A normal boy receives a blow to the head which sets him off to perform rebellious acts.

Omnibus film, consisting of three independent parts: in the first story, Koma, a failed rocker, wants to prove to his producer father that newly composed music could be better than his. He becomes a mysterious masked folk singer-known as Ninja. In the second, Dracula is killed... again. This time he does not dies oby way of a wooden stake, a silver bullet, or a cross. A blonde woman manages to deprive him of eternal life without the help of sunrise. The last story is about Eve and Djuro. She is creator, he is a musician. They live in a harmonious relationship, but a love letter brings division among them.

Comedy about teachers and students at a high school in a small provincial town. Mihailo tries to win the heart of a girl his brother is also chasing.

A wealthy American on the quest for a perfect brandy runs afoul of petty criminal monks and falls in love with an impostor.

After WW II many young people arrive to Zagreb, among them a young worker Sonja Kacar. She is supposed to participate in the construction of the first generator in the Rade Koncar factory. Because there aren't enough experts and materials in Yugoslavia, the factory counts on help from fellow communist countries, Czechoslovakia and Soviet Union. However, after the Inform Bureau's resolution this help is no longer available. Sonja experiences a great intimate disappointment because Stjepan, who she is in love with, supports Stalin.

Zivanovic`s ride into the sunset, 21 February 2003
Author: dima-12 from Belgrade, Serbia
RVZA is the final film in Zivanovic`s opus. His demise began after the political prosecution of his UZROK SMRTI NE POMINJATI. Afterwards he made two exploitation pictures that were extremely bankable due to their folk music appeal and partly funded by certain Yugoslav factories that were located in regions where these features were filmed.
RVZA is the third film in that mould and certainly the weakest. From the craftsmanshiop point of view, RVZA looks better than NAIVKO, when it comes to pacing and editing but Juan Ferro`s coloring patterns reached the low in this film.
The story follows romantic life of country girl Andjelija who tries to pursue a career in folk music. She is desperately in love with local poet and pipe player. Her evil mother, the owner of local motel engages her to a low key redneck waiter and cruel folk music managers try to sexually abuse her...
This essentially dark story is done as a comedy like most of the Communist films that depict life in the Serbian countryside.
If RVZA wasn`t made as a comedy, it would have been a poignant ethic fable in the Paul Schrader vein. But as it is, it is a broad Zivanovic flop.
RVZA is Zivanovic`s last picture.

The story about colonization of poor Dalmatian peasants to the fertile Pannonian plain shortly after WWII.

A bizarre and tragic love story involving a pig farmer, the village fool, a teacher and an agricultural pilot. The story unfolds in a remote village in the communist ruled Yugoslavia at the down of Soviet occupation of Czechoslovakia in 1968.

Leni Gruyetin, a resident of Nazi Germany, lives a tumultuous life as she bears witness to the fascist regime of the Nazis.

Dr. Ilic works in the hospital for compulsory treatment of alcoholics. By conducting his own "special treatment" through physical exercises, apple eating, the healing effects of listening to Wagner's music and psychodrama, a group of six patients have been taken to visit the brewery where there is a problem of alcoholism in the workplace.

摘自汉森

讲述了二战期间发生在南斯拉夫的一段惨烈的战斗，这战斗不是和敌人的针锋相对，而是战胜自己、战胜极其恶劣的严寒天气的丝毫不亚于真刀真枪的战斗。影片没有严格意义上的主角，塑造了坚强、勇敢、充满人性的突击队员的群像。他们在医院里的惨痛经历会让人的心灵产生强烈震动。
1941年，由来自塞尔维亚和黑山等不同民族的年轻士兵组成的无产阶级突击旅在铁托的领导下成立。为了消灭法西斯、打败反动武装、争取人民的自由，第一突击旅的战士踏上了游击战斗的艰险征程。 为了躲避敌人的优势兵力，突击旅兵分两路，从罗马尼亚开始，向萨拉热窝挺进，途中，他们必须穿越冰天雪地的伊格曼山。翻山并不困难，最大困难的是严寒的气候条件——夜晚野外的气温可以达到零下30度，路边的树木不时发出冻裂的巨大响声。
小伙子们在穿越铁路时，看到行驶的火车中，德国人大吃热腾腾的事食物，心中不禁咒骂愚蠢的战争。而发现他们的德军值勤士兵只把他们当成寻找盐和面粉的难民。
突击旅继续前进，途中他们遇到了各种让他们难过的事情，见到路边冻死的人、难以坚持跪倒在地的马匹，更痛苦的还有饥寒交迫的身体和不时出现幻觉的精神，旅长督促人们不能睡着，鼓励共产党员们打起精神。凭借顽强的意志，两队人马走出了雪山，在长达19个小时的艰难行军后胜利会师，粉碎了敌人的包围计划。 但是严寒造成了20个士兵的脚部严重冻伤，割破的靴子里是蓝白色的冻得没了知觉的双脚。医生不得不切除了他们完全冻死的脚趾，200个没有了知觉的黑色脚趾被埋在了泥土中。遭遇破伤风却没有疫苗的几个年轻战士牺牲了生命。 随着苏联红军在莫斯科获胜，盟军在欧洲的攻势也加强了，南斯拉夫游击队发表宣言努力战斗。之后，西班牙的骨科大夫又取出了突击队员们增生的趾骨，因为没有麻醉药，不少人硬挺着完成了手术……

