A young woman obsessively trains to be a track-and-field star.

Margaret, 35, has a history of violent behaviour which has cost her a romantic relationship. She has moved back in with her mother Christina, a fragile, immature 55-year-old woman who blames Margaret, her firstborn, for ruining her dreams of a career as a concert pianist. In a state of unbridled fury during an argument, Margaret hits Christina. The law steps in, further complicating family dynamics. As she awaits trial, Margaret is forbidden from coming into contact with her mother or within 100 metres of their home. This only intensifies her desire to be closer to her family. Every day, Margaret appears at this 100-metre threshold to see her 12-year-old sister Marion and give her music lessons.
In La ligne, Ursula Meier continues her exploration of atypical family constellations, redefining the idea of a family “circle” to consider its topographical dimensions. Her astonishing lead actor is literally wrenched from this circle and from her mother in a manner reminiscent of the pain of childbirth. One of the film’s remarkable achievements is its shifting mood which, echoing its protagonists’ emotional insecurities, slips back and forth between comedy and drama without warning. The tonal choices and directing are assured and as striking as, well, a punch in the face.

Thirteen European directors explore the theme of Sarajevo; what this city has represented in European history over the past hundred years, and what Sarajevo stands for today in Europe. These eminent filmmakers of different generations and origins offer exceptional singular styles and visions.

2008 film directed by Ursula Meier

A drama set at a Swiss ski resort and centered on a boy who supports his sister by stealing from wealthy guests.