical singer and pianist practicing for an important audition.
On the bus one day, he encounters the volatile Lyokha, who is subsequently arrested by a pair of police officers and taken into custody. For much of the film, their stories play out in parallel, with Eric spending his time rehearsing sublime Schubert lieder, passing time with his wealthy but dissolute mentor, Slava, and imbibing liters of vodka from a corner store, while Lyokha is causing trouble with almost everyone he encounters. The two meet up again one evening among a group of Eric’s friends, one of whom is his presumed boyfriend, and Lyokha proceeds to antagonize almost everyone assembled with boorish behavior and homophobic diatribes. Despite Lyokha’s cretinous conduct, the singer is drawn to the animalistic boy and gives him a place to stay. Where the relationship, and the film, proceeds from here is unexpected, moving, sometimes surreal, and always surprising. Coming from a culture in which being gay has recently become perilously difficult, Winter Journey feels like an urgent and brilliantly acted missive, portraying an existence where violence, alcohol, and drugs provide necessary escape and love seems next to impossible.