1970s, Ohio. Lizzie gathers a group of women to talk about changing their lives, and the world. What follows is a necessary, messy, and bitingly funny exploration of what it means to be free, and to be a woman. In LIBERATION, Lizzie’s daughter steps into her mother’s memory—into the unfinished revolution she once helped ignite—and searches the past to find the answer for herself. “The best play I’ve seen this season.”—Sara Holdren, New York Magazine



Tony Award® nominees Bess Wohl (Grand Horizons) and Whitney White (Jaja’s African Hair Braiding) present a refreshingly irreverent and intensely relevant powerhouse of a play about what we inherit, what we forget, and what we’re still fighting to understand.

曾凭借《那年我学开车》（How I learned to drive）获得普利策奖的女剧作家宝拉•沃格尔（Paula Vogel）再接再厉，献上新作《有伤风化》（Indecent）。该剧在外百老汇收获无数好评后转到百老汇上演并几度加演，在柯尔特剧院连续演出128场，这也是65岁的沃格尔等待已久的百老汇首演。
重返历史上一部与百老汇产生道德交锋的剧作，一部不会因为不公审判而消失的剧作，《有伤风化》的灵感来源于1923年《复仇之神》（God of Vengeance）在百老汇上演前后的真实故事，讲述了在艺术、自由与信仰危机的时代，这部带有不合时宜的爱情的杰作与它的创作者们辗转大洋两岸的颠簸遭际。导演瑞贝卡•泰赫曼（Rebecca Taichman）在编排上匠心独运，调动为数不多的演员不断变换角色，又在形式上吸收了很多传统犹太传统戏剧（Yiddish Theatre）的特点，加入了丰富的歌舞。

“绝对真实，绝对有力的新作”、“简洁而惊人”、“激情澎湃地再现了艺术的力量”《纽约时报》、Time Out纽约版等媒体献上无数对《有伤风化》的溢美之词，该剧也同样在托尼奖上获得最佳新排话剧奖等诸多提名，最终斩获最佳导演、最佳灯光设计奖，剧作家沃格尔本人也从致力于表彰外百老汇创作的奥比奖上接过了终身成就奖。

When a grisly death occurs inside their exclusive Upper West Side apartment building, three strangers who share an obsession with true crime suspect murder and employ their precise knowledge of true crime to investigate the truth. As they record a podcast of their own to document the case, the three unravel the complex secrets of the building which stretch back years. Perhaps even more explosive are the lies they tell one another. Soon, the endangered trio comes to realize a killer might be living amongst them as they race to decipher the mounting clues before it’s too late.