A cinematic version of the Royal Winnipeg Ballet's adaptation of Bram Stoker's gothic novel Dracula. Filmed in a style reminiscent of silent Expressionist cinema of the early 20th century (complete with intertitles and monochrome photography), it uses dance to tell the story of a sinister but intriguing immigrant who preys upon young English women.

Winnipeg, 1939: Bosnian immigrant Nihad Ademi conceives of a way to harness the power of the Aurora Borealis in order to broadcast imagery of his vast and beloved adopted land from coast to coast to coast

After a bad day at work, a fairground performer sets out to disprove the theory of heredity so that he can marry his sister.

In the Alpine village of Tolzbad in the 1800s, the townsfolk talk quietly and restrain their movements lest they incur avalanches. This atmosphere lends itself to repressed emotions - shown through the parallel stories of butler student Johann lusting after his mother (an old flame of the mysterious Count Knotkers) and Klara's attraction to her father (who lusts after his other daughter), leading to duels and suicidal plunges galore. All this is shot in the style of an early German sonal film, complete with intertitles, crackly sound-track and 'hand-tinted' colour effects.- Written by Michael Brooke <[email protected]>

当两个孩子的妈妈在吉姆利医院去世之时，他们的祖母给他们讲寂寞的Ainar和他朋友Gunnar的故事，还有一个关于天使的故事。

In Depression-era Winnipeg, a legless beer baroness hosts a contest for the saddest music in the world, offering a grand prize of $25,000.