Project Greenlight is an American documentary television series focusing on first-time filmmakers being given the chance to direct a feature film. It was created by Alex Keledjian, developed by Eli Holzman and produced by Ben Affleck, Matt Damon, Sean Bailey, and Chris Moore through their production company LivePlanet, along with Miramax Films. Project Greenlight first aired on HBO for two seasons (aired 2001–03) before moving to Bravo for season three in 2005. The series returned in 2015 for a fourth season airing on HBO.

Three detectives trying to stop a diabolical serial killer are sucked into a maze of otherworldly horror, where hellish denizens including the Auditor, the Assessor, and the Jury await to pass judgment.

In his bold, poetic approach, Clu Gulager manages to pack a decade's worth of experimentation into a fast, economical 20 minutes. Images dissolve and bleed into one another, freeze-frame and turn into paintings. Gulager also utilizes different camera speeds and even (and this is something I haven't seen before) the grain of the film to achieve his effects. Laszlo Kovacs' sun bleached photography helps immeasurably in streamlining such techniques into a powerfully eccentric, disturbingly compelling narrative. Far from pretentious (the word I'd use to describe most "experimental" films from the late sixties), this film comes off both as a celebration of childhood innocence and an uncompromising examination of its darkest extremes. And furthermore, Gulager and Kovacs achieve what may be the most unsettling final freeze frame ever.

It's Christmas Eve in Tinseltown and Sin-Dee is back on the block. Upon hearing that her pimp boyfriend hasn't been faithful during the 28 days she was locked up, the working girl and her best friend, Alexandra, embark on a mission to get to the bottom of the scandalous rumor. Their rip-roaring odyssey leads them through various subcultures of Los Angeles, including an Armenian family dealing with their own repercussions of infidelity.