After getting into a scuffle with his boss and some co-workers, an orange packer tries to help another co-worker, only to wind up in a conflict with him as well. Trying to elude his boss, he heads inside the packing house, and visits with the women who are packing fruit into cases. Then he heads to a storage area, and tries to use the machinery to escape his pursuers.

Two sailors on shore leave rent a car and go on a drive with their dates, but soon get involved in a huge traffic jam with dozens of ill-tempered motorists. A minor collision sets off an escalating series of retaliations.

Stan complains of a toothache and he and Ollie visit the dentist. Ollie gets his teeth pulled by mistake. Under the influence of laughing gas, they leave and cause much commotion on the road annoying a traffic cop.

Members of a municipal band, Stanley and Oliver seem to be always following someone else's lead, rather than that of the temperamental conductor. Soon they're out of a job, as well as their lodgings when the landlady finds out they've been fired. The boys try their luck at being street musicians, but the tiffs they get into with each other soon spread to passersby in general, until the street is filled with men pulling each other's pants off. Written by Paul Penna {[email protected]}

Stan and Ollie are marooned on an island in the south pacific ocean.

I love this movie. I was reduced to tears the first time I saw it and am reduced to tears every time I've seen it in the 50 years since. Talk about a movie holding up over 70 years. To my mind, it's the Citizen Kane of comedy. Everything about it is pitch perfect. To watch the boys as they sink deeper and deeper into absurdity in explaining their arrival back ahead of the rescue ship is a marvel to watch. There are so many subtle, nonsensical and memorable moments that stay in the mind years later one almost doesn't know where to start. The solemn dark lighting of the opening scene spoofing fraternal organizations, eating the wax fruit, the range of facial expressions of the wives throughout, the shot of the boys from the back sitting facing the fireplace as Stan disses his wife, Stan's wife in hunting regalia returning shotgun in arm carrying ducks, Ollie flirting on the phone not realizing it's his wife he's talking to, the stream of consciousness dialog in the attic, and on and on and on. A subtlety perhaps missed by many is the wonderful song and dance number at the night club....a simply wonderful lampoon to perfection of crooner Dick Powell and spoof of Busby Berkeley with those clunky but charming Hula dancers, struggling in a valiant but ultimately hopeless attempt to dance, fanning out to the camera and culminating in that marvelous overhead shot near the close. Just great. I could write a book on this movie, but I'll just suggest to viewers to get William K. Everson's book on the films of Laurel & Hardy and read what one of the great critics has to say about this gem.

Fleeing a group of forest rangers, who are rounding up tramps to serve as firefighters, they take refuge in a mansion. The owner has gone on vacation and the servants are away, so Hardy pretends to be the owner and offers to rent the house to an English couple. Hardy gets Laurel to pose as the maid. Unfortunately, the owner returns and tells the would-be renters that he owns the house; Laurel and Hardy then flee again and are caught by the rangers and forced to fight wildfires.

Fight manager takes out an insurance policy on his puny pugilist and then proceeds to try to arrange for an accident so that he can collect.