Valentine Casey is a Marshal in the desolate Tucson territory of the early 1900s. On Christmas Eve, his outlaw family pays him a disturbing visit. He must confront the sins of his past. He and his partner, U.S. Christmas, journey through the desert to a small town that the ruthless Henry Clan has hit in order to save Casey's love, Adelyne.

Ted is a 1970s Venice Beach poet who spends his days drifting along the boardwalk, reciting his poetry to anyone who will listen. His life changes when a bikini-clad beauty named Linda strolls by him. Instantly, Ted believes he's found his "Venus" and becomes obsessed with Linda. He tries to woo her with poetry, obscene phone calls and romantic overtures, all to disastrous effect.

Jerry, a new student at an elite Catholic prep school, must face the hazing practices handed down by the Vigils, a group of powerful students. When teacher Brother Leon pushes the students to sell chocolates for a fundraiser, the head of the Vigils, Archie, gets Jerry to reject selling for 10 days. However, Jerry decides to keep up the refusal past the original time frame, which pits him against the Vigils and the school staff.

In an alternate futuristic society, a tough female police detective is paired with a talking dinosaur to find the killer of dinosaurs and other prehistoric animals leading them to a mad scientist bent on creating a new Armageddon.

A gas is let loose upon the world that kills anyone over 25 years old.

Salem, 1692. The mayor and judge are accusing land owner of witchery in order to grab their land. No one knows that are handsome stranger is a real witch and has evil plans for the town.

The staff of a Korean War field hospital use humor and hijinks to keep their sanity in the face of the horror of war. Preserved by the Academy Film Archive in partnership with Twentieth Century Fox Film Corporation in 2000.

Graced with a velvet voice, 21-year-old Violet Sanford heads to New York to pursue her dream of becoming a songwriter only to find her aspirations sidelined by the accolades and notoriety she receives at her "day" job as a barmaid at Coyote Ugly. The "Coyotes" as they are affectionately called tantalize customers and the media alike with their outrageous antics, making Coyote Ugly the watering hole for guys on the prowl.

1980年代にアメリカで放映された、子ども向け番組としては異色のドラマシリーズ「フェアリーテール・シアター」で、ローリングストーンズのミック・ジャガーが中国の皇帝を演じたファンタジー作品。アンデルセンの童話「ナイチンゲール」を基に、『クリエイター』のチェコ人監督アイヴァン・パッサーが演出を手掛けた。ハリウッドで活躍した、日本人俳優の先駆者であるマコも出演。名作童話を遊び心をもって味付けした、不思議な雰囲気の風合いが見どころ。
あらすじ： 中国の皇帝（ミック・ジャガー）のもとへやってきた、美しい歌声で鳴く小鳥のナイチンゲール。皇帝はナイチンゲールの歌声に感激し、宮廷に滞在してもらうことにした。しかしある日、皇帝のもとに宝石をちりばめた時計じかけの小鳥が贈られてきて……。

A mentally disturbed man who roomed with the late Norman Bates at a psychiatric facility inherits the infamous Bates Motel after his death and attempts to fix it up as a respectable business.

Jane, an HIV-positive heroin addict, meets Tony, a young AIDS victim with no family, and the two form a bond.

film by Wim Wenders (2000)

