重松清的小说《鸢》将首次被改编成电影，小说曾经获得“大家所选选角川文库感动第1位”。影片将由濑濑敬久([天堂的故事])执导，阿部宽和北村匠海([念念手纪])在影片中扮演父子，故事讲述了在80年代的日本，市川安男是一个在货运公司工作的职员，他的妻子市川美佐子刚刚产下他们的儿子旭，然而一场意外，让美佐子失去了性命。安男与身边的人们为了保护旭，他们决定不告诉旭他母亲的这场意外，影片将于2022年日本公映。

《错乱》老者花村（柄本明 饰）和朋友仙田（足立正生 饰）外出钓鱼，偶然卷入男女的纷争之中，最终酿成了冲动杀人的惨剧。《夜樱修罗》刚刚上了年纪的老人忠男（佐野史郎 饰）在夜晚观赏樱花，没曾想遭遇了男男女女相互杀害的事件。《怀念的旋律》战后的简易房中，底层的无赖汉上演了一段关于爱和别离的残酷故事。《声音》无处可去的老人，彷徨走向迷茫的未来。
本片根据柘植忠男的短篇漫画集《成り行き》改编，柘植忠男是漫画家柘植义春的弟弟。片中另有一个根据4个短篇而拍摄的原创故事。

CHILDREN OF THE REVOLUTION tells the stories of Ulrike Meinhof and Fusako Shigenobu - two women who emerged from the student revolutions of 1968 to become the leading female revolutionaries of their time. Appalled by the killing in Vietnam, they set out to destroy capitalist power through world revolution, as leaders of the Baader Meinhof Group and the Japanese Red Army. Both groups headed to the Middle East to train with Palestinian freedom fighters and attack imperialism. Authors and journalists Bettina Röhl and May Shigenobu explore the lives of their mothers, Ulrike and Fusako, providing a unique perspective on two of the most notorious "terrorists" in contemporary history. On the run or kidnapped when their mothers went underground, May and Bettina emerged from difficult childhoods to lead their own extraordinary lives. May is half-Japanese, half-Palestinian. She grew up in Lebanon and hid her identity for 28 years for fear of assassination. With capitalism once more in crisis ...

大和屋竺が日活を退社し若松プロで監督第１作として発表した問題作。ベトナム帰りの報道カメラマンを主人公にして、大和屋竺の耽美的なイメージが全編を貫く。若松孝二の初プロデュース作品で、ヒロイン役の谷口朱里がSMシーンを体当たりで熱演。

Eric Baudelaire, artist and photographer, films on Super-8 the political and personal reflections of May, the daughter of the founder of the Japanese Red Army Shigenobu, and of Adachi Masao, the legendary experimental filmmaker who gave up film to fight for the Palestinian cause.
Like his compatriot Philippe Grandrieux, the French artist Eric Baudelaire has made a personal film about the history of the Japanese Red Army (JRA), an extreme left-wing group that took up arms in the early 1970s in order to realise the proletarian revolution. The JRA hijacked aeroplanes and in 1972 organised a raid on the airport of Lod, in which 26 people died. They also fought in Lebanon, with the People’s Front for the Liberation of Palestine (PFLP).
On the soundtrack, we hear the story of the Japanese filmmaker Adachi Masao, who lived in Beirut for years and at the time was spokesman for the JRA. Shigenobu May, the daughter of Shigenobu Fusako, the woman who founded the JRA, talks about her childhood in Lebanon and her many secret identities.
Baudelaire illustrates their stories with 8mm films that he made in Beirut and Tokyo, at the places where both were active. We also see clips from films by Adachi and newsreel footage of the attack at Lod and the arrest of Shigenobu Fusako in 2000.

Premier épisode de la collection "Il se peut que la beauté ait renforcé notre résolution", produite par Epileptic.

On a beach in Beirut, Lili and Michel meet… or maybe they are coming together again. An unlikely couple caught between two different eras, between a future and a past that seem possibly interchangeable, they are trying to establish what is an ambiguous memory: that of a terrorist act, an explosion and the loss of a child, Elena. The voice of a Japanese narrator adds a further layer of complication to their scrambled memories in evoking his own past in war-torn Beirut and the 27 years he spent alongside Palestinians as a member of the Japanese Red Army. Michel and Lili’s destiny seems subject to the mystery that this man, the legendary screenwriter of the Japanese New Wave, Masao Adachi, has created for them, and which he punctuates with a series of revelations.

关于日本前卫音乐家大友良英的纪录片，荷兰鹿特丹电影节参展作品。
这部电影密切追踪大友良英在2005-2007年的演出活动，其中强大的受访阵容十分吸引人。
以下是受访名单：
菊地成孔、大谷能生、DJ Spooky、Jan Švankmajer 、田中泯、宇波拓、杉本拓、Jim O'Rourke 、巻上公一、山本精一、カヒミ・カリィ、浜田真理子、Sachiko M、PHEW、Juana Molina、足立正生、刀根康尚、芳垣安洋、秋田昌美、中村達也、吉田達也、吉田アミ、Utah Kawasaki、中村としまる、秋山徹次、YAMATAKA EYE、灰野敬二、Mitsuru Nasuno、John Zorn、Bill Laswell、ikue mori、Christian Marclay Fred Frith、Jonas Mekas、椹木野衣

影片改编自三浦紫苑的同名小说。少年时代杀人的罪行因海啸而被抹灭，从灾难中生还的男女三人25年后重逢，却再次被卷入无法逃离的悲剧命运。

Documentary filmmaker Kenjiro Fujii takes a look at the history of a distinctly Japanese brand of softcore pornography in this extensive examination of the "pinku eiga" genre (ピンク映画 Pinku eiga or Pinkeiga). For more than 40 years, so-called "pink" films have served as both a key source of revenue for the Japanese film industry as well as a launching pad for the careers of such mainstream filmmakers as Kiyoshi Kurosawa. After providing a detailed history of the still-profitable and popular genre through interviews with a variety of behind-the-scenes players and clips from such classic pink films as Fish Bait Boobies, director Fujii shifts his focus to the production of an upcoming pink film to offer a glimpse into the creative and stylistic evolution of the genre.

1971 film directed by Masao Adachi, Kōji Wakamatsu

1968 film by Nagisa Ōshima