Zofia, a professor of ethics, is visited by Elżbieta, an American researching the fate of Jews who survived World War II. A daytime classroom conversation turns into a night of confrontation, and Zofia is forced to answer for a decision she made decades ago that directly affected the course of Elżbieta’s life.

As a high school student, Majka bore a child, Ania, whom Majka’s mother, Ewa, has been raising as her own. Now that Majka is ready for motherhood, Ewa refuses to let go, leading Majka to kidnap her own daughter, with unexpected emotional consequences.

A father and daughter, Michał and Anka, have a unique intimacy, which the college-aged Anka is beginning to feel conflicted about. When she finds an unopened letter from her deceased mother, it seems to justify her attraction to Michał, who may not in fact be her father.

It’s Christmas Eve, and Ewa has plotted to pass the hours until morning with her former lover Janusz, a family man, by making him believe her husband has gone missing. During this night of recklessness and lies, the pair grapple with choices made when their affair was discovered three years ago, and with the value of their present lives.

森林傳出槍響，有人未經許可狩獵，林務長卻睜一隻眼閉一隻眼，他的妻子深覺犯行者根本就倚仗特權有恃無恐，來作客的親戚勸她為了孩子保持沉默，但她覺得父母更該以身作則才對。年輕英俊的林務助理，面對相識的特權和熟悉的法規，究竟該明哲保身，抑或挺身而出？
改編自波蘭作家索菲亞波斯米什的著作，非常諷刺的故事，全片明明風和日麗，卻暗潮洶湧。根據波蘭電影資料館的記載，本片從未正式播出。儘管鮮為人知，但從中已可窺見奇士勞斯基的創作手法與主題，透過各個角色的不同立場，辯證了錯綜複雜的人性與道德、規範與私慾，更直指政府當局好耍特權與姑息養奸的弊病，即使看似鳥語花香的森林，也無法倖免。

改編自褚威格自殺前的中篇小說〈棋的故事〉。棋奕對戰，一個是天賦異稟、戰無不勝的年輕棋王，一個是二十年不曾下棋的前任律師。黑白交錯間，律師緩緩道出他的故事。
納粹進攻維也納時，他被蓋世太保逮捕，因拒絕提供機密而被單獨監禁，真空般的孤絕使得精神日益耗弱。某次等候應訊，他從偵察官掛在架上的大衣口袋摸走一本書，原以為會是滿滿的文字，沒想到是一本記錄各家大師手法的棋譜。研讀棋局讓他克服了痛苦，但到了如數家珍的地步後，他又開始陷入無聊與憂鬱。於是只能與自己對弈，有如兩個大腦，贏的儘管高興，輸的一方卻不甘而要求再下，漸漸變成了無法停止的癡迷，讓他陷入精神崩潰的危機……。在極簡舞台上，大量的臉部特寫，帶你進入男主角從執著走向瘋魔的極端經驗。

按照《圣经》“出埃及记”的记载，《十诫》是十条上帝对人类的戒律。而基氏所讲述的是十个现代版离经叛道的警世恒言。十段短片都是普通人在平凡生活中发生的故事，却向我们提出了有关道德人性、宗教伦理、科学理性等诸多人类精神世界的问题。第一诫中葬身湖底的小巴博，都是因为父亲一味迷信 电子技术的结果；第二戒里的女人在两难中做出选择；第三戒是有关婚姻的困境；第四戒讲述有关家庭伦理的问题……第十戒以两兄弟间的猜忌而告终。基式向我们赤裸裸的解剖着这古老的十诫，永恒的人性难题又一次遭受现代社会里种种有关精神戒律的挑战与质疑。

1988 second part of the television series The Decalogue directed by Krzysztof Kieślowski

1989 film directed by Krzysztof Kieślowski

1989 film from cycle directed by Krzysztof Kieślowski

1988 Film directed by Krzysztof Kieślowski

1988 film from cycle directed by Krzysztof Kieślowski

1988 film directed by Krzysztof Kieślowski

“We tried to draw a broad picture showing that the class which, theoretically at least, was said to be the ruling class, had somewhat different views from those which were printed on the front page of the Trybuna Ludu.”
— Krzysztof Kieslowski
Robotnicy – Nic o nas bez nas tells a story about Gdańsk Shipyard and its workers after so called Grudzień 1970 (1970 protests). After those events Edward Gierek replaced Władysław Gomułka as party first secretary and promised redical change in style and methods of ruling. Kieślowski shows the skepticism of workers and their attitude to party members. He also pictures conflicts inside the party (PZPR) and usual work in shipyard. The political criticism of this movie made it a target of censorship – it was suspended and cut against the will of director.

Directed by
Alejandro Agresti
Gábor Altorjay
José Luis Guerín
Clemens Klopfenstein
Tato Kotetshvili
William Mbaye Ousmane
Eagle Pennell
Dick Rijneke
Mrinal Sen
Béla Tarr
Mildred Van Leeuwaarden
Krzysztof Kieslowski (segment "Siedem dni w tygodniu")
Carlos Reichenbach (segment "Desordem em Progresso")

Hero, is a polish former partisan and random unrelated scenes from his life of a realistic and surreal character are shown. Because of war his powerlessness, unbelief, self-irony, and difficulty in communicating are becoming apparent.

The Principles of Safety and Hygiene in a Copper Mine / Podstawy BHP w kopalni miedzi (19:39)
Commissioned instructional documentary film about the conditions of safety and hygiene of work in the Lubin Copper Mine. The artist brought his craftsmanship to bear even in this kind of occasional bread-and-butter work. This was also a useful occasion for sharpening a documentary maker’s eye…
— Polish Culture NYC

Between Wroclaw And Zielona Gora / Miedzy Wroclawiem a Zielona Gora (10:12)
Workers and working life were subjects of special importance to Kieslowski, and often in his early documentaries as well as in his features he focused on them. Two of his films were commissioned by the copper mine. This reportage film about the Lubin copper mine focuses on the hopes of a miner and his notions of success. Even here one can find the Kieslowski touch.
— Polish Culture NYC

Ten days of preparation for the Monte Carlo rally. The two Polish drivers battle with the technical shortcomings of the Polish Fiat 125 and overwhelming bureaucracy. They did not finish the race. An allegory of the country's industrial and economic problems.

此条目为合集条目，共收录欧洲16位名导演的短片。具体包括：
01. Talk (Bara Prata Lite) - Lukas Moodysson (1997)

02. Charlotte et Veronique, Ou Tous Les Garcons S'Appellent Patrick - Jean-Luc Godard (1959)

03. Copy Shop - Virgil Widrich (2001)

04. Epilog - Tom Tykwer (1992)

05. Fridge - Peter Mullan (1995)

06. Opening Day of Close-Up - Nanni Moretti (1996)

07. Gisele Kerozene - Jan Kounen (1990)

08. World of Glory (Härlig Är Jorden) - Roy Andersson (1991)

09. L'Homme Sans Tete (The Man Without a Head) - Juan Solanas (2003)

10. Concert of Wishes (Koncert Zyczen) - Krzystof Kieslowski (1967)

11. Jabberwocky - Jan Svankmajer (1977)

12. Nocturne - Lars von Trier (1980)

13. Election Night (Valgaften) - Anders Thomas Jensen (1998)

14. El Secdleto De La Tlompeta - Javier Fesser (1995)

15. Le Batteur Du Boléro - Patrice Leconte (1992)

16. My Wrongs 8245–8249 & 117 - Chris Morris (2002)