A family saga set in Italy which chronicles the life of a middle-class family. It explores the relationship between two brothers Nicola and Matteo as their life paths separate during youth, encompassing major political and social events in post–World War II Italian history.

《灿烂人生(2003)》导演马可·图利奥·吉奥达纳新作，2018意大利银丝带奖特别奖。女人的名字，绝对不是弱者。单亲妈妈莲娜，带着年幼女儿，在享负盛名的私营安老院，找到看护工作。即使男友提议由他养家，她仍坚持自力更生。工作看来理想，同事相处也融洽，却原来隐藏不可告人的秘密：病态老板沉迷制服诱惑，在神父包庇下，利用员工满足私欲⋯⋯《灿烂人生》（2003）导演马高泰尼奥佐丹拿，早在「#MeToo」激起千层浪前，已构思好故事，如今上映正合时宜。莲娜要讨回公道，反被同事群起杯葛，更被控告造谣诽谤，但她不甘屈辱，决定抽身反击。

1945年4月30日黎明，意大利解放5天之后，人们在米兰市郊发现一男一女两具血迹斑斑的尸体。尸体上挂着两块牌子，上面写着死者的名字：奥斯瓦尔多·瓦伦蒂和露易莎·菲里达，他们是几小时前被游击队枪毙的。
在墨索里尼当权时代，奥斯瓦尔多·瓦伦蒂和露易莎·菲里达是声名显赫的电影明星，也是忠实的法西斯主义信徒。他们声色犬马的私生活如同他们在电影中饰演的角色一样受到追捧。作为主要演员，这对明星夫妇出演了墨索里尼政府支持的电影《白色电话》。在剧中他们分别饰演诱惑女人的流氓和丧失灵魂的堕落女人。这些毫不忌讳地彰显无政府主义倾向的荒淫无度的角色激起了意大利小资产阶级的愤慨……
马可·图利欧·吉欧达纳通过一对向墨索里尼政权妥协的演员夫妇的悲剧性命运带我们穿越了战争年代……请不要错过开往罗马的最后一班地铁。

The murder of 13-year-old Yara Gambirasio shocks the little town of Brembate di Sopra, Italy. To bring the culprit to justice, prosecutors have only scant DNA evidence and no database to compare them to. Based on a true story.

On December 12, 1969, a bomb kills 17 people at the Piazza Fontana national bank in Milan, Italy, marking the beginning of the Years of Lead. Local anarchists are scapegoated for the massacre by police and the media, but a lone prosecutor uncovers a conspiracy of far-right groups, corrupt secret services, and other interests that seek to undermine democracy.

November 2, 1975: Pier Paolo Pasolini is murdered in the outskirts of Rome. The suspect, a 17-year-old hustler, pleads to have acted in self-defense, citing Pasolini's notorious sexual habits as proof. However, many inconsistencies start to undermine his version, pointing to him not having acted alone or even being assaulted in the first place. Was Pasolini also killed for another reason?

Peppino Impastato is a quick-witted lad growing up in 1970s Sicily. Despite hailing from a family with Mafia ties and living just one hundred steps from the house of local boss Tano Badalamenti, Peppino decides to expose the Mafia by using a pirate radio station to broadcast his political pronouncements in the form of ironic humour.

2003 film by Marco Tullio Giordana