这是一部出色的好莱坞侦破影视片。剧情描写了一个退役警察担任电台“夜鹰热线”节目主持人后，凭着他丰富的经验和高度的责任感，协助过去的同事们共同破案，打击罪犯的故事。全片引人入胜的地方在于剧本富有想象力和创造力，把侦察、爱情、惊险、动作、悬念、奇异共冶一炉，使观众惊喜交集，欲罢不能。
故事发生在加利福尼亚州的旧金山市。30岁出头的杰克•克里扬（注：配音时译作杰克•基连的读音）是旧金山市警察局的一名优秀警探。他头脑灵敏，足智多谋，胆大心细，精明强干，被上司认为是局里最有前途的警员之一。然而在一次与匪徒激烈枪战中，他误伤最要好的搭档。这残酷的打击使他痛不欲生、一蹶不振，黯然离开警局，整天借酒浇愁。
年轻美貌的广播电台台长德温•金向沉溺于痛苦深渊里的克里扬伸出了拯救之手。这位广播界的“女强人”正在和台里最好的华裔工程师及制作人 比利•波筹划夜间热线电话节目，想请一名有经验的警察做节目主持人，以回答并告知听众如何保护自己、不受犯罪分子的侵扰等问题。他们发现了杰克•克里扬，终于说服他试一试。节目开播了，由于人们习惯称夜间巡逻的警察为“夜鹰”，节目便取名为《夜鹰热线》。
很快，《夜鹰热线》节目成为全城谈论的话题。每到节目播出时，无论是平民百姓，还是警员侦探，都会不约而同地打开收音机。他们有的向电台提供罪犯的线索，有的严阵以待，随时预备出击擒拿凶犯。《夜鹰热线》成了市民警探的好帮手，犯罪分子的克星。
一个自称“天使”的变态杀手在深夜拨通了《夜鹰热线》电话，明目张胆地告诉克里扬下一个攻击目标，这使许久找不到连环血案的警方大为惊喜，克里扬过去的上司、好友卡尔•泽马克中尉与他密切合作，他也施展了侦破才华，与罪犯殊死搏斗，从“天使”手中救出被绑架的德温•金。
由此，克里扬驱散心头愁云，重新找到自己的社会价值。 警察局同事们都认为克里扬仍然是名出色的警探，克里扬本人也试图重操旧业。然而他最终放弃了这个机会，迎着德温•金和比利•波的微笑，克里扬走进了播音室，从容地戴上耳机，面对听众一个接一个的热线电话，开始了新的一期的《夜鹰热线》。

The story is about a youth named Massimo Monaldi, who, living in Rome, is a part-time college student who has some involvement in the protests that occur at his university. Massimo is also involved with drugs and he sometimes steals to make a living and support his habit (the theft of a pill box is very important to the story, early on). Among his associates are his girlfriend, Cinzia, who comes from a wealthy family, and he has a wealthy male friend named Rudy who is very naive as well as strangely pampered by his doting mother. Both families don't approve of their relationship with Massimo.
After the theft of the pill box from Cinzia's home (she's an accomplice), and after encountering a certain man, a mafioso-type wanted by the police, Massimo soon finds himself in trouble with the police. The man, who has some dealings in the drug trade, befriends Massimo, but this association brings about Massimo's downfall; first leading to a crisis regarding his girlfriend and his best friend, when they attend a drug party with him; then finding himself on the wrong end of his association with the mobster. Who, at the end of the film, will get to Massimo first: the police or the mobster?
I found this film to be very weird and the plot a little disjointed, but interesting, especially as it's so obscure, and is very '70's-ish in the way it was filmed. It was a side of Roman youth culture I had never seen before. However, I felt that the director, Lucio Marcaccini, who it seems, fell off the face of the earth after this film, was a lousy director and didn't fully take advantage of the talent that he was working with. Maybe he was on something himself when he was making this film, as I began to feel that I would have done better directing this film myself! I also take to task the theme song, "We Got A Lord," which was also used in a love scene and at the closing credits. Its use in the film made absolutely no sense to me.
However, I thoroughly enjoyed Bud Cort as Massimo Monaldi, which I thought was a welcome change from the "crazy, demented youth" roles he had been given around the time he did "Harold and Maude". I have read that he took off a few years from acting after that film because of the typecasting he was going through. I am sure that this is the first film he did when he returned from his acting hiatus.
In "Roma Drogata" he was allowed to be more versatile as a leading man: he was sometimes romantic; sometimes cool and crafty; sometimes naive; sometimes sweet and romantic; or sexy and intense in the role. I wish that he had been given a chance to do more roles like this one! I also enjoyed Marcel Bozzuffi, best known in this country as the hit man, Pierre Nicoli in "The French Connection," who played the police inspector.

故事发生于1946年，战争结束了，伊万（约翰·萨维奇 John Savage 饰）从德军战俘营里得到了释放，返回家乡，这里的一切都改变了。伊万一直惦记着他的初恋情人玛利亚（娜塔莎·金斯基 Nastassja Kinski 饰），可此时的玛利亚已经有了男友埃尔（文森特·斯帕诺 Vincent Spano 饰）。伊万并不怪玛利亚，他只是感到难过。
某天夜里，伊万约玛利亚出来，两人终于解开了心结互诉衷肠，之后，玛利亚甩了埃尔，同伊万携手步入了婚姻的殿堂。战争创伤后遗症令伊万无法和玛利亚做爱，这让这对新婚燕尔的小夫妻感到无比郁闷，奇怪的是，当伊万来到瓦伊尼奇夫人（Anita Morris 饰）的床上时，他却又可以了。

1993 film directed by Roger Spottiswoode

1970 film by Robert Altman