Doc Jenkins may be one of country music's most beloved stars, but his private life is a wreck. He's split up with his longtime partner, Blackie Buck, a country outlaw with a heart of gold. Doc's singer-wife, Honey Carder, has thrown him out of the house. And now he's gotten involved with a sleazy music manager, Rodeo Rocky, who's out to steal his material. Teaming up with Blackie, Doc takes drastic measures to win back his family and reclaim his songs.

Medical drama about a major hospital whose emergency room regularly faces an overload of patients. One of the doctors finds it necessary to adopt an unorthodox procedure to try to save a patient, and finds himself in trouble in consequence.

Filmed in Chicago & finished in 1959, The Cry of Jazz is filmmaker, composer and arranger Edward O. Bland's polemical essay on the politics of music and race - a forecast of what he called "the death of jazz." A landmark moment in black film, foreseeing the civil unrest of subsequent decades, it also features the only known footage of visionary pianist Sun Ra from his beloved Chicago period. Featured are ample images of tenor saxophonist John Gilmore and the rest of Ra's Arkestra in Windy City nightclubs, all shot in glorious black & white.

The pious John List regularly goes to church and is respected by his neighbours. But one day the police finds his wife Helen and their three children slayed in their house - obviously by John, who left two letters for the police and his priest and disappeared. Chief Richland is disgusted by the murder and starts an intensive investigation. In flashbacks we learn about the history of the disaster.

Returning from a hunting trip in the forest, the Henderson family's car hits an animal in the road. At first they fear it was a man, but when they examine the "body" they find it's a "bigfoot". They think it's dead so they decide to take it home (there could be some money in this). As you guessed, it isn't dead. Far from being the ferocious monster they fear "Harry" to be, he's a friendly giant.

A troubled Southern man talks to his suicidal sister's psychiatrist about their family history and falls in love with her (and New York City) in the process.