Albi initially only admired Shella from afar. Over time, their relationship developed, with Albi becoming a figure who was always there for Shella, especially when Shella discovered a lump in her stomach which turned out to be a cyst, and was later diagnosed with ovarian cancer. Their love was tested by increasingly serious illnesses, but Albi never gave up. Even in the most difficult times, he chose to marry Shella, showing that true love can survive the toughest storms.

为了拯救家族生意，雄心勃勃的厨师卢卡必须与刚加入其母亲饭店的新人丹尼斯合作。但有一个小问题：她非常讨厌这个人。

A woman in the frame’s foreground watches events unfolding in a room. Suddenly, hitherto hidden by her figure, her double enters the scene, and catastrophe ensues. Is this a tricky horror-mystery-thriller by Dario Argento or Brian De Palma? No, it is the extraordinary, unexpected gesture of Indonesian master Garin Nugroho marrying his penchant for other-worldly fantasy with myriad devices of popular genre. A Rotterdam regular over the past twenty-seven years, Nugroho’s impressive body of work spans features, documentaries and shorts, among these acclaimed Opera Jawa, selected for IFFR 2007.
The tale of an enigmatic serial killer within the worlds of art and high fashion owes much to the global form of the giallo genre. Still, Nugroho reveals this framework to accommodate Indonesian mythology and spirituality entirely. Masks, snakes, clothing fabrics, trance dances; this entire iconography takes on a renewed, vibrant meaning in Deadly Love Poem. Likewise, modern criminal psychological profiling sits comfortably alongside the intergenerational traumas of family life and cultural constraints.
With its non-stop music score, ever-mobile camera, mind-blowing colour and design scheme, Deadly Love Poem stands as an exhilarating corrective to the snobbish current trend of 'elevated horror' cinema. Nugroho respects old and new traditions and whips them into an unforeseen, intoxicating delirium.
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This is a story of Minke and Annelies who weave love in the early 20th century colonial turbulance. Minke is a native youth, purebred Javanese. While Annelies is a mixed-Dutch girl, the daughter of a nyai (mistress), called Ontosoroh. Minke's father, who has just been appointed as regent, is always against Minke's closeness to the Nyai's family, because a Nyai's position at the time is seen to be qiwan.cc as low as pet animals. But this one nyai, Nyai Ontosoroh, Annelies' mother, is different. Minke admires all of her thoughts and struggles against the arrogance of colonial hegemony. To Minke, Nyai Ontosoroh is the reflection of modernization, which at the time is just beginning to rise. When the arrogance of colonial law tries to wrench Annelies from Minke's side, Nyai Ontosoroh is also the one who urges Minke to keep going and shout the word, "Fight!"