Mother rules the house with an iron hand and has such power over her daughters that they see themselves as becoming old unmarried, maids. Jodie has feelings for the local doctor, a man much older than her, for which her mother strongly disapproves. Beth finds a relationship with a male stripper in Bristol, but sees nothing in the future with Mother around. While both girls would like to be rid of Mother, nothing happens until Jodie sees images of H. R. Armstrong, the man who put the town on the map by dispatching his un-loving wife

Animated version of the classic Charles Dickens story. Warned by the ghost of his old business partner Marley that his sins would lead to punishment in the afterlife, the cruel and greedy Scrooge is visited by the Ghosts of Christmas Past, Present and Future to show him how the course of his life led him to where he is - and where it will lead if he doesn't change his ways.

Tink challenges Gelata to see who can bake the best cake for the queen's party. Plus 10 Disney Fairies Mini-Shorts: - Just Desserts - If The Hue Fits - Dust Up - Scents And Sensibility - Just One Of The Girls - Volleybug - Hide And Tink - Rainbow's Ends - Fawn And Games - Magic Tricks

Animated television adaptation of the book of the same name by Terry Pratchett.

Follow Robbie as he sets out to discover a mythical tribe of lost Viking warriors to help him save his friends from another dastardly plot by the evil Blitzen and his new-found partner-in-crime The White Rabbit. Robbie is having girl trouble too - Donner is feeling neglected and decides to give Robbie an ultimatum. Can Robbie save the day, keep his girl and unravel the mystery of the Legend of the Lost Tribe?

Robbie and Donner's wedding is interrupted when Donner is kidnapped by aliens. Robbie saves the day again though with the help of his friends and an alien crystal.

Like in most of Samuel Beckett’s texts, Endgame deals with characters outside of society, waiting and looking in vain for something unknown in a nondescript, apocalyptical place. Its characters are bound towards each other by an invisible chain of co-dependency that knows no way out. Contrary to this bleak topic, it is a strikingly funny play with a number of comic elements, physical and verbal. Endgame was Robert Wilson's 10th production at the Berliner Ensemble since 1998.
“This poignancy and consequence. This concentration. This severity. This humor. ... No sentimentality, but the echo of a world in turmoil.”
— Der Tagesspiegel (Rüdiger Schaper), Dec. 4, 2016

Hamm kann nicht stehen, Clov kann nicht sitzen, Hamm ist der Herr, Clov der Diener, beide sind zum Überleben aufeinander angewiesen. In zwei Mülleimern Nagg und Nell, Hamms Eltern, die „verfluchten Erzeuger“, auch sie können nicht fort. Gemeinsam spielen sie ein nie endendes „Endspiel“ gegen die Hoffnungslosigkeit, trotzen der untergehenden Welt mit unerbittlicher Ironie und heiterer Verzweiflung, denn: „Nichts ist komischer als das Unglück.“ Robert Wilson verwandelt mit Becketts ENDSPIEL erneut einen der Klassiker der Weltliteratur in sein Zaubertheater für alle Sinne. Der amerikanische Regisseur, Bühnenbildner, Architekt, Künstler..., der selbst seit 2009 als „Krapp“in Becketts LETZTEMBANDauf der Bühne steht, und dessen Inszenierungen auf der ganzen Welt zu sehen sind, hat im BERLINERENSEMBLEseit Jahren eine künstlerische Heimat gefunden. 1998 inszeniert Wilson zum ersten Mal am BE(Brechts OZEANFLUG), und Stücke wie LEONCEUNDLENA, DIEDREIGROSCHENOPER,SHAKESPEARESSONETTE, PETERPANund zuletzt FAUSTI UNDII prägen den Spielplan des Theaters mit seiner unvergleichlichen künstlerischen Handschrift.

Regie, Bühne, Lichtkonzept:
Robert Wilson
Kostüme: Jacques Reynaud
Musik: Hans Peter Kuhn
Mitarbeit Regie: Ann-Christin Rommen
Dramaturgie: Anika Bárdos
Mitarbeit Bühne: Serge von Arx
Mitarbeit Kostüme: Wicke Naujoks
Mitarbeit Musik: Hans-Jörn Brandenburg
Licht: Ulrich Eh
Videoprojektionen: Tomek Jeziorski

