1999 film by Helmut Dietl

After the death of her father, Maria travels to Berlin to visit her elder sister Helena, a dancer, who she hasn't seen for years. However, when she arrives in Berlin she finds out that Helena has quit dancing and now works as a croupier in an illegal gambling club. As the two sisters' relationship gradually becomes closer, Maria must draw Helena away from the underworld and help her overcome her dangerous addiction to gambling.

Sara is in the midst of making plans for her wedding to popular radio DJ Robert when she stumbles into a passionate affair. Having been single for four years, Katherine falls for her ex-boyfriend, Nick, who walked out on her and his friends four years ago. Then there is Nina, a playgirl who hardly ever wakes up with the same woman twice—until she takes a ride in Ella’s taxi cab. She finally meets her match and surrenders to love, but not without first putting up a fight.

To call or not to call? For young Cora it's not a question. In fact, after the first date you may never call the guy, even if it was the best sex of your life! It's him who must beg for a meeting - and not later than 72 hours after. Otherwise - delete it from memory.

In 1939, after barely escaping the Nazis, a Gypsy family returns to Switzerland only to be torn apart by racial persecution in the benign guise of children's welfare. This fictionalized story of Jana, an eight-year-old Gypsy girl snatched from her parents and consigned to a life of orphanages and bleak foster homes, is based on a little-known chapter of Swiss history: From 1926 to 1972, the state-supported Pro Juventute, a children's aid foundation, forcibly removed some 700 Gypsy children from their families, in order to sever the ties with their culture and assimilate them to a "better way of life." The underlying aim was to preempt a new generation's caravans from following their nomadic traditions along Switzerland's country lanes.

Chantal is at the beginning of her career as an influencer when she steps through a mirror and finds herself in a fairy tale. She identifies as Sleeping Beauty. Her best friend Zeynep follows her through the mirror. Chantal’s goal, naturally, is to find a man, definitely a prince. Perhaps she will marry Prince Bosco. She already has a wedding gown, but he seems more interested in men. Her friend, Aladdin (Mido Kotaini), has a magic lamp; he rubs it, and people appear. She works to finish making a flying carpet. There is a wicked witch, Sansara, who sometimes looks old but often young. Her friend Zeynep ends up in a grave but reappears. An elderly rather fat fairy pops up occasionally. Chantal must fight a dragon.

2021 film directed by Katja von Garnier

2007 film by Vanessa Jopp

库特喜爱嘲讽时事，也是立场鲜明的出版家，常以风花雪月的言情小说及煽情的戏剧舞码，成为文坛最受欢迎的大作家，却被当时的卫道之士视为伤风败俗之辈。
在一个夏季初绽之时，库特临时决定暂别眼前纷扰，偕其女友蒂亚远赴瑞典度假，落脚在瓦柏男爵的"格里荷"城堡。该堡风景秀丽且人情味浓郁，两人增添不少浪漫的游历；不久，他们在柏林的好友（媚艳的歌舞明星比莉和俊朗的飞行员卡尔）也相继来作陪，尽情享受各式休闲，引发满腹文思，而蒂亚和比莉依存甚笃，愿与库特交欢温存，激发一场情欲风暴。
库特当初因发表《军人都是凶手》的文章，而遭军方指控，匆忙间离开德国远走他乡。这个暂避风头漫长的夏天即将结束，好友先后返回柏林，而库特和蒂亚之间却因收容所一名女童的闯入再兴涟旖。
库特的名言「人常以为爱能战胜岁月，但向来是岁月战胜爱情」，这四位夏日旅客（库特、蒂亚、比莉和卡尔），他们短暂的相聚，充满著爱与温柔，乃至于肉体的狂欢、苦涩和忧郁，在库特的下一篇文章里，是否还能为生命转化为绝美意境的另一种升华？

Over sixty years after the end of the Second World War, forty years after the student revolts of 1968, thirty years after the “German Autumn” of 1977, twenty years after the fall of the Berlin Wall and, in the midst of the social upheaval caused by the reforms of “Agenda 2010” as the country moves into the globalised world of the 21st century, a group of German film directors have come together to create a panoramic impression – each from their own individual point of view – of the social and political climate in today’s Federal Republic. Each of the directors involved in this episodic film has created their personal cinematic take on present-day Germany.
招蘇珊桑塔格和《赤色風暴》女恐怖分子的魂；通街都是塔利班，窮小子必然是小偷。這邊拆舊樓是忘記「德國童年」，那邊放棄歌德字體，編輯要死。《黑金殺機》湯泰華扯頭纜，13導演響應，有《快樂的謊言》的胡夫根貝嘉、《玩謝希特拉》的丹尼李維、去年焦點導演《收視大騎劫》的漢斯雲格拿，和《天堂邊緣》的法堤艾金等，劇情片外也有論文和抒情詩紀錄片另類觀察。精彩對白摘錄：每個人都可以成為恐怖分子／德國已沒有人挨餓／德國需要一記腦震盪／德國已矣，他們相信不已。角度縱橫勁抽有深度有態度，絕非只有浪漫溫馨，模仿《我愛巴黎》。

Four female cons who have formed a band in prison get a chance to play at a police ball outside the walls. They take the chance to escape. Being on the run from the law they even make it to sell their music and become famous outlaws.