Soviet produced look at the trials that followed the fall of Germany.
Deadly serious, this film is almost too somber to be taken with a straight face since the narration often comes across as rather preachy and purple. Its pure propaganda in the "we were right to try these people" sort of way and is clearly biased against the defendants who had just set Europe aflame. The take is rather odd and unlike any thing that I've run across in American or in Western European films on the same subject. It seems to be trying to over explain why the leaders of Germany were tried, which in retrospect is painfully obvious. Its clear from the lean toward the Soviet take of events and of its lingering on the speeches by the Soviet prosecutors who was behind the film. Its not bad but the heavy handedness of the presentation becomes wearing after a while.
If you keep in mind when the film was made its an intriguing look at how the events were viewed during their own historical period. However its probably too long at an hour, with its ponderous preaching taking away from any value the film might have had.

Nazi propaganda film contrasting Germany in the days of the Weimar Republic with contemporary Germany under Adolf Hitler.

A six-part French documentary about the Second World War composed exclusively of actual footage of the war as filmed by war correspondents, soldiers, resistance fighters and private citizens. The series is shown in color, with the black and white footage being fully colorized, save for some original color footage. The only exception to the treatment are most Holocaust scenes, which are presented in the original black and white.

A detailed account of one of the bloodiest battles of World War I. Between February and December 1916, the French and German armies relentlessly fought in the devastated camps around the village of Verdun.

Adolf Hitler (1889-1945) was a mediocre who rose to power because of the blindness and ignorance of the Germans, who believed he was nothing more than an eccentric dreamer. But when the crisis of 1929 devastated the economy, the population, fearful of chaos and communism, voted for him. And no one defended democracy. As the dictatorship extended its relentless shadow, the leader claimed peace, but was preparing the Apocalypse.

Documentary compiled from archives and accompanied by a poet's commentary, shows the sweep of modern Italian history from 1911 to 1961, centering on the conditions leading to Fascism and the post-WWII reaction to the Fascist experience.

Summer 1943: Hitler engages in a decisive battle in Kursk to win the war in the East. This is without counting on the pugnacity of the Red Army and the Allied intervention in the West. Month after month, the noose tightens on the Nazi tyrant who refuses to admit defeat and precipitates his country in its fall.

May 10th, 1940, Hitler takes on the West. Will he precipitate Europe into the Apocalypse?

本片首次全面地向观众展示了赫尔曼•戈林一生拍摄的大部分影像，也揭露了戈林的毒瘾和敛聚珍奇艺术品的嗜好。
戈林的母亲曾预言：“他要么行善于世，要么贻害人间。”一语成谶，她的话见证了后来成为希特勒的心腹、被称为“纳粹第一”、在纽伦堡作为战争罪犯接受审判的戈林的命运。本片也是对其难以置信地登上权力顶峰的剖析。
戈林是个多面人，他爱慕虚荣、野心勃勃、凶残野蛮，但他却是纳粹中最具声誉的军官，有时甚至超过希特勒本人。他代表着第三帝国的欢愉一面，也正是他组织了狂欢活动，组建了盖世太保，修建了首个集中营，在1934年的清洗运动中谋杀同僚。几乎所有的反犹文件上都有他的签名，他的名字与对犹太人的种族灭绝紧密相连。
本片将戈林生活中的私人生活刻画地深刻而真实，从他的影院，到他的寓所、宠物和快艇这些对他而言至关重要的事物中，我们可以再次体会到纪录片的独特魅力，也可以了解到真正的戈林原来竟是如此平庸与腐朽。

Explores the subject of atrocities during wartime, especially during World War II and the Vietnam

On 6 May 1945, soldiers of the 88th US Infantry Division occupied the Himmlers’ family home in Gmund on Lake Tegernsee where they discovered hundreds of private letters, documents, journals and photographs. The film makes use of these materials and copious archive footage to sketch the biography of SS commander Heinrich Himmler who committed suicide at the end of May 1945 by taking a cyanide capsule. How did this nationalistic lower-middle-class man become Hitler’s henchman responsible for developing and executing the strategies that led to the murder of millions of Jews, homosexuals, Communists and Romany people? Where did his ideology originate? How did he see himself and how was he perceived in private by his wife Margarete, his daughter Gudrun and his mistress Hedwig? How could the man who often referred to so-called German virtues such as order, decency and goodness also write home in the midst of the war and Holocaust: ‘I am well in spite of my heavy workload’? What was it that caused his daughter to say after a visit to Dachau concentration camp: ‘It was lovely …’ A film about the pretensions of a mass murderer and the repression of any sense of guilt.
Berlinale 2014

Der Sieg des Glaubens (English: The Victory of Faith, Victory of Faith, or Victory of the Faith) (1933) is the first propaganda film directed by Leni Riefenstahl. Her film recounts the Fifth Party Rally of the Nazi Party, which occurred in Nuremberg from 30 August to 3 September 1933. The film is of great historic interest because it shows Adolf Hitler and Ernst Röhm on close and intimate terms, before Röhm was shot on the orders of Hitler on the Night of the Long Knives in July 1934. All known copies of the film were destroyed on Hitler's orders, and it was considered lost until a copy turned up in the 1990s in the United Kingdom