Ce matin, Steph, trentenaire adolescent, décide d'annoncer une grande nouvelle à son compagnon, Flippy, l'ours vedette des céréales Flip's. Mais que pensera ce dernier du projet qu'a Steph de suivre les cours d'une école de ninjas au Japon ? Ou plutôt, jusqu'où le prendra-t-il mal ? Y'a-t-il une échappatoire ? Et au fond, est-il bien opportun de vouloir à tout prix réaliser ses rêves d'enfant ?

Paulo Gustavo, 15 years, spends his days to the Social centre of the evangelistic Church. His mother, Gisele, has alcoholism problems. She has to go to the Centre where she meets Valeria, the social worker charged of submitted of a report with the authorities to validate or not the guard of the children by their mother. Valéria is also mother of two children. She is an evangelistic Pasteur and pushes the family to integrate her Church. Gustavo tells to everybody that he's in love with “Taina”, who nobody knows.

2012 film by Sophie Letourneur

Pam is twenty. She and her girlfriends hang out together on the couch at The Ranch, the apartment she shares with Manon. Sitting around chatting, drinking, smoking, and dancing are part of life at their age, but there comes a time when you need to cut loose from the group and go your own way...

Seven-year-old Nina cannot be her aunt’s daughter. Nor can she be her father’s lover. In this world threatened by contamination, what then is Nina’s place?

Céline, Thomas and Maxence always go by three. Just like the republican motto. They want to get married, to get a house, work, good children and eat oysters every day. Rebellious and ill adapted to the furious economical and administrative reality, they ride their burning quad bikes and travel across an afflicted France, looking for new landmarks, deserts strewn with bipeds and moments of ephemeral bliss.

2014 film by Sophie Letourneur

Life in the big city. Thomas is a young artist, broke and unattached. Laetitia is an attrac- tive, intelligent young woman in high heels. A party. A dance. An invi- tation. The pair spend the night together – vacillating between hospi- tal and bed, between light-heartedness and high drama. They are the bright stars that give paintings their depth.