A criminal organization known as OSO specializes in kidnapping high ranking U.S. representatives. Although Steve Austin has already thwarted one of their kidnappings, he is unable to stop them from grabbing William Henry Cameron right from under OSI's nose. OSO demands one million dollars in gold and Oscar Goldman takes the opportunity to try and lure them out into the open. Meanwhile, Steve accompanies Dr. Erica Bergner, who is testing a new method of brain transferal in order to find out where Cameron is being kept.

Story follows a stagecoach ride through Old West Apache territory. On board are a cavalry man's pregnant wife, a prostitute with a broken heart, a Marshal taking in his prisoner Johnny Ringo, a crooked gambler, and the infamous Doc Holliday

Emily Hollander becomes the subject of a lesbian obsession at the hands of Andrea Glassen, her next-door neighbour.

A publishing executive is visited and bitten by a vampire and starts exhibiting erratic behavior. He pushes his secretary to extremes as he tries to come to terms with his affliction.

Act I
Act one is an amalgam of early 20th century New Jersey and the dawn of the Ice Age. The father is inventing things such as the lever, the wheel, the alphabet, and multiplication tables. The family (the Antrobuses) and the entire north-eastern U.S. face extinction by a wall of ice moving southward from Canada. The story is introduced by a narrator and further expanded by the family maid, Sabina. There are unsettling parallels between the members of the Antrobus family and various characters from the Bible. In addition, time is compressed and scrambled to such an extent that the refugees who arrive at the Antrobus house seeking food and fire include the Old Testament judge Moses, the ancient Greek poet Homer, and women who are identified as Muses.
Act II
Act II takes place on the Boardwalk at Atlantic City, New Jersey, where the Antrobuses are present for George's swearing-in as president of the Ancient and Honorable Order of Mammals, Subdivision Humans. Sabina is present, also, in the guise of a scheming beauty queen, who tries to steal George's affection from his wife and family. Although the conventioneers are rowdy and partying furiously, there is an undercurrent of foreboding, since the weather signals change from summery sunshine to hurricane to deluge. (A fortune teller had previously attempted to warn them about this but had been ignored). Gladys and George each attempt their individual rebellions, and are brought back into line by the family. The act ends with the family members reconciled and, paralleling the Bibilical story of Noah's Ark, directing pairs of animals to safety on a large boat where they survive the storm and/or the end of the world.
Act III
The final act takes place in the ruins of the Antrobuses' former home. A devastating war has occurred; Maggie and Gladys have survived by hiding in a cellar. When they come out of the cellar we see that Gladys has a baby. Sabina joins them, "dressed as a Napoleonic camp-follower". George has been away at the front lines leading an army. Henry also fought, on the opposite side, and returns as a general. The family members discuss the ability of the human race to rebuild and continue after continually destroying itself. The question is raised, 'is there any accomplishment or attribute of the human race of enough value that its civilization should be rebuilt'?
The stage manager interrupts the play-within-the-play to explain that several members of their company can't do their parts because they're sick (possibly with food poisoning: the actress playing Sabina claims she saw blue mold on the lemon meringue pie at dinner). The stage manager drafts a janitor, a dresser, and other non-actors to fill their parts, which involve quoting philosophers such as Plato and Aristotle to mark the passing of time within the play.
The alternate history action ends where it began, with Sabina dusting the living room and worrying about George's arrival from the office. Her final act is to address the audience and turn over the responsibility of continuing the action, or life, to them.

A hockey player in a small town begins to lose his grip on reality and starts to believe that he is a gunslinger in the Old West.

A young drifter returns to his home in Key West, Florida and attempts to open a fishing charter business, provoking a dangerous feud with a rival fishing sea captain.

Two drifters, of widely varying backgrounds, rustle cattle and try to avoid being caught in contemporary Montana.

A woman begins to receive ominous phone calls from her nephew, who died 15 years earlier. With each phone call, a family member dies. Will she be the next in line?

出身贫寒的南部地主身患重病不久于世，他的两个性格相反的儿子布雷克和古柏带着各自的妻子参加他六十五岁的生日聚会。古柏是一位律师并管理大笔产业；弟弟布雷克却因为自己误会老友致使他自杀身亡，并怪其妻与挚友有染，不与其同房，成为大嫂的笑柄并无法接管产业。其实布雷克也不想继承产业，因为他觉得世上一切都很虚伪，但经过贤妻玛姬的激励以及伯父的开导，他才开始了解生活的意义，因而全家最终各得其所。

2019 American comedy-drama television series

She created one of the most indelible images ever brought to the big screen as the wily Southern survivor Scarlett O'Hara. Vivien Leigh's rise to fame and subsequent faltered steps are detailed in Hollywood Remembers: Vivien Leigh -- Scarlett and Beyond. Leigh began her career with the role that earned her an Academy award. Competing with such names as Bette Davis and Tallulah Bankhead, the British starlet rose quickly through the ranks to become a much-respected actress. She married fellow legend Laurence Oliver in a partnership that lasted 20 years. Throughout her career, Leigh assumed role after role that garnered her much praise. She became Anna Karenina in 1948 and Blanche Dubois from A Streetcar Named Desire three years later. Despite her successes, Leigh battled tuberculosis and mental illness constantly. She suffered miscarriages and underwent electric shock therapy. In the end, the viewer is left with an impression of talent and distinction contained in one of the most luminous careers of all time.

In their own words, and not a moment too soon - 'Broadway' tells the stories of our theatrical legends, how they came to New York, and how they created this legendary century in American theatre. This may be the last chance that these stories may be documented, for unlike film and television, live theatre exists only in the memories of those who were there watching, or more importantly, creating this magic. 'Broadway' tells the stories of these legendary performers, composers and writers while illustrating their tales with amazing, rare, archival performance footage and these legends' own home movies and photos.