The activities of rampaging, indiscriminate serial killer Ben are recorded by a willingly complicit documentary team, who eventually become his accomplices and active participants. Ben provides casual commentary on the nature of his work and arbitrary musings on topics of interest to him, such as music or the conditions of low-income housing, and even goes so far as to introduce the documentary crew to his family. But their reckless indulgences soon get the better of them.

In 35,000 BC, the tribe of the Dirty Hairs is at war against the tribe of the Clean Hairs for eight hundred years, trying to get their shampoo. The chief of the Dirty Hairs sends his daughter Guy disguised to the enemy tribe to get some shampoo for his tribe. When the healer of the Clean Hairs tribe surprisingly kills two cavemen of his tribe, their imbecile chief assigns Pierre with curled hair and Pierre blonde to investigate the murder and find the criminal.

比利时电影还是黑得有水平的。。。

Loosely based on the gruesome case of the Lonely Hearts Killers, who murdered as many as 20 women in the 1940s, Alleluia is not for the faint-hearted. Gloria (Lola Dueñas, Volver), a single mother and morgue attendant, reluctantly goes on a dinner date with shoe salesman Michel (Laurent Lucas, In My Skin) after her friend sets up an online dating profile on her behalf. The night turns into one of smoldering passion, but after Michel disappears with some of her money, she tracks him down and learns the truth: He is a con artist who seduces and robs women. Instead of admonishing him or demanding her money back, though, love-struck Gloria asks if she can accompany him on his next grift. Soon, the two are working as a pair, posing as siblings and fleecing widows, but when Gloria’s jealous tendencies turn obsessive and violent, the game becomes something far more sinister, savage, and psychotic. Alleluia is a hypnotic and blood-soaked psychological thriller, the latest bit of squirm-inducing horror from Belgian director Fabrice Du Welz (Calvaire, also starring Lucas) that refuses to loosen its grip even after its sublime final moments.

Zahira, 18, is close to her family until her parents ask her to follow Pakistani tradition to choose a husband. Torn between family customs and her western lifestyle, the young woman turns for help to her brother and confidant Amir.