Una historia de la Transición española contada en primera persona por los principales protagonistas: por un lado, los políticos, idealistas o meramente oportunistas, que la llevaron a buen término en las tribunas y los despachos; por otro lado, los ciudadanos que, en las calles, la apoyaron sinceramente o la combatieron con ferocidad. (Precedida por «No se os puede dejar solos»).

1976 film by Pilar Miró

A set of nine stories whose central theme is eroticism. The different directors of the film deal from philosophical aspects to others that are almost pornographic, but always with a common denominator: sensuality.

Pablo and Fernando, owners of a children's book publishing company about to go bankrupt, have managed through unorthodox means to contract the country's best-selling author, Adela Mora. The evening of the official signing, Paco asks his friend to let him use his house for a love tryst while Fernando wines and dines Adela. At the same time, Paco's wife, Carmen, will be taking her lover to Rosa's house. From here on the rout begins, as Paco tries to get rid of Silvia, his secretary, and Carmen, her husband. Fernando thinks Rosa is cheating on him with Oscar, who thinks Fernando is gay and having an affair with his partner, while the soldier thinks his girlfriend is a professional...

A young woman’s passion forms the basis of this erotic Spanish drama adapted from a popular novel by Antonio Gala. The night before Desideria’s marriage, her girl friends give her some valuable advice on sex. The marriage takes place, and while it is generally happy, her husband Ramiro suffers from sexual dysfunction and Desideria is frustrated. The two end up on holiday in Istanbul with two friends. Desideria falls madly in love with the sensual ambiance of the ancient, teeming city. She begins a passionate affair with a handsome Turkish guide, Yaman. Upon her return home, she learns that she is pregnant. Ramiro agrees to support the child, but unfortunately it dies in infancy and the grieving Desideria flees for Istanbul to find her lover. She finds him and they renew their torrid affair. Later she learns some distressing things about Yaman, but this does not stop her from becoming his sexual slave and a call girl for wealthy carpet sellers.

Enrique Vázquez (José Sacristán) sería un abogado normal y corriente de los muchos que hay en España, sino fuera por su extraña obsesión: la erótica de la publicidad. Y nos referimos a la erótica en el sentido literal. Lo que más placer le da a Enrique en este mundo es un buen anuncio, ya sea en el periódico, en la radio o en la televisión. Su neurosis alcanza grandes proporciones y tiene muy preocupada a su esposa (Ana Belén).

The aristocrat Juan de Santa Cruz meets Fortunata, a girl of humble origins, and a passionate love arises between them; but his mother decides to marry him to her niece Jacinta.

A multi-part feature on the governing body of Spain, the Popular Party under Jose María Aznar. Themes include the bombing of Iraq, immigration, U.S. fire in Baghdad, and the manipulation of the media.

“花园食品店”女老板格罗莉娅一家忠于西班牙佛朗哥独裁政权，在小镇上举足轻重，大儿子奥斯卡懦弱无能；小儿子胡安不务正业，与嫂子安娜偷情，又玩弄寄居在家里的表妹安赫拉，使她怀孕，格罗莉娅认为安赫拉破坏了家庭和睦而将她赶走。几年后，由于安娜不能生育，格罗莉娅又将安赫拉的儿子胡安尼托抢回家里，而胡安尼托也由于家庭的影响逐渐变得叛逆。
故事发生在佛朗哥独裁统治时期处于封闭状态中的西班牙。“人、家庭、幽会”是本片主题。片中格罗莉娅一家可视为当时西班牙社会的缩影，而这一家几代人难以调和的矛盾也预示了佛朗哥政权终将瓦解。影片戏剧性强，角色充满矛盾性，成功地增强了影片的娱乐效果。

When Margot flees her own wedding, she is left feeling adrift. Little does she know, it is David and his delightful chaos who can help her find her way.