María Meira — Playwright (6)
A Sort of Family (2017) [Movie] TMDB IMDb WikiData
Una especie de familia
other title: 모종의 가족 / Notre enfant
What limits does Malena cross to get what she wants most? Malena is a 38 year old middle class doctor from Buenos Aires. One afternoon she receives the call from Doctor Costas, who informs her that she must travel immediately to the north of the country: the baby she was waiting for is about to be born. Unexpectedly Malena decides to embark on an uncertain journey, full of crossroads, facing all kinds of legal and moral obstacles that will make her constantly wondering how far she is ready to go.
Caught (Atrapados) (2025) [TV] Douban
Atrapados part of TV Series: Caught
director: Miguel Cohan / 埃尔南·戈德弗里德 actor: 索蕾达·维拉米尔 / 胡安·米努欣
知名记者艾玛·盖瑞以抓捕罪犯而闻名。然而,一起青少年失踪案的嫌疑人竟是她的亲近之人,她因此陷入两难的处境。
The Substitute (2022) [Movie] Douban TMDB IMDb WikiData
El Suplente
director: 迭戈·勒曼 actor: 胡安·米努欣 / 巴巴拉·莱涅
other title: 代课老师 / El Suplente
Lucio, a prestigious university professor of literature, takes a course at a school in the area where he grew up, in the suburbs of Buenos Aires. There he will try to help his father to save Dilan, a student hounded by a group of drug traffickers.
Refugiado (2014) [Movie] Douban TMDB WikiData IMDb
Refugiado
director: 迭戈·勒曼 actor: 朱丽叶塔·迪亚兹 / Sebastián Molinaro
other title: 逃亡者 / Pod ochrona (波兰)
Matias and his mother Laura, find themselves forced to hurriedly abandon the house they live in to escape another outburst of violence from Fabian. Matias is 8 and Laura is newly pregnant. Thus they begin a wandering journey in search of a place they can feel safe and protected.
Suddenly (2003) [Movie] Douban TMDB IMDb WikiData
Tan de repente
director: 迭戈·勒曼 actor: Tatiana Saphir / Carla Crespo
other title: 突如其来的夏天 / Tan de repente
Marcia is young woman who leads a gray and unremarkable life in the city of Buenos Aires. Mao and Lenin are a couple of punk girls who stumble upon Marcia and for some unexplicable reason they want to show her love.
The Invisible Eye (2010) [Movie] TMDB IMDb Douban WikiData
La mirada invisible
director: Diego Lerman actor: Julieta Zylberberg / Omar Núñez
other title: 看不见的双眼 / La mirada invisible
The walls of the school are thick and redoubtable. A secure promise of the guaranteed preservation of the good old days of school routine from anything that may happen outside its walls in the neighbouring streets, in Buenos Aires itself, in the Argentina of 1982. María Teresa is a classroom assistant at that school, an innocent - or maybe just ignorant - mistress of ceremonies, a bystander. She is twenty years old. She started work when it was still summer and Mr. Biasutto, the chief classroom assistant, made quite clear to her at her first interview the sort of attitude she is expected to adopt with students because it would not be an easy task to arrive at what he called 'the optimum surveillance point': Always on the 'qui vive', never missing a thing, but never giving cause for alarm amongst the students. A surveillance which would pick up on everything but would never be picked up on itself. A fleeting look on the face of the pervert, or the warden, or maybe the master. But if everything is out of order -even for her-, everything is transgression. And when María Teresa, hot on the trail of the merest, possibly imaginary wisp of tobacco smoke, starts hiding in the boys lavatories to catch smokers in flagrante delicto and haul them up before the authorities, slowly morphing the whole procedure into a clandestine habit of dubious piquancy; not exactly breaking the rules but bending them willy nilly, twisting, diverting them come what may but, of course, with utter correctness and obeisance to a surveillance emanating from the inflexible custodianship of a complete and atrocious normality. Surveillance, custodianship that could possibly be enforced beyond the boundaries of this enclosed world, because beyond the sheer masonry encasing this school, where the future ruling classes have studied and are studying, there is another world, there is an entire country that has virtually nothing to do with it. Written by Diego Lerman