Ahmet Nurudin is a dervish and head of the Islamic monastery of the Mevlevi order in Sarajevo. He is a personification of morale and dogmatic belief, everything that Muslim religion of the Ottoman rule rests on. Throughout his life, the atmosphere of the city, the relations with the judge and the mechanism of government, the image of Ottoman Empire at the beginning of the nineteenth century is being revealed. Based on a highly praised novel by Meša Selimović.

The new misadventures of a single mother Svetlana, her 12 year old son and (still) part-time worker Sinisa. Sinisa's plans to marry Svetlana are ruined when her ex-husband came back from Germany, persuading her to start a new life together.

1941年，马尔科从美国回到他的祖国发现了纳粹如何的残酷。他不愿过早
返回美国，留在南斯拉夫组织抵抗运动。安娜和德国军官科勒是青梅竹马的恋
人，但安娜是犹太人。一次，游击队袭击并占领了-押送犹太人的纳粹运输船。
安娜和犹太人获救，但安娜帮助科勒逃脱了。不久，安娜参加了游击队，很快
就发现自己爱上了马尔科。库尔特一直在寻找安娜，但当他发现安娜爱上别人
后，即露出了凶恶的本性，疯狂追击游击队，最后被打死。马尔科带队撤往波
斯尼亚，为了掩护大家过河，也献出了生命
央视翻译：朱克礼

在单亲家庭成长的列拉是一个乖巧懂事的小女孩，不仅学习成绩优秀，更弹得一手好琴。但是在学校里一次次晕倒和流鼻血让她的妈妈维达警惕了起来，经过了一番检查，医生宣告列拉患上了血癌，仅剩下一年的生命。亲戚同事的骨髓都不能与列拉配型成功，情急之下，维达想起了二十年没有联系的父亲兹德拉夫科，也许他是拯救列拉的唯一希望。列拉的父亲杜尚不惜翻山越岭去森林中寻找身为护林员的兹德拉夫科，听说这个消息后他立即与杜尚赶到医院。

南斯拉夫居然也拍过相当不错的西部片？这种题材在巴尔干电影里还真算比较少见的了。IMDB评分9.7高得出奇。
One of the greatest Yugoslav films of all time! BRAT DOKTORA HOMERA is a masterpiece made by one of the greatest Serbian directors of all time, Zivorad 'Zika' Mitrovic, who passed away this winter as 2005 was dawning.
BRAT DOKTORA HOMERA belongs to the wave of Yugoslav Westerns, films which were shaped along the aesthetic of Hollywood Western and based on events from WW/2. Mitrovic was often criticized for such approach, especially by the Communist hardliners who believed that such genre dogmatics make fun out of their revolutionary achievements. And yet, Mitrovic's unique craft remained undisputed so he ended up as one of the most respected State Directors of Tito's era.
BRAT DOKTORA HOMERA is a potent revenge tale set in 1945, in the turbulent region of Kosovo where tensions escalated in 1981 and caused the NATO bombing in 1999. Mitrovic's opus was Kosovo-obsessed. He adored its' beautiful and brutal landscape, reminiscent of John Ford's Monument Valley. He also realized the full potential of its' unresolved political and ethnic situation. By the end of 1945, Kosovo was split evenly between Serbs and Albanians. Hardliner Albanian renegades, who used to be allied with Nazis, kept raging on, long after Germany surrendered. Yugoslav authorities responded by unprecedented deployment of security forces who oppressed the whole region in order to respond to the renegade challenge. Inevitably, oppression led to excessive force and corruption. This war-torn world was an ideal setting for the Serbian brand of Westerns and Mitrovic fully utilized that potential.
At the same time, Kosovo itself contained a rich esotheric meaning. Since the medieval times, it remained the mythical cornerstone of Serbian culture and nationalgeist. Thus, just like Wild West, it is an ideal imaginary territory, quite potent setting for different genre experiments.
BRAT DOKTORA HOMERA is a story of Simon, the flamboyant son of the local judge who comes home after four years in a German P.O.W. camp. Upon arrival, he realizes that his old flame found consolation in his brother's arms and that his father was killed. Unlike his brother, Simon passionately investigates father's death and finds out that the well-known criminal who allegedly killed him actually was a patsy while the murderer is still at large. The chaotic atmosphere of gang-riddled Kosovo enables Simon to seek retribution.
Velimir Bata Zivojinovic, the greatest star of Yugoslav cinema, stars as Simon, delivering a rugged and involving performance along the lines of Oliver Reed or Lee Marvin. Mitrovic masterfully frames him and turns Simon into an engaging Western hero. Even though Simon doesn't have the mythical proportions of Leone's Blondie, this character is absolutely synchronized with the bad-asses of his era. Mitrovic's screen writing is tight and he manages to create a believable world for Simon to live in. The most important part of Mitrovic's crafty writing is the ability to turn huge melodramatic twists into plausible screen gestures.
Mitrovic's direction is as tight. He has an eye for cinematic elements. He uses the actors and locations up to the limit of their photogenic potential. Thanks to then young and prospective director of photography Branko Ivatovic, Mitrovic manages to utilize the colorful settings and add some beauty to the gritty affair he wrote. BRAT DOKTORA HOMERA was delivered thirteen years after John Sturgess' BAD DAY AT BLACK ROCK and it has such resonant atmosphere. It was released same year as Sergio Leone's ONCE UPON A TIME IN THE WEST which stood as the greatest Western achievement at that point. BRAT DOKTORA HOMERA lives through comparison with each of these titles even though Mitrovic's direction seems to be too muscular to take this title into the art-house crossover territory where both Leone and Sturgess wound up.
BRAT DOKTORA HOMERA is happy to remain the greatest Yugoslav Western and a confident programmer that keeps pleasantly surprising audience up to this day. This film also remains as a symbol of an era when Yugoslav films were able to stand any comparison with the elite Hollywood and European works, even in the world of action cinema.