1999 television film

一个古老的传说。莎士比亚悲剧的巅峰之作。
　　王被浮夸的辞藻蒙蔽了心灵，邪恶的女儿们得到了王国与财富，唯独诚实的小女儿郁郁远嫁。当她们曾经的信誓旦旦转眼之间化为不屑与厌恶时，王不得不流落荒野，在风雨交加中明白了何谓真情。只是，他已然疯了。善良的小女儿乔装回到父亲身边，以爱与宽恕唤回了父亲缥缈的理智。一场关乎手足、计谋、背叛的战争爆发了。女儿们一个个死去。黑暗中，王抱着小女儿的尸体，仰天大恸……
　　此剧由多位英美职业话剧演员加盟。他们在莎剧演出方面具有极为丰富的经验，代表了英美话剧表演的较高水平。其中格雷夫斯、麦可当纳德和迈克菲勒密已在英美话剧界活跃三十多年，熟悉并演出过每一部莎翁剧作，饰演过一百多个莎剧角色。奥考奈尔则为美国青年话剧演员中的佼佼者。四人的鼎力加盟不仅大大提升了此次制作的艺术水准，并为国内外莎剧表导演的交流提供一个良好契机。
　　美国纽约的雪城大学戏剧系六位毕业班学生也受邀参加此次演出，与北京大学外国戏剧与电影研究所的六位学生在剧中共同饰演角色，届时将分别登台亮相，为此剧注入不同的中西表演特色与理解。

第一幕
二戰將近，德國，一間小酒店裡，主持人歡迎我們的來臨。("Wilkommen")美國作家克里夫來到，發覺艾朗斯介紹的酒店差強人意，地主茀蘿蓮要他別對此要求太高。("So What?")克里夫無奈接受，在找尋靈感的時候他遇到吧女莎莉，她的表演極為精采。("Don't Tell Mama")二人一拍即合，("Telephone Song")莎莉更搬到了克里夫的房間。("Perfectly Marvelous")二人被主持人介紹兩個女人，帶出一段匪而所思的故事。("Two Ladies")茀蘿蓮被猶太水果商赫爾追求，("It Couldn't Please Me More")然後主持人和侍應們唱出一段對祖國的詩歌。("Tomorrow Belongs to Me")
此時克里夫被莎莉影響，開始走上歪路，同意犯法，對他而言這就像發夢。("Why Should I Wake Up?")主持人出現，向所有人說著錢的可愛之處。("The Money Song")赫爾和茀蘿蓮結婚，看來好像有些轉機。("Married")可是艾朗斯卻認為這不是一個好結果，他一直在留意外面的動靜。("Meeskite")
第二幕
(Entr'acte")
主持人又出現，在酒店裡和一個女人共舞，並指出金玉其外敗絮其中的道理。(If You Could See Her")果然艾朗斯的預感中了，茀蘿蓮把婚禮得到的禮物都退回並不結婚了，因為她知道和一猶太人一起會使她生意難做。("What Would You Do?")克里夫也開始害怕納粹德軍，並和艾朗斯鬧翻。他要莎莉和他一起離開去美國，可莎莉已經在酒店裡不能自拔，於是決意把二人的孩子打掉。("Cabaret")落寞的克里夫一人在回程火車上沉思，並開始借此經驗寫書。主持人出現，把兩個空間連接，酒店的荒唐氣氛提示了我們：煩惱還陸續有來。("Finale")

British television sitcom

television series

British television series

Robbie the Reindeer arrives at the North Pole, ready to take his place as navigator on Santa's Christmas sleigh team. However, Robbie is soon plagued by doubt regarding his ability, and sets out to regain his self-respect and the admiration of his team-mates.

还记得那四只可爱的天线宝宝么，他们又回来了！距离上一季《天线宝宝》（Teletubbies）的播出已经有14年之久，BBC日前宣布制作新版《天线宝宝》，新版天线宝宝于2015年11月9日在 BBC CBeebies 频道播出。
更加有意思的是，为配合科技的进步，天线宝宝的形象也有了新的变化。原来腹部的老式电视机将被触摸屏取代，不过他们仍将保留头顶上的天线；太阳宝宝变化比较大，有原来发光的动画太阳娃娃脸造型，变成了更加真人化的太阳脸；新的4个天线宝宝更加可爱超级萌了。节目的场景也会有更丰富的视觉效果。

Road
Directed by Alan Clarke
UK, 1987, color, 67 min.
With Neil Dudgeon, Jane Horrocks, David Thewlis
Alan Clarke is credited with launching the careers of British talent such as Gary Oldman and Tim Roth (who would both later imitate his style in their respective directorial debuts) but he went largely unnoticed beyond England, as most of his films were produced for the BBC. Road was adapted from Jim Cartwright's acclaimed stage play for British television, with glorious results. In a Northern industrial town, young people wander the streets in search of entertainment. Clarke uses Steadicam shots to capture the extended conversations between characters who reside in a community who blighted by economic hardship but still find simple joys in living.

2005 film directed by Keith Fulton and Louis Pepe