A mother with an affection to air-refreshers, a daughter looking down on her mothers job.

More than a storyline with a beginning, middle, and end, this tale of a foundry worker who engages a woman -- and fellow worker -- to do housekeeping for him is a tale that holds up the Hungarian social system against the morality of an exploitative male-female relationship. After his wife dies, the rough-cut and intentionally nameless "man" (Jozsef Madaras) eventually coerces the "woman" (Julianna Nyako) into doing his housework for a small remuneration. Everything goes along passably well for awhile, until the man adds in more household responsibility in the form of chickens to raise. Due to extra work at the factory, the woman cannot tend to the chickens as she should and the result is that some of them die. The man is furious, verbally abuses her, and then rapes her. Later, the woman discovers she is pregnant, with dire consequences. Throughout the story, the lack of any real identity for the "man" or "woman," as well as other subtle references to the Hungarian state add a political dimension that gives greater meaning to the story.

彼得是一名在大城市工作的警察，正在调查布拉索夫的一个人口贩卖团伙。他救助女孩后，总会思念自己的妹妹尤利，她在22年前于家乡瓦兰失踪。一天，彼得接到一个电话，得知人们在雪山上的松树中发现了妹妹的尸体，便决定回到特兰西瓦尼亚矿镇。随之而来的调查不仅迫使他面对镇上令人窒息的犯罪率，还使他回到过去的迷宫中，面对自己的恐惧。

Two introverted people find out by pure chance that they share the same dream every night. They are puzzled, incredulous, a bit frightened. As they hesitantly accept this strange coincidence, they try to recreate in broad daylight what happens in their dream.