潘蒂奇是公司的董事,他正因为发不出员工工资而犯愁。他们曾投巨资建了一个足球场，由于经营无方,亏损200多万。因为投资失败，银行也不愿意再提供贷款援助。为了补上亏空,他把著名歌星莱帕·柏莱娜骗到小镇,说是出席剪彩仪式,其实按演唱会卖票,但事情败露,他也受到了惩罚。

英俊的修理厂小伙子班尼不认真对待感情，使他的女朋友维斯纳未婚生子后，把儿子送给了一对德国夫妇，并签了合同。班尼知道后在朋友们的帮助下费劲波折终于找回了儿子。班尼和维斯纳也最终和好了。

西尼沙（留比沙·萨马季奇 Ljubiša Samardžić 饰）在学校里工作了一辈子，却依然只是一个随时都有可能面临辞退的临时工，微薄的工资让买房成为了他永远的梦，如今，他和姐姐柯萨姐夫米卢廷（韦利米尔·巴塔·日沃伊诺维奇 Velimir 'Bata' Zivojinovic 饰）以及姐夫的妹妹塞卡（Ljiljana Sljapic 饰）生活在同一屋檐下。
虽然米卢廷一直盘算着将塞卡嫁给西尼沙，可是西尼沙却喜欢上了学校里的体育老师，可这段恋情却因为西尼沙没有房子而画上了句点。之后，西尼沙的学生伊万（尼古拉·科约 Nikola Kojo 饰）和他相依为命的母亲斯沃特拉娜（米莲娜·德拉维奇 Milena Dravic 饰）走进了西尼沙的生命中。

在一个名叫克拉古耶瓦兹的小镇上，本来他们的生活过的非常快乐，但是从德国军队来了之后，男人们有的离家去参加游击队，有的因为不与德军合作而失去工作。孩子们担负起养家的重担，他们想出各种方法谋生。比利亚克的父亲留下一封信去了游击队，照顾妈妈和妹妹的重担就落在了他的肩上。开始，他和小伙伴们到火车站帮忙拎行李，可是人们都不富裕所以很难挣到钱。于是，一群小伙伴开始了爬火车偷德国人的运煤车。这个活实在太危险了，不仅要躲避德国人的岗哨，还要在飞快的火车上爬上爬下的，不久小伙伴中就有人中弹丧命了。
比利亚克和小伙伴们自己见这个办法行不通，便又制作了擦鞋箱，干起了擦皮鞋的工作，而且生意越来越好了。不久开始有德国人来他们的鞋摊上来擦鞋了，德国人一来孩子们纷纷离开，以不给他们擦鞋来表示对他们厌恶。
一日，比利亚克和小伙伴们偷了德国人的一个箱子，里面是一具德国将军的尸体，他们用他的皮靴和制服换了一头猪，他们把猪赶到镇子上让大家分了，镇上的人们唱唱跳跳的来庆祝，好久都没这样开心过了。不久，驻扎在镇上的的德国兵遇到了游击队的袭击，伤亡惨重。他们制定了死一名德国兵要100名平民偿命，伤一名德国兵要50名平民偿命的疯狂的方式，向平民们报复，屠杀了8000小镇居民，包括这些孩子。他们以换身份证的名义把平民们集中起来，然后一批一批的放出来枪杀。