Unleashed from the video vaults of the American Genre Film Archive (AGFA), AGFA MYSTERY MIXTAPE #2: LATER IN L.A. is a brand new compilation of the most electrifying found footage mayhem that you’ll see this week. For our second tape, we’ve returned to the hallowed halls of “behind the scenes” horror for another hour-long joyride of F-U-N. Thank you for your incredible support during these difficult times. And remember: “Do what your spirit tells you.”

In 1996, the horror master Wes Craven unleashed Scream, a slasher movie aimed at a whole new generation of teenage movie-goers.

Angela is haunted by guilt for the morbid bond with her brother Peter, who is destined to be a priest. In an attempt to free herself from this passion, she embarks on a descent into the infernal rounds of erotic love.

This historical and critical look at slasher films, which includes dozens of clips, begins with Halloween, Friday the 13th, and Prom Night. The films' directors, writers, producers, and special effects creators comment on the films' making and success. During the Reagan years, the films get gorier, budgets get smaller, and their appeal wanes. Then, Nightmare on Elm Street revives the genre. Jump to the late 90s, when Scream brings humor and TV stars into the mix.

Cast and crew from A Nightmare on Elm Street are terrorized by Freddy Krueger and his razor-fingered glove as he crosses over into the real world.

A woman working the late shift at a gas station while a killer is on the loose; a man who can't stand the thought of losing his hair; a baseball player that submits to an eye transplant. An anthology of terror.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergmans video, 2012.)

When Jay and Silent Bob learn that their comic-book alter egos, Bluntman and Chronic, have been sold to Hollywood as part of a big-screen movie that leaves them out of any royalties, the pair travels to Tinseltown to sabotage the production.