瓦伊达早期关于波兰雕塑家Xawery Dunikowski的纪录短片。

The Bad Boy-- a didactic story based on motives from a Anthony Chekhov's short story "Cyganka".
Two lovers are being observed in a park by a meddler boy. He blackmails them and swindles money for keeping a secret. Marrigae is the only way of getting free of the intruder.

波兰大师瓦依达继“战争三部曲”之后的又一部战争片。这次主角则换成了一匹白色战马。影片通过叙述了这匹白色战马的悲情经历，残忍又真实地再现了德国入侵波兰的战争惨状。===正太猫

Takes place in a prewar Poland. A tubercular young man comes to stay with his brother on a farm. He is in love with life and constantly plays 1930's music on a piano. He gets involved with his brother's problems and also becomes the lover of a simpleminded farm girl. The brother's dead wife may have had an affair with the hired man who is to marry the farm girl. His daughter will not confirm his suspicions. But the brother's death leads to his acceptance of the past, forgiving his wife's memory and making up with his little daughter.

In the novel The Master and Margarita by the Russian author Mikhail Bulgakov, on which the film is based, three story lines are interwoven: a satirical story in which Satan, going by the name of Woland, appears in the Moscow of the 1930s to deal in a hilarious manner with the corrupt lucky ones—the bureaucrats, toadies, poets, and profiteers—in the Stalinist era, a second one describing the internal struggles of Pontius Pilate before, during and after the conviction and crucifixion of Yeshua Ha Nozri (Jesus from Nazareth), and a third telling the story of the love between the "Master," an unnamed writer in Moscow during the 1930s and his beloved Margarita, who goes to extreme lengths to save her beloved. The Master has written a novel about Pontius Pilate, and is persecuted by the authorities and the Soviet literary establishment in the officially and militantly atheist Soviet Union.
The film Pilate and Others only tells the biblical story of the novel: the story of Pontius Pilate and Yeshua Ha Nozri (Jesus from Nazareth).
Differences from the novel
The biblical story of the novel is situated in Jersjalajim, but Wajda transferred it to Germany van de 20ste eeuw in the present time. Levi Matvei is a modern TV reporter who makes reports from Golgotha; Yeshua Ha-Nozri passes Way of the Cross on streets of Frankfurt am Main.

A famous Polish journalist presents a problem for the powers-that-be when he displays his full political skill and knowledge on a television show featuring questions and answers on a world conference by a panel of journalists. His enemies take away his privileges when he is away. The shock of being "unwanted" parallels a deeper disappointment in his private life: his wife has an affair with a jealous young rival, and after 15 years of marriage and two daughters wants a divorce. She offers no explanations as he tries to untie these problems himself. All the moves he makes are the wrong ones. He takes on drinking heavily with students eager to attend his seminar after discovering the class has been canceled. The journalist, once suave and commanding, is reduced to silence.

Romance brings two warring families together in this historical drama. As citizens fight for independence in 1810s Lithuania, Tadeusz, the son of a murderer, and Zosia, a young woman, come together for a wedding against a backdrop of changing politics, ancient traditions, and the uncertain future of a country.

波兰电影大师安德烈瓦伊达的作品。二战前，在华沙的反犹浪潮中，一个犹太人因自卫杀人被判入狱。旋即，德国进攻波兰，华沙沦陷。德军在华沙建立犹太隔离区，男主角成为运尸员，在恐惧和绝望中，沦为行尸走肉。一次偶然的机会，他得以逃出犹太隔离区，躲藏在地窖中度日，目睹了犹太区的毁灭。在磨难中，他觉醒为一名斗士，就像犹太历史上的力士参孙，被剪发毁目后，与敌人同归于尽。

19世紀後半のロシア。首都・ペテルスブルグへ向かう列車の中で、ラゴージンとムイシュキン公爵は出会った。ラゴージンは亡くなった父親の莫大な財産を手にするため生家へ戻る途中、ムイシュキンは持病の癲癇の療養のため滞在していたスイスから四年ぶりに祖国へ帰る途中であった。野生的で荒々しい気質の持ち主であるラゴージンと、物静かで純粋なムイシュキン。この対照的な2人の間に不思議な友情が芽生えてゆく。ペテルスブルグへ到着した2人の前にナスターシャという不幸な過去を背負う女性が現われる。その苛酷な半生は彼女を、退廃したサロンで男たちの心を一身に集める美貌と才知を備えた女性に育て上げていた。″女王″のように振る舞う彼女の虜となったラゴージンは、彼女を金の力で買い取ろうとする。ムイシュキンは彼女の美しさに隠された苦悩を、我がことのように感じ取り求婚する。彼の純粋な愛を受け入れながらも、そのあまりにも無垢な魂を傷つけることを恐れたナスターシャは、結婚式の当日ラゴージンのもとに走ってしまう。ムイシュキンはようやくラゴージンを見つけだし彼の家へ。そこでムイシュキンはベットに横たわるナスターシャの美しい屍に出会う。

Based on a non-fiction bestseller of the same name by Rolf Hochhuth, Eine Liebe In Deutschland is about a tragic and forbidden love affair between Stanislaw, a Polish POW (Piotr Lysak) and Paulina (Hanna Schygulla) a fruit-and-vegetable vendor in a small town in Germany along the border with Switzerland. Their affair would have gone undetected except for the busybody women of the village, and when Stanislaw is picked up by a German stormtrooper (Armin Müller-Stahl) and brought in for a mock trial, he is given a chance to prove his racial purity and so perhaps escape execution. As for Paulina, she is ostracized by the villagers and imprisoned for consorting with someone who was not of the same high Aryan caste as herself. Depressing, yet politically relevant to Poland of the early 1980s, this film by acclaimed director Andrzej Wajda) is an effective and emotional statement on the nature of oppression.

Film opens with the mad rush of haphazard freedom as the concentration camps are liberated. Men are trying to grab food, change clothes, bury their tormentors they find alive. Then they are herded into other camps as the Allies try to devise policy to control the situation. A young poet who cannot quite find himself in this new situation, meets a headstrong Jewish young girl who wants him to run off with her, to the West. He cannot cope with her growing demands for affection, while still harboring the hatred for the Germans and disdain for his fellow men who quickly revert to petty enmities.

安杰伊瓦杰达导演的法语片，于佩尔在当中饰演一配角（沙托夫之妻），改编自陀思妥耶夫斯基同名小说。虽然由于片长的限制删改不少，但仍不失为一部极佳的改编电影。

1968 film by Andrzej Wajda

As an aging woman married to a workaholic doctor by chance meets a young man who makes her feel young again. All of this is films by a director making a film about her which cuts in and out of the on camera and off camera drama.

In nineteenth-century Łódź, Poland, three friends want to make a lot of money by building and investing in a textile factory. An exceptional portrait of rapid industrial expansion is shown through the eyes of one Polish town.

In 1945, as Stalin sets his hands over Poland, famous painter Wladislaw Strzeminski refuses to compromise on his art with the doctrines of social realism. Persecuted, expelled from his chair at the University, he's eventually erased from the museums' walls. With the help of some of his students, he starts fighting against the Party and becomes the symbol of an artistic resistance against intellectual tyranny.

1958 film by Andrzej Wajda