Set against the backdrop of the violent Memali Incident in 1985, this psychological thriller is about a visiting handyman and his young daughter who experience mysterious visions in a remote village amid the fatal police raid against fundamentalists. The film is produced by Aron Koh’s Lomo Pictures and director Woo’s Greenlight Pictures. Woo’s Stone Turtle premiered in Locarno’s international competition last year where it received the Fipresci prize.

말레이시아의 한 바닷가 마을. 알리와 아미르는 서로 텔레파시가 통할 만큼 가까운 이란성 쌍둥이다. 어머니는 돌아가셨고, 아버지는 이들을 돌보기는커녕 이용해 먹을 생각뿐이다. 학교 친구들에게도 괴롭힘당하기 일쑤인 알리와 아미르에게 서로의 존재는 삶의 유일한 버팀목이자 즐거움이다. 그러던 어느 날 아름다운 영어 교사 라라가 새로 부임하면서 두 형제의 관계는 새로운 국면을 맞는다.

2022 film directed by Woo Ming Jin

三部荒谬喜剧和一个不平凡生命的吉光片羽: 四个来头不小的大马导演——陈翠梅、胡明进、刘城达 、杨俊汉，决定用非一般的创意，来引起公众对辐射课题的关注。辐射村首发第一弹——胡明进《爱的飨宴》，一场辐射村里的荒诞盛宴。反对辐射，反对污染，刻不容缓！

'Potong Saga' by Ho Yuhang
'Chocolate' by Yasmin Ahmad
'The Tree' by Amir Muhammad
'House' by Linus Chung
'Halal' by Liew Seng Tat
'The Son' by Desmond Ng
'Lumpur' by Kamal Sabran
'One Future' by Tan Chui Mui
'Slovak Sling' by Woo Ming Jin
'Gerhana' by James Lee
'Meter' by Benji & Bahir
'Duit Kecil' by Johan John
'Healthy Paranoia' by Khairil M Bahar
'Lollipop' by Nam Ron
'Rojak!' by Suleiman Brothers

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

故事描述一位十九岁的少女萍萍，梦想能到日本的汽车零件公司工作，然而为了生活她必须靠在养猪场和为餐厅洗碗的两份工作糊口。而她的监护人阿姨田夫人，原来暗中经营婴儿买卖，专门安排少妇与外劳交欢，然后将生下的婴儿转卖给无法生育的夫妇，从而赚取利润。原本就和田夫人相处不融洽的萍萍，在得知了这种不法勾当后，心里产生了极大的冲突和挣扎。
Ping Ping is 19 and wants to go to Japan to work in a car parts company. She's under the guardian of her aunt, Madame Tien, who shuffles her between two jobs; working in a pig farm, and cleaning dishes in a rundown restaurant. Tien is also involved in a ‘baby factory’ scheme, pairing young women with migrant workers and then selling the babies for money. Both survive with each other in a love-hate symbiotic manner, until a truth about her aunt is revealed to Ping Ping.

Village chief Tan is busy. His wife and best friend Lai have mysteriously disappeared and an undocumented worker is dead. While awaiting their return, Tan and Lai’s daughter, Sandy, develop an unlikely friendship that opens old wounds and examines the nature of love and regret.