Sally Gearhart was a charismatic radical lesbian activist, author, and academic who spearheaded the 1970s and 80s lesbian feminist movement yet has been largely forgotten. But the film SALLY is not just a straightforward biography of this “hidden figure” deserving more recognition. It also shows the symbiotic relationship between spokeswomen like Sally and movements for social change, which are necessarily collective. And it highlights Sally’s captivating iconoclasm and contradictions: SALLY is both a wild lesbian safari and a timely and deeply moving meditation on the tensions inherent in revolutionary movements: ideological principles versus human realities, separatism versus mainstreaming, and throwing down the gauntlet versus reaching across the aisle. Ultimately, Sally and compatriots’ key contributions can help guide our current, urgent battles for social justice.

A comedy about a troop of shield-bearing Amazons who take over city institutions before relaxing in the country. "Superdyke" takes women into the streets when Barbara arms of a platoon of vagina warriors with Amazon shields in an attempt to overthrow San Francisco. They march through City Hall, usurp the bus lines, demythologiz the consumer mentality at Macy's (to the recorded astonishment of casual shoppers), and wander through the erotic art museum. Barbara's frenetic handheld lens catches the startled reactions and the glee of the participants. SUPERDYKE has a home-movie quality to it, but its committed and loose moments in the playground confirm its comic rationale.

More than two dozen men and women of various backgrounds, ages, and races talk to the camera about being gay or lesbian. Their stories are arranged in loose chronology: early years, fitting in (which for some meant marriage), coming out, establishing adult identities, and reflecting on how things have changed and how things should be.