All the feature is given prestige to by the narration in Caetano Veloso's voice, that also signs one of the segments of the project. São Paulo is the largest city of the Southern Hemisphere, with an incessant dynamics of cultural mixtures, with immigrants of all the world and migrants of all parts of Brazil. The gathering of these peculiarities are seen through the 13 film directors's sensibilities and their segments.

聚焦一个帮助100多人逃离东德的信号员。

The film is based on the short story Butterflies by Ian McEwan. A little girl has drowned in a nearby canal. A 19-year-old man, who lives in the same inner-city neighborhood, is the sole witness. Although he has made a statement to the police of everything he saw, the father of the little girl wants to talk to him today. The young man still has a few hours before the meeting, and lots of time to kill on this dreary Saturday. The events of the past days spring forth in his memory.

This film tells the sad story of a childhood somewhere in Germany in the early 60s. When Micha's mother leaves his irascible father, he tries to prevent their divorce by any means he can think of, but his attempts to hold the family together lead to a catastrophe.

A man plans to kill his wealthy wife for her money and so he can be with his beautiful young mistress. However, things don't turn out exactly as he had planned.

Over sixty years after the end of the Second World War, forty years after the student revolts of 1968, thirty years after the “German Autumn” of 1977, twenty years after the fall of the Berlin Wall and, in the midst of the social upheaval caused by the reforms of “Agenda 2010” as the country moves into the globalised world of the 21st century, a group of German film directors have come together to create a panoramic impression – each from their own individual point of view – of the social and political climate in today’s Federal Republic. Each of the directors involved in this episodic film has created their personal cinematic take on present-day Germany.
招蘇珊桑塔格和《赤色風暴》女恐怖分子的魂；通街都是塔利班，窮小子必然是小偷。這邊拆舊樓是忘記「德國童年」，那邊放棄歌德字體，編輯要死。《黑金殺機》湯泰華扯頭纜，13導演響應，有《快樂的謊言》的胡夫根貝嘉、《玩謝希特拉》的丹尼李維、去年焦點導演《收視大騎劫》的漢斯雲格拿，和《天堂邊緣》的法堤艾金等，劇情片外也有論文和抒情詩紀錄片另類觀察。精彩對白摘錄：每個人都可以成為恐怖分子／德國已沒有人挨餓／德國需要一記腦震盪／德國已矣，他們相信不已。角度縱橫勁抽有深度有態度，絕非只有浪漫溫馨，模仿《我愛巴黎》。

Jan Nebel`s life is quite depressing and just a streak of bad luck. His former girlfriend tells him that she is HIV positive, his sister is married to a disgusting idiot and his father dies with his head on a plate of noodles. Above all, he gets into a street riot between anarchists and the police on the way to his job at a slaughterhouse. Thus, he is fired, but gets to know the mysterious Vera who becomes his new girlfriend. Together with Jan`s weird friend Buddy, they move into his father`s apartment and try to survive their Berlin everyday life...


Comments:

Outstanding film - if you only see one German film, see this one, 4 December 2004

Author: bedlam_beggar


This is my favourite German film - if you get a chance to watch 'Goodbye Lenin' and 'Berlin Nachtgestalten' as well, you have pretty much a 360 degree panorama of life in Berlin after the Wende. Superb acting, and very funny, too. The beautiful thing about this film is that the humour, being largely visual, makes it very accessible to viewers whose German isn't so fluent.

Young journalist Sebastian Zöllner is writing an article on artist Manuel Kaminski. Zöllner hopes that Kaminski dies soon, so that he can cash in on his article.

2003 film directed by Wolfgang Becker