The clock is ticking... When a woman is bludgeoned to death, detectives face mounting pressure to crack the case and catch a killer. Intense crime drama inspired by real-life cases.

1945年的德国，一个小火车站上，难民如潮。海伦娜带着七岁的儿子捱过了艰难的战争岁月。苦难已经过去，新生活就要开始，然而，她将儿子留在了月台上，一去不归……《午间女人》讲述了一位德国女性自第一次世界大战开始至第二次世界大战后的坎坷经历。

John Gruber is in his mid thirties, an egocentric, living life in the fast lane and sparing no expense. But all of a sudden he is thrown off track by a cancer diagnosis and by the person who unwillingly delivers the news: Sarah, a DJane from Berlin, who is not his type at all. Feelings just aren’t Gruber’s cup of tea and now, without having asked for them, he has more than ever before…

An intricate psychological ode to simmering emotion amid unfettered separation anxiety, which took home a FIPRESCI Prize and Best Director award from the Berlinale’s Encounters competition.
Lisa is moving into a new apartment, leaving former flatmates Mara and Markus adrift. Mara, in particular, struggles with the change. While everyone else pitches in to help Lisa set up her new home, Mara moons about, mostly just getting in the way. At one point, she even makes a joke about being a ghost – and, as she continues to haunt Lisa’s life, her yearning for things to remain the same becomes infectious.
The second film in Ramon and Silvan Zürcher’s loose trilogy about human togetherness follows their award-winning feature debut, The Strange Little Cat, in building a lingering claustrophobic tension hemmed in by four walls. As extended family members, neighbours, handymen and hangers-on pass in and out of the two flats, a palpable undercurrent of sexual desire and jealously fills the frame, and an increasingly chaotic whirl of ambiguity – underscored by Eugen Doga’s Gramofon waltz – threatens to tear it all apart. As a cinematic madrigal on the nature of impermanence, The Girl and the Spider is a unique work of taut, existential distinction.
“A powerfully choreographed exploration of alienation … told through an uncompromisingly original, tantalizing and opaque narrative that curiously moves like a dancer.” – High on Films