The third part of Simón’s trilogy that follows her last pair of features.
A “neorealist flamenco musical in the neighbourhood of La Mina, Barcelona” and the roots of the project are tied to family “since I discovered that my biological mother was passionate about flamenco, a great curiosity began to grow in me for this genre, because of its history and its exceptional capacity to connect directly with emotion.

Carla is pregnant and naked, imitating the poses her mother took when she was pregnant with her. Sunlight filters through the windows. You see pictures in Super-8 of mothers and fathers, grandmothers and grandfathers, smiling, sewing, reciting poems. Then, a young girl travels from the Sixties to the Eighties, until today, crossing the thresholds of femininity and history, until the meeting with Carla by the Blue Sea of Catalonia and with Manel, Carla's newborn son.

兩位年輕的女導演以影像書信的對話形式討論電影、家庭、母職等。運用深刻的個人反思將日常生活體現於電影中。這些影像片段不僅促使兩人審視自己，也彼此分享自己的一部分。透過鏡頭，同時記錄了時代的變化。

2022 film directed by Carla Simón

2017 film by Carla Simón