一位海洋考古学家开启了一项突破性的科学实验。她打算验证一个理论：黑胶唱片的物理制作工艺与陶器相似，因此某些古典双耳瓶可能意外记录下了2500年前的简单声音，并在今天得以播放。为了在古瓶上实验前先制作测试模型，她拜访了她的前姐夫——一个冷酷又古怪的雕塑家。实验的结果却是一场超乎人类荒谬想象的意外。

A Syrian doctor and her daughter flee Aleppo, setting off a chain of events that binds five strangers together. A smuggler, a soldier, a poet, and a coast guard captain collide in a crisis that tests their courage, their choices, and their humanity.

The 73rd annual Berlin International Film Festival is taking place from 16 to 26 February 2023 in person. This year the festival has added award for best TV series also.
The festival opened with Rebecca Miller's drama film She Came to Me. A live video stream with Ukrainian President Volodymyr Zelenskyy was highlight of the opening ceremony. Steven Spielberg will be honoured with a special homage at the festival by presenting him with the Honorary Golden Bear for lifetime achievement and screening his films in Homage section.

影片通过六个章节来描述这个在1943年几乎遭到纳粹完全歼灭的塞萨洛尼基犹太群体的生活状态，以及他们所受到的威胁。过去和现在的交替构成了一个宽大的回音室，身处其间的观众将会体验到那令人惊骇的疯狂人性。

Anna has lost her memory, but she hasn’t forgotten how to cook. One night, she appears in a working-class neighborhood by a Greek harbor. There she meets the unpredictable loner Roulade and finds work and hospitality at his humble tavern. In the kitchen, amidst the scents of spices and old forgotten recipes, she struggles to reconstruct her past. Her simple but delicious food awakens memories for the regulars, who in turn help her to reconnect with herself. The story then takes an unexpected turn, when Roula suddenly stumbles upon the “Green Sea” and discovers Anna’s true identity.

The newest film from Greek director Syllas Tzoumerkas and his second collaboration with Angeliki Papoulia, star of the New Greek Cinema (Dogtooth, The Lobster), is a fierce and untamed crime tale, told in larger-than-life images.
柏林电影节全景单元

Running away on the highway, Maria is alone in her roaring SUV. Behind her, fire and a case full of money. In front of her, the hopeless vastness of the motorway. Only a day before she was a caring mother, a loving wife, a responsible daughter. Today she has gone rogue.

Vienna, 2019 – the end of an era. The smoking ban in public places means that a part of Kaffeehaus culture has disappeared. Of all moments, this is the one that Angeliki chooses to buy an apartment with help from her interior designer, Carmen. Angeliki seems to have something against all of them: either the parquet floors creak, the tiles are the wrong colour or she is bothered by the proximity to a restaurant. How will she ever find a new home in this environment? Carmen feels like she is talking to a brick wall. Moreover, she simply cannot understand why Angeliki is refusing to part with her money.
Journeying from Vienna to Andalusia, via salt flats overcast by mysterious shadows, Gastón Solnicki’s fifth feature film is a brilliant lesson in generosity. A classic comedy dominated by women which brings together actors and non-actors in a lively, fragmented story. Narrated by Mexican writer Mario Bellatin and filmed by Rui Poças, this is a subtle and witty homage to the Austrian capital that discovers bygone splendour in ordinary things.

Following on from the impressive Drift with its hypnotic transatlantic sequences reminiscent of Michael Snow, Helena Wittmann’s second feature is set in the Mediterranean Sea. The heroine navigates along the route of the French Foreign Legion from Marseille to Sidi-Bel-Abbes via Calvi on a contemporary Odyssey that is at once political and sensuous.

Tomaz, an ex-soldier now homeless in London, is offered a place to stay at a decaying house, inhabited by a young woman and her dying mother. As he starts to fall for Magda, Tomaz cannot ignore his suspicion that something insidious might also be living alongside them.

Cryptozookeepers try to capture a Baku, a dream-eating hybrid creature of legend, and start wondering if they should display these beasts or keep them hidden and unknown.

A nurse, a paramedic, a gymnast and her coach offer a service for hire wherein they stand in for dead people by appointment, hired by relatives, friends or colleagues of the deceased, to assist with the grieving process.

Three teenagers are confined to an isolated country estate that could very well be on another planet. The trio spend their days listening to endless homemade tapes that teach them a whole new vocabulary. Any word that comes from beyond their family abode is instantly assigned a new meaning. Hence 'the sea' refers to a large armchair and 'zombies' are little yellow flowers. Having invented a brother whom they claim to have ostracized for his disobedience, the uber-controlling parents terrorize their offspring into submission.

In a dystopian near future, single people, according to the laws of The City, are taken to The Hotel, where they are obliged to find a romantic partner in forty-five days or are transformed into animals and sent off into The Woods.