Yasuhiko is a transfer student to a classroom with Miyuki. She barely notices him until he suddenly appears before her in the library. The truth comes out: Yasuhiko is from the future. Bound by this special secret, they become closer and closer. Yasuhiko reveals that this trip is inspired by a book from Miyuki’s era, a book, she later learns from her future self, that she authored. On the day of his departure, Miyuki makes a promise, that she will write that novel to treasure this unforgettable summer, just as her future self says. Ten years later, the book is about to be published. As Miyuki waits to reunite with her past self, nothing happens! Did something go wrong in the past? Are there more secrets to come?

泽子20多岁了,仍然住在父母家里,她喜欢拍摄并收集年长男性的照片。不知何故，她总是发现与年长男性交流更容易。当她最终爱上与她同龄的前同事时，她经历了一种不同的情感觉醒，并发觉了一种内在的力量感。

Brooding outsider Mikiro (Kenta Yamagishi) catches Sotoko (Saki Tanaka) just as she reaches a breaking point in her claustrophobic rural life. Their encounter introduces an eroticism with a violent edge that threatens to slash apart her toxic marriage with the abusive Atsuya (Yasuhiro Isobe) and his web of small town corruption. However Natsuki Nakagawa renders this pulpy premise in deadpan realism, revealing Sotoko (homophonous with soto, meaning both “beyond” and “outside”) as a powerful character who challenges femme fatale archetypes, living in the frustration of failing to understand, even until the very end, those who are held closest. Structured with repeated scenes in a moonlit forest, Beyond the Night pierces the uncanny surface of physical reality to access the turmoil of humans’ inner desires.

同時和兩個女人交往的什，看似逼不得已，但其實那猶豫不決、容易受人擺佈的性格，才是真正的萬惡之源！就在什對自己感到迷惘、不安之際，卻又因為一場車禍的發生，而與一陌生女子開始一段糾葛不清的情誼。什能夠看透自己的心，找到真愛嗎？