Jean-Marie Fayard is a young examining magistrate in a large provincial french city. He belongs to that generation of judges who are endeavoring to re-adapt the notion of justice to our changing times. His methods are not agreeable to every one. Criticism and pressure are brought to bear upon him but he is aware of his value, professionally, and refuses to make any concessions. He follows an unwavering course. He uses dynamic methods and takes uncustomary initiatives. He behaves like a crusader, a battler, whence the nickname given him by the reporters : the sheriff.

Simon, a burglar on probation, agreed to go on the biggest shot of his life: The flight of the "Florentine", a mythical diamond set auction by its owners. To succeed, he must approach Julia, expert diamond for sale which is a considerable personal and family issue. Beyond a jigsaw particularly daring, Julia Simon will lead to a destiny she could not imagine.

Exile and possibly death are in the cards for the Queen of France in this edgy cloak-and-dagger adventure based on Alexandre Dumas' unrivaled tale of THE THREE MUSKETEERS and their reckless romantic friend D'Artagnan. Supernatural powers and dark mystical forces add an exciting twist to this classic tale.

Exile and possibly death are in the cards for the Queen of France in this edgy cloak-and-dagger adventure.

此为法剧，共五集，每集约九十分钟，改编自法国犯罪小说家弗雷德·瓦格斯（Fred Vargas）的四本犯罪小说，讲述总督察Jean-Baptiste Adamsberg跟他的团队致力于解决那些毛骨悚然的犯罪案件。导演曾拍过2003年群星云集的现代改编版法剧《危险关系》。

愉快地看透了一切的摄影师安托万只有一个朋友马泰奥，他是经常不在的邻居年幼的儿子，马泰奥受到了安托万荒诞随意的教育。一天清晨，对面楼里传来的钢琴声吸引了安托万的注意。此时，他还不知道，弹琴的艾琳娜，这位理想主义且豪无妥协思想的学生，将改变其生活，并最终让他在地球上找到一个位置......

影片根据畅销小说改编，是一部充满了音乐和诗意的公路电影。一辆从蒙特利尔开出的旅行客车，带领我们一路经过马赛、巴黎、蒙特利尔、到达达喀尔。年轻的作家保罗跟随着音乐人理查德一路漂泊，疯狂而古怪的理查德不停的向保罗唠叨他偏激的人生观，当然保罗在路上还遇到了爱情，认识了许多热情可爱的朋友，在和这些人的交往过程中，保罗享受到了热情和美好的人生时光。
法国著名男演员理查·波林热演而优则导，自导自演了本片，父亲拍新片，宝贝女儿当然要来捧场，同样是法国著名女演员的罗曼娜·波琳热也在影片里小露了一把。

France 3 is, meanwhile, bringing us a two episode mini series on Diane de Poitiers (Isabelle Adjani), who, endowed with insolent beauty and daring manager intermingling with politics, shares with Henri II (Nicolas Duvauchelle), twenty years her junior, the most burning passion in the history of France. In so doing, she defeated two dangerous rivals: the sovereign whose name was to associate her name with the bloody Saint Bartholomew and a royal favorite educated in the art of poisons. Jean Reno and Mathie Amalric also star in this 16th century historical saga.

The lives of three people faced with an uncertain future. Marguerite, 17, is uncomfortable with her family enviroment and turns to God. Claire, who desperately wants a child, encounters again a former lover. Eva asks the unemployed Jacques, who has been left by his wife and his daughter, to find a missing friend.

兩個女人與兩個男人會面，彼此交談並提問，問答內容甚至包括遣詞用句的意涵，但主要是關於愛與幸福的人類基本話題。愛的和諧是否能和智慧與才智，恐懼與疲倦相互調和、共存？這四位知曉人生存在價值的男女，以幽默、嚴肅和愉悅之情，攜手共同尋找自己的路。在本片中，聰慧的女導演米耶維勒思考著情侶關係、智識的無趣和疲乏，以及語言的限制。透過四位人物，她將這些亙久以來的人生疑問如戲劇化的白日夢般呈現。這部影片也是一場哲學式的白日夢，談論著孤獨與劇場–也就是電影。 米耶維勒在本片中大量運用文學與哲學典故，如康拉德、海德格、雨果和托爾斯泰之名作或啟人深省的話語，不僅讓影片充滿溫暖與幽默，同時帶觀眾一探她自傳式的過往與哲學背景。本片的迷人之處，在於這齣沙發電影顯露的讓人困惑的處境和喜劇，以及逐漸發展成伴侶治療的後續結果。高達也演出其中一個要角Robert，帶著一貫的嘲諷和引經據典的習慣，比如他向一對雙眼閃爍幸福之光的情侶說：「希望你們不會指望愛能帶來幸福。」他與米耶維勒在片中有精彩的對手戲，米耶維勒難得的強硬姿態，從高達年邁啜泣的身影，到兩人相擁、重修舊好，彷彿是對兩人在現實世界關係的思考。 影片開始，米耶維勒以幾段拍攝孩童的家庭錄像影片說明本片拍攝的動機，然後以一個慢動作鏡頭拍攝米耶維勒身穿鬥牛服，在劇院鎂光燈下奮力揮動長鞭的挺拔身影。這個舞台風格化鏡頭的安排明顯帶有宣示的意味。直到本片的完成，米耶維勒才真正從高達這位導師與伴侶的庇護下走出，綻放個人耀眼的光采。本片確立她獨特原創的作者風格，著重在她特別擅長的演員調度、整合文字和音樂段落，以嚴肅的哲學、藝術式的提問重新安排敘事形式。這些電影有如米耶維勒的影像書寫，人類經驗的複雜面貌，透過細膩的攝影鏡頭與導演敏銳的感性，向觀者反射出無比動人的光采。

At the start, Christine Blanc is a temp, her boyfriend has gone. Near the story's end, she's been offered a steady job, she has a fiancé, other men seem interested in her, she's passed her driving test, and, after she wins 1000 Euros in a scratch-off, her colleagues sing that she's a jolly good fellow ("one of us"). But something's askew: her gaze is too direct, her eyes open too widely; conversational gambits hit odd notes; she parrots others' words; she cooks too much food when she invites a supervisor to dinner. When the supervisor takes Christine on a spontaneous outing that disorients her, her oddities become something else. Can things ever be normal?

A hired labourer, Joseph, works on a farm inhabited by Monique, a war widow, and Jeanne, her captivating daughter who longs to escape to the big city.

故事发生在1943年，彼时，第二次世界大战正在如火如荼的进行之中，露丝（席琳·萨莱特 Céline Sallette 饰）是一名非常虔诚的修女，在佩里格医院当护士，她早就决定了要将自己的身体和心灵都完完全全的献给上帝，直到一个名为马尔夏勒（埃里克·卡拉瓦卡 Eric Caravaca 饰）的神甫出现在他的生命里。
马尔夏勒的存在让露丝对自己坚持了一生的信仰产生了动摇，最终，她选择背叛了自己信仰，投向了马尔夏勒的怀抱之中，露丝离开了修道院。然而，现实却并没有露丝所设想的那样美好，很快，现实就给予了她沉重的打击，她遭到了抛弃。

The film (and the acting) is superbly done, but the story is intense. I like it for its' dark, thick, "Cul du Sac" psychology but it is certainly not for everyone for that very reason. Set in isolated, rural France makes this film all the more desperate.
The film is about strenuous relationships, loyalty - and despair. It is about accepting hardships without really understanding them. It is also about pity and how it is to be distinguished from love and admiration. I've seen many French films with the same intensity and I'm guessing that it will be mostly the French who will enjoy this film.
The acting is superb in this film – if you're in the right state of mind and don't loose your concentration. Jean-François Stevenin ALWAYS impresses me. He doesn't disappoint me here either. For general audiences, however, I'd recommend his performance in "Deux Lions au Soleil" which is much more easily palatable than "Peux de Vaches".
Despite the fact that I like "Peux de Vaches", I have difficulties recommending it to anyone other than French audiences and perhaps someone with a morose demeanor.

2001 film by Jean-Pierre Améris

1952年，在一个叫做费伊洛的庄园发生了一起命案，死者包括一对来自英国的德鲁蒙夫妇和他们的小女儿伊丽莎白。费伊洛庄园属于一个叫做多米尼西·卡斯通的老头，卡斯通脾气古怪，对子女很严厉，尤其与大儿子克洛维斯关系十分紧张。由于这场命案发生在费伊洛庄园，很快刚愎自用的塞毕耶尔警长就怀疑上了卡斯通，认定这个古怪的老头就是命案的凶手。但从巴黎来的记者卢卡斯却不这样认为，他坚信此事与国际间谍组织有关，这一猜想引起了其他人的嘲笑。
很快，案情也有了新的进展。警察们在铁路工人马耶家发现了很多二战遗留下来的武器。马耶百口莫辩，无奈之下只得说出自己对谋杀案的了解。并道出多米尼西的小儿子克斯塔夫曾看见小女孩伊丽莎白弥留之际。这件事在小镇引起轩然大波，克斯塔夫不断受到外界指责，并被关押起来。禁受不住牢狱折磨的克斯塔夫在哥哥克洛维斯的劝说下，一起指认父亲才是真正的杀人凶手。为了保护儿子，老头卡斯通认下了所有的罪状，并天真的以为，只要随便编造一个自己杀人过程的故事，警察就可以放他回家。
卡斯通被抓进监狱，这个时候他才意识到事情的严重性，但为时已晚。赛毕耶尔警长因为此事被授予奖章，还被提升为警察局长。但记者卢卡斯却始终不相信这一切，并努力地寻找新的证据。在法庭上，虽然小儿子放弃了对父亲的指证，但大儿子因为仇恨却一直坚持指认父亲是凶手。卡斯通心如死灰，最后法庭判卡斯通以死刑。卢卡斯为卡斯通四处奔走，最终得知，卡斯通不过是国家利益的牺牲品，但确凿的证据早已被销毁了。
多米尼西案件引起国内外很大的轰动，总统迫于压力把对卡斯通的刑法改为无期徒刑。在满头白发的卡斯通行刑期间，卢卡斯一直不停的为释放他做着努力，终于在戴高乐总统上任时，卡斯通被释放。

本片讲述了一个年轻男子因为被诬陷而入狱，当他被释放后，又遭到了另一宗谋杀指控......

Marco, vingt ans, voit son père, Gabriel, revenir dans sa vie après être resté longtemps sans nouvelles. Ce retour a beau éveiller chez lui de la rancoeur, c'est malgré tout une bouffée d'air dans son quotidien étriqué. Gabriel, c'est le monde de la nuit, c'est la fête, c'est de la vie. Gabriel propose à son fils de monter un bar de nuit avec lui. Marco suit. Ils vont rattraper le temps perdu. Reste à trouver l'argent.

Iconic artist Rembrandt van Rijn worked in the fields of painting, drafting, and printing, becoming the most iconic artist in all of Dutch history. This documentary profiles the story of a man whose varied works left an indelible mark on